Definition/Zh-TW

• Original, v.1.1: English
• Translations, v.1.1: العربية • български • català • čeština • Deutsch • Ελληνικά • Esperanto • español • فارسی • français • galego • hrvatski • italiano • 한국어 • македонски • मराठी • norsk bokmål • Nederlands • norsk nynorsk • polski • português • română • русский • slovenčina • slovenščina • svenska • Tiếng Việt
• Translations, v.1.0 (update/review pending): suomi
• More in progress

穩定版本本文件為本定義之 1.0 穩定版，版本號碼將會隨著定義演進而更新，您可以在 Definition/Unstable 找到可編輯的版本。請參閱 authoring process 以獲取更多資訊，若您想協助將本定義翻譯為另外一種語言，則請檢視 translations 。

Stable versionThis is stable version 1.0 of the definition. The version number will be updated as the definition develops. The editable version of the definition can be found at Definition/Unstable. See authoring process for more information, and see translations if you want to contribute a version in another language.

摘要

本文件將「自由文化創作品」（Free Cultural Works）定義為能夠被任何人在任何目的下，自由地進行研析、應用、複製且（或）更改的作品或表述。文件中亦描述了特定可允許的限制條件，用以保護或避免干預這些關鍵的自由。本定義與自由創作品（Free Works）不同，也和用以保護自由創作品之狀態的自由授權條款（Free Licenses）不同；本定義並不是授權條款，而是用以判定某一作品或受條款是否應該被視為「自由」的工具。

Summary

This document defines "Free Cultural Works" as works or expressions which can be freely studied, applied, copied and/or modified, by anyone, for any purpose. It also describes certain permissible restrictions that respect or protect these essential freedoms. The definition distinguishes between free works, and free licenses which can be used to legally protect the status of a free work. The definition itself is not a license; it is a tool to determine whether a work or license should be considered "free."

前言

社會與科技的演進，使得越來越多人得以「近用、創造、修改、出版與散佈」不同種類的創作品，包含了藝術品、科學與教育素材、軟體、文章等，簡言之，泛指任何可以用數位形式再現之物。此外，許多社群也群聚起來實踐這些新的可能性，並且建立了相當豐富的可重複使用之作品集。

不論來自那個領域或專業與否，大多數的作者都支持促進一個創作品能採用有創意的途徑進行散播、重複使用與改作的生態體系。越容易重複使用與改作創作品，我們的文化就將越豐富。

為了確保這樣生態體系

Preamble

Social and technological advances make it possible for a growing part of humanity to access, create, modify, publish and distribute various kinds of works - artworks, scientific and educational materials, software, articles - in short: anything that can be represented in digital form. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.

Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.

To ensure the graceful functioning of this ecosystem, works of authorship should be free, and by freedom we mean:

• the freedom to use the work and enjoy the benefits of using it
• the freedom to study the work and to apply knowledge acquired from it
• the freedom to make and redistribute copies, in whole or in part, of the information or expression
• the freedom to make changes and improvements, and to distribute derivative works

These freedoms should be available to anyone, anywhere, anytime. They should not be restricted by the context in which the work is used. Creativity is the act of using an existing resource in a way that had not been envisioned before.

In most countries however, these freedoms are not enforced but suppressed by the laws commonly named copyright laws. They consider authors as god-like creators and give them an exclusive monopoly as to how "their content" can be re-used. This monopoly impedes the flourishing of culture, and it does not even help the economic situation of authors so much as it protects the business model of the most powerful publishing companies.

In spite of those laws, authors can make their works free by choosing among a vast array of legal documents known as free licenses. For an author, choosing to put his work under a free license does not mean that he loses all his rights, but it gives to anyone the freedoms listed above.

It is important that any work that claims to be free provides, practically and without any risk, the aforementioned freedoms. This is why we hereafter give a precise definition of freedom for licenses and for works of authorship.