Talk:Definition: Difference between revisions

Revision as of 08:26, 26 April 2009

What about the applicable law?

If a license has a clause about the applicable law, is the license free? In my opinion, this clause is a problem because only the people that know a certain law can understand license's implied sides.

I think CC are working on licenses covered by Berne/WIPO law only. But a license needs a jurisdiction to avoid confusion or argument over terms and meaning, so in this case having a jurisdiction may protect freedom. --Rob Myers 20:06, 14 June 2006 (CEST)

First Thoughts

I had some issues with the definition of free content here. Firstly, the document attempts to define "free content" as so many have done in the past, yet there is no clear definition of what is and isn't free content in the "free content movement" you discuss. It concerns me that a definition is being created in isolation from the wider community without proper discussion.

I see the definition here models itself on the free software definition, but misses several important and fundamental aspects:

How does the definition handle digital works (such as images, documents, etc) versus non-digitual works (such as hard-copy books, paintings, sculptures, etc)?

How should digital works be treated? A digital work, such as a wordprocessor document, can be viewed in two ways: firstly, as a work in and of itself, i.e. content, but also as a piece of software itself that can display a final work. Should you only have the freedom to study a work (content), or should you also have the freedom to study how a work was created (software)?

The definition talks about the freedom to make and release (distribute?) modifications but it doesn't say anything about source copies of work. I can think of several examples where the freedom to make modifications can be provided, but without a source copy of a work (i.e. in the format preferred for making modifications) making modifications could be prohibitive:

Protected PDF - sure, decrypting such a PDF is possible but its a) tricky to export a PDF to a format that can be modified with all the information intact (images, tables, etc), and b) it may be illegal to decrypt protected PDFs in certain juristictions (DMCA?)
Text content as image files - a user could allow users the freedom to modify his written works but only distribute them in image format. It is difficult for downstream users to then extract the text content

You also talk about "free content licenses" where you should really be talking about free content works: a license enables a free content work, but

Free experession is not the same as free content: you can have the right to free expresssion without having free content, and free content does not guarantee free expression.

I hope this is helpful. --Rgladwell 20:25, 1 May 2006 (CEST)

Thanks for your comments. If you don't mind, I will move them to Talk:Definition/Unstable and respond there, just to have all comments in one place. First thoughts: You raise a very good point. Is it possible for something to be free content without the "source code" (or something equivalent) being available? Under the current definition, it is. Perhaps we need to find a wording that requires source availabiliy where such sources are essential to modifying the work. More later,--Erik Möller 20:42, 1 May 2006 (CEST)

I've dispatched some of the comments into their own sections in Definition/Unstable. --Antoine 22:16, 1 May 2006 (CEST)

Is there somewhere I can sign? -rhY-

In terms of source requirements, should it be more along the lines of source must be supplied where it existed in the making of the derivative and in the case of simple copies, if source was available for the original?

Wow ... you even frame/structure Talk?! ... meh. Anyhow, nota: you have Definition as your default index (wrong ... on basic principle, wrong ... you program? think trampolene) but Definition links to the rest of the site very very poorly. --BenTrem 68.148.26.220 01:07, 25 June 2006 (CEST)

WANTED

Written By : Alaa Soliman

 E-mail       :  alaa.din10@yahoo.com

March 2008 , Florida

Fade in :

INT. - Train - Day

- Ray about 30 years old

- Wears a Captain uniform & has a mustache

- Have sunglasses

- Reads a magazine, while an old woman sleeps beside him on a seat .. EXT. - Railway station – Day

          - Train stops

          - Ray gets out from the train curries a bag

          - His eyes move in everywhere

          - Walks out among the crowd

          - Two women behind him

- Whispering, while he can hear them .

Woman ( l )

How handsome that man !

He is very handsome especially in such wonder wear.

Woman ( 2 )

Captain !

His life in the sea, oceans, ships and harbors

 INT.        - Ray's car              - Night

- Black Ford Car 4x4

- A street corner

- Street is calm has little moving .

- Ray inside the car without mustache

- Smoking a cigarette .

- Wears black T. shirt & jeans

- Hears footsteps nearing behind the car .....

- Tony appears

- Tony is about 32 years old.

- Opening the door and sits beside him

- Lighting a cigarette

Tony

       Everything is ok ?

Ray

       Florida …. a wonder state !

       Everything is ok

Tony

       When did you decide to execute the first mission?

Ray

Saturday at night

Tony

After 3 days !!

Ray

       This rascal shall return to his home around 7 p.m. with his guards every Saturday, then getting his office room in the first floor for an hour Next Saturday around 7.30 he shall bleed by shooting his head by Ray

Tony

       I thought you shall kill him in his office

Ray

I found this is a very difficult

Getting away from the place after finishing the mission shall take time .

I planned for everything accurately

Tony

You're skillful in planning !

Ray

This Robin is living with his wife and one of his daughters in the house ....

Tony

      I hope the mission won't be exceeded !

Ray

Won't exceed

Since I saw their photos … ..looked at their faces,

I become more ardent to kill them .

Especially the bold one

Tony

       That bold shall leave the life next Saturday

Dissolve

Ext. – Robin's house - Night

- It consists of 4 floors

- House is very luxury

- A green area and plenty of trees

- Ray's car is far in the backside .

INT. - Robin's car - Night

- Mercedes car

- Robin is about 50 years old

- Bold, very Rich....

- Seating in the back seat

- His private guards in another car back him

- Driver drives the car

INT. Robin's house -an office room -Night

- Office room is rather dark

- Few light coming from out.

- Ray inside the office room

- Carrying a guns

- Looks from the window

- Getting out from the room careful

       INT. –Robin 's house-Reception-Night

- Ray is hiding behind a column

- Suddenly, a light is turning on in the second floor.

- Gets attention …….. (Steady position to shoot. )

Ext. - Robin's house - Night

- Robin arrives

- Getting out from the car

- He walks to the house entrance

- Four guards around him

- Robin orders two guards, they stop, then enters with other two guards

 Int. - Robin's house -  Reception - Night

- Light turns on

- Robin enters to the office room with two guards

- Ray nears from the window

- Looks

- Seeing two guards outside

- Nears from the office room

- Pushing the door by his foot

- Ray shots a guard in his stomach.

- Rushing into the office room

INT. - Robin's house - an office room

- Ray shoots Robin's head

- With the other gun shooting the guard, but he didn't injury

- The guard shoots Ray

- Protecting himself through the door against shots

- Woman's voice screaming from the upper floor

- The guard is still alive beside the door

- Tries to get his gun

- Ray shots him while running, injuring his head

- Quickly shoots a guard who was coming from out, killing him at once

- Ray runs towards the house door

- A guard behind him but shoots the other guard who was coming from outside

- Ray runs to out

Ext. - Robin's House - Night

- A guard shoots

- Ray hides behind a tree but a bullet injuring him

- Steady to shoot

- Shooting from a far distance on that guard then injuring him in his hand

- Runs

- Putting his hand on his bleeding shoulder

- Drives his car with high speed

INT. - Ray's car - Night

- Ray bleeding from his right shoulder's injury

- He tries to overcome the pain

Ext. - Private hospital - Night

- Ray's car arrives to the hospital's entrance

Int. - Hospital – corridor

- A group of nurses

Ray

       Where the Emergency room?

A nurse

       The third room in the corridor end at right

A nurse

       What happened to you?

Ray

       Nothing serious

Int. - Emergency Room

- Ray enters

- Doctor refers to him to be lay down in a bed

- A nurse enters

The nurse

       There's a child injured in his foot

        Calls Doctor Steve?

The doctor

Quickly

- She gets out

- Doctor checks Ray's shoulder, making the necessary aid

The doctor

       Your wound isn't easy

       Is this shoot!  Isn't it?

Ray

Yes

The doctor

How you could bear such hard pain?

       Little people can bear pain such as you .

       Last month, a man came to the hospital accompanied by his friend he was injured in his finger.

       The screaming of this man was so loud, he couldn't bear such little injury it could hear his screaming from the end of the street!!

       The bullet didn't penetrate your shoulder directly, but it made a large wound

       Are you policeman?

       Or someone shoot you?

Ray

- From Florida police

- The injured child enters with his grandmother and a nurse

- A child has about nine years, crying

The nurse

       Bring the child here in the bed

- The bed beside Ray separated with a curtain

- Doctor Steve enters with two nurses

- Begin to make the necessary aid for the child

- Grandmother cries

The nurse

Be quite.. quite

       He shall be fine

Doctor Steve

       Check the child's pressure and quickly fetch oxygen

- the nurse drag the curtain that separating between Ray and the child

- But Ray can see the child's face

The doctor

       Did you follow a criminal?

Ray

       An murderer criminal

The doctor

       This is too much cost paid by policemen

Ray

       That is right

The doctor

       You offer several sacrifices for us

(To the nurse) what about the child.. ?

The nurse

       The child's grandmother says that he was playing in the garage, which is full of scrap and heavy objects that a piece of iron falls on his foot .

Ray

       This is a very painful for a child in such age

The doctor

       Do you feel better now?

Ray

       Rather

The doctor

       Check his pressure

       Currently we don't need more that this

       Some analgesic for pain after surgery.

Ray

Thank you

The doctor

       Surely your pressure is lower

       You bleed too much

The nurse

       His blood pressure is really lower

The doctor

       Remember that pain shall hurts you after 6 hours

       But the wound has been cleaned

- Ray looks to the child through the separated curtain

The doctor

       You should be in a rest today

- Ray tries to get up

- Feels pain

The doctor

       To where?

Ray

       I can't stay in the hospital

       Thanks, anyway

The doctor

Why?

       Your wound needs some care

       Why you insist to go now?

Ray

       I must go now

       Believe me, I feel better, Thanks again

- Ray drags the separated curtain between him and the child

Ray ( to doctor Steve )

       What about his wound ?

Doctor Steve

       He shall improve at anyway

Ray

       Are you his grandmother?

The grandmother

Yes

Ray

       What's his name?

The grandmother

       Anthony

Ray

       A handsome and charm boy

Doctor Steve

Don't worry

He shall be recovered

This shall take times.....

The grandmother

       How long?

Doctor Steve

       About 10 days, maybe rather more

The grandmother

       Should we come to hospital for another time?

Doctor Steve

       No, nurse shall follow – up his wound in the house if you want so.....

The grandmother

       Thank you

- Anthony crying but little

- Both Ray & Anthony looking to each other

Ray

       Can I visit you in your house to see Anthony?

The grandmother

       Of course, You are welcome. Our address is vatrim street 5087,Hilkhreew No,532

The doctor

       I didn't know your name yet.

Ray

       I'm Ray

The doctor

       I'm doctor Alan, and this is my comrade doctor Steve.

- Ray looks to Anthony

Ray

Thank you.

- Getting out. Wound bandage on his shoulder.

Int. - Ray's apartment - Night

A luxury apartment

        Ray is setting, drinks

       - Before him a big photo on the wall for a beautiful blond woman, his lover Anne .

       - A photo for Robin marked with red x, beside it, a photo for another man without x on the wall

       - Beside Ray briefcase, bag full of money

       - Looks to the other man's photo

       - Puts the cup of Brandy

       - Picks the gun up

       - Aiming the gun towards the man's photo

Ray

       Now is your turn

       Did you prepare your coffin?

       Ray's shot shall penetrate your head

       Your life becomes just little days.

       Your face is ugly!

    Makes me furious like your dead friend!

 Ext.         - Anthony's house - Day

- Ray arrives in his car

- Without wound bandage

 Int.   - Anthony's Apartment - Day

- Knocking the door

- The grandmother opens

The grandmother

       Welcome Mr. . Ray

Ray

       Good morning

The grandmother

       Please come in

- He enters

Ray

       How is my friend Anthony now?

The grandmother

       He's sleeping since two hours

       Took analgesic then slept at once.

Ray

       A boy full of vital and joy!

The grandmother

       Would you like seeing him?

Ray

       I come exactly for this purpose

The grandmother

       With pleasure

- To Anthony's room, at right side of kitchen

- Opening the door

- Ray enters

Int. - Anthony's bedroom - Day

- Looks to the innocent child's face

- Gets out then gently closing the door

Int. - Hall

Ray

       What about the pain?

The grandmother

       Every day improves than before .

       It was unforgettable day!

I didn't feel him when gone out then sneak into garage.

      When I saw him screaming.. screaming and his foot full of blood

       I wept also, Maybe I would faint

Ray

       Anthony looks like me when I was his age

The grandmother

       Really?!!

       Are you recovered from your injury?

Ray

         Rather

       Are you live with Anthony alone?

The grandmother

 His parent in a work in Swiss ….. they left him with me

       I don't know what I can say to them when ask me!

Ray

       Don't tell them anything.

       Don't make them worry.

The grandmother

       There's no doubt when they come back, I shall tell them

       My temper doesn’t bear anymore!

       I'm an old woman exceeded 75 years.

- Anthony's voice from his bedroom

Anthony

       Grandma..      grandma

- Ray with the grandmother to the room

Int. - Anthony's bedroom

Anthony

       Ray!... My friend..

Ray

       My friend Anthony

Anthony

       I'm very glad to see you

Ray

       Do you feel any pain right now?

Anthony

       Pain hurts me from time to another

       But it isn't hard

Anthony

       And you?

       Is your shoulder hurts you?

Ray

       Sometime

       Such injury shall not make you play again in the garage

Anthony

       I will not do it again

But you didn't tell me?

Ray

       Tell you what?

Anthony

       How your shoulder injured?

Ray

       Is this important?

Anthony

       I'd like to know

Ray

       One of the murderer criminal shoot me

Anthony

       Why?

Ray

 I…….

-The grandmother interrupt Ray

The grandmother

       Do feel hungry Anthony?

Anthony

No, no

       I don't feel hungry now

       I want to drink water

       - Ray pouring him a glass of water

       - Grandmother looks to her watch

The grandmother

       After half an hour you shall get a capsule of your medication

       Its time after half an hour

Ray

       Anthony, you look like me when I was in your age

Anthony

       Am I ?

       I'm glad to hear that my friend

       Have a photo for you when you were a child to compare myself?

Int. - Florida police - corridor -Day

Neil from Florida police to the commissioner's office

Int. - Florida police -the commissioner's office

Neil gets in

Commissioner

       Robin is the Ray's first victim

                                Neil

       Maybe there's other victim or victims!

Commissioner

       Everything was expected as there's who paying for that..!

       Where's Albert?

Neil

      I saw him parking his car

       We shall do our best to arrest him

       We have got several notifications from New York police confirming that he is in Florida

       Time is very important

Commissioner

              We're facing professional criminal and very intelligent

       This made him in the list of the most wanted

- Searching some documents on the desk

All investigations, evidence and information from New York , it was assured that Ray has come to Florida for a murder as maybe crimes .

Neil

       Exit intersection.. Airport.. Railway stations.. High ways under control!

- Albert from FBI enters

Commissioner

       Is there new news?

Albert

       There's no news except what we have verified

       A killed shoot in the victim's head by Ray!

Neil

       If one of Robin's guard still alive, we couldn't verify that the guard recognized his photo as soon as shown it

Albert

Yes

       In addition that, this criminal has super ability to aim the goal accurately, he distinguishes with disguise

Commissioner

We thank Ray that he didn't disguise when executing this

crime

Albert

       Since 6 months, we assured from our source that it was agreed with him to kill one of the elected person in the local municipality elections for the benefit of other elected in one of New York Subsidiaries, but so sorry it could approve the accusation on such elected.

Commissioner

It must arrest him before making more crimes, he considers a threat for public security

Albert

It should increase investigations in everywhere may suspecting to be there.

Neil

Many investigators and private detective are spreading now in everywhere.

- Ray's photo on the computer's monitor front of him

Commissioner

       What about the next plan?

       Did you discussed it together?

Neil

       Yes we discussed

Albert

       We have some notices shall be discussed together

Neil

I think if could hold this thread, it is probably arrest him

Commissioner

The success of this plan firstly depends on Brain's agreement to work with us without force.

Neil

This is very important

He departure the prison just from short time

Albert

If we could persuade him to work with us as a nark! It shall be good!

Brain Knows most Rich Businessmen and many persons who pay money versus killing.

He has multiple relationships with several gangs and murderers in Florida ! I think he shall do much if agreed to work with us!

Commissioner

Ok., we see what will happen with him

Int. - Ray's Car - Day

- Listening to hit music

- Mobile ringing

- Turning down the music

Ray

Yes

Tony! Where are you?

Intercut with Tony in his Car – Day

Tony

               In my car

Ray

               I'm also in the car

Tony

               Are going to the apartment?

Ray

Yes

Tony

               Ok, I will be at you after half an hour

- Ray returns to hit music again

Int. - Ray's apartment - Day

-Ray holding a cup of wine

- Bell 's sound

- Opens the door

- Tony enters

Ray

      Look……

- Refers to Anne's photo

Tony

       A charm woman!

       Wonder blond! Her golden hair makes her more charm and fascinating.

       She's really beautiful

Ray

       Would you like a cup?

Tony

       I'll be thankful

- Ray prepare him a Cup

Tony

       In the newspaper, I saw the bold … Robin's photo shoot in his head

- Ray smiling

Tony

How I felt proud when you told me, you achieved the first mission!

I felt proud because my friend is a professional, never miss his goals

Ray

Tony…. Do you remember our last days in New York ?

Tony

I wish if such days returned again whatever for just one day!

It was nice days; I left New York to Florida . Since Hank told me that he wants to kill two persons and needs a professional to finishing those at once, I imagine you

Ray

       Hank pays a lot of money!

Tony

       He has great wealth

       He considers one of businessmen here in  Florida    . Everything, Trade and Industry.

Ray

       Drugs!

Tony

       No, no ,

He doesn't need more money

- Tony stands

- Fetch another Cup of wine , lighting a cigarette

       You didn't tell me about Robin, How could get the house?   Alarm system in everywhere, Secret doors, Guarding dogs

Ray

It wasn't a problem to me

Tony

Do you agree with me that the most danger gang that consisting of just one person… that's you?

Ray

I agree

Tony

I affirm that I admire you, Since We

Known each other and become friends from 12 years …!

-Tony puts his hand on his shoulder

Tony

Is your shoulder has been recovered?

Ray

Yes

Also Anthony can walk now

Exactly Ray but a child, when I saw him I felt that I'm facing myself when I was a child!

       Anthony asked me about the reason of my shoulder's injury? I forced to lie!

I told him that a criminal shot me … then he asked me about the reason too!

I dodged to answer … what I would telling him?!

I injured when providing a murder mission …! I don't like to know that.

Maybe he doesn't understand anything … but I don't like Anthony to know !

INT. Brain's apartment – Bedroom – Night

- Brain the criminal

- Naked in bed with a naked woman

                           The woman

I'd like to be with you forever

How days, months and years have lost when you were in prison

Brain

           We shall recover those days now

- Kissing her

- Suddenly

Neil and Albert pushing the door strongly

- Aiming their guns towards Brain's face

Brain

Who are you? How did you get in?

-The woman screaming…. Putting bed sheet on her breast to cover it.

Brain

What do you want?

Neil

Florida police

Albert

FBI

Brain

What do you want?

I'm arrested?

If so, why?

Albert

You aren’t arrested exactly

It is our luck that door was rather opened so we entered

Brain

I want to know what's happened.

Neil

You will know everything

Brain

Shall you take me naked?

Albert

Wear your clothes then let us go

Brain (to Neil )

The pants beside you on the chair

I'll wear pants under over … would you please?

The woman

And me …. And me

Albert

Calm down for a while. you aren't aimed for anything

Brain

May you bring please?

Or you want to down from the bed then walking naked as I born front of you!

- Neil throwing the pants on air then falling on his face

Brain

       Thanks

- Trying to wear the pants ……. He still under bed sheet

- Suddenly throwing the bed sheet on Neil's face

- Quickly getting up

- Pushing Albert by his hand

- Takes his shirt quickly

- The woman screaming

- Brain running.. escaping from the apartment

Ext. - Street - Night

- Wearing his shirt while running

- Albert & Neil run after him

Neil

Stop Brain .. stop

Albert

Don't ever shoot

- Hides behind a vettura

Neil

Rascal!

Albert

Damned! .. Vile!

Ext. - streets -Crowd - Night

Albert

He's there

- Running

- Brain among crowd, cars ,people

- Trying to stop any car, but useless

- Running among people

- All go away from him

- Hiding behind a stopped car

- Careful, looks through car's glass

- Sees Neil & Albert

- Tries to open car's door

The car's Owner

Get away of my car

- Brain strike his face strongly

Neil

Is he lost in the crowed?

- Brain running

- Hits with a man, falling together

- Quickly gets up

- Keep running

Neil

He falls there!

- Running towards him

- Red Pontiac car driven by a woman was steady to be stopped

- Brain pushes her out

- The woman screaming

- Brain rushing into the car

- Drives the car with high speed

 -        A taxi is passing in this moment

- Albert stops the taxi.

Int. - Taxi - Streets - Night

Albert

Quickly follow that red car

We're police

- Neil makes a contact

- Neil

Unit 15

We're in san Dircy street , We need a police car to halt the way front of the fugitive. Right now. Red Pontiac car

Albert( to the taxi driver )

Don't let him runaway

                                      The taxi driver

He's crazy!

What this rash does? What is his crime? ...... why

Do you chasing him? !

Is he stolen this car?

Albert

Don't talk too much.

Keep following

Don't let him escape

Int. - Streets - The red car

- Brain drives the car frivolity

- Crushing a car

- Keep his way

Ext. - Police car - Night

- Police car moves

Int. - Taxi - Streets

Albert

Foolish!

Neil

He near from the highway

Ext. - The red car - Street - Night

- Car's steering wheel out of his control

- Crushing two cars

- Getting away from the street

- Brain turns with the car then keep his way

Ext. - Police car

- Police car appears

Int. - Police car - Night

- 3 Policemen

- One of them makes a contact

-Picks the microphone to call in

                                 The policeman

We can 't halt the way !

Very crowed !

Ext. –The red car – Highway –Night

The red car to the Highway

Int.. - The taxi - Highway

Albert

We must contact the first intersection

- Neil makes a contact

Neil

Unit 15 .. unit 15

Telling the first intersection with car's details

Int. - Police car - Highway - Night

The policeman

I'll do order right now

- Picks up the microphone to call in

Intersection A

From Intersection

I hear you

The policeman

Here unit 15 ,A red Pontiac car

Its numbers panel is crushed

Driven by a man

You should stop this car

Int. -The red car - Highway

- Brain trying to cross a big truck next to him

- Steering wheel out of his control

- The car gets away from the way

Ext. -The red car - Highway - Night

-The car crushing with the iron barrier

- Turning over many times

- Police car stop

- The taxi stop

- Running towards Brain

- Brain's face bleeding

Neil

Is he still alive?

Albert

I don't think so

                                        The taxi driver

Can I go?

Albert

We thank you

                                         The taxi driver

I'm always helping policemen

Is this crazy dead?

Int. - Neil's office -Day

Neil & Albert

Neil

Our thread has been cut!

Albert

He's died! I think we mistaken when we entered to his bedroom armed

- Ray's photo on the wall … [ Wanted ]

Neil

Don't forget Brain is a danger criminal

Always armed, shooting anyone facing his way

Albert

He though that we came to arrest him

Neil

He always used to escape from policemen

- Mobile rings

Albert

Yes

When?

Watching 24 hours a day

Ok … ok

Albert

There's a call from FBI

Neil

About Anne?

Albert

I asked to watch her 24 hours a day

Neil

       Maybe longing and yearning to her lover makes her coming to Florida

Albert

This is just probability

She will be under watching

Neil

If so, she will make a great help

Int. - Anthony's house - bedroom - Day

- Anthony wears his clothes

Anthony

What is your opinion about this red t. shirt?

Ray

As you like

Anthony

I ask you my friend

Ray

This red is elegant

Anthony

Ok

-The grandmother enters

Anthony

I didn't go out since 20 days grand ma … !

The grandmother

Anthony, you must be careful

Ray

Be quiet about him

- Anthony combs his hair

Anthony

I 'm finished

Ray

Let 's go

-Ray helps him

Anthony( to his grandmother )

Do you change your mind and come with us?

- Getting out from the room

Int. - Anthony's house - the hall

- She opens the door

The grandmother

Please Mr. Ray don't be late

Ray

We shall not

Ext. - Anthony's house – Day

- Ray helps Anthony to get in the car

- Puts him safety belt

- The boy salutes his grandma

- She salutes him

- The car moves

Int. Ray's Car – Day

Ray

Would you Italian Food?

Anthony

Pizza?

Ray

Pizza.. Do you like pizza?

Anthony

I think nobody dislike it.

Pizza…. Italian food !

Ray

Also Italy distinguishing with macaroni..

Anthony

Did you visit Italy before?

Ray

Since 7 years!

Anthony

Do you like Pizza my friend?

Ray

As you said ....No body dislike pizza

Anthony

To the Italian pizza

Ray

When your parents come?

Anthony

I don't know

My father called yesterday but didn't tell anything

Ray

Did you talk with him

Anthony

Little

He called lately at night

I was sleepy

My grandma didn't tell him about my accident

She told me to not say anything

Ray

well done

Anthony

Mum will be so sad when knowing what happened to me and of course dad too.

But when they come, I shall tell them about you!

Ray

Me?!

What you will say?

Anthony

I shall say you're my new friend

Although you're older than me

How old are you?

Ray

Guess?

Anthony

25 , 28 years

Ray

How old are you exactly?

Anthony

9 years

Ray

I'm older than you about 21 years

Anthony

30 years

Ray

I seem older or younger?

Anthony

Seem younger

Ext. The restaurant - Day

- The car is parking

- Ray get out

- Helps Anthony to getting out

Ray

What about this Italian restaurant?

It offers all kind of Italian food , especially pizza

-They enter

Int. The restaurant - Day

Anthony

Is there unoccupied table!

What shall we do now ?

Going to other restaurant ? … we haven't luck to eat pizza today ?!

Ray

This time usually crowded

-Ray sees unoccupied table

Ray

There's one

-They go to unoccupied table … seating

- Waiter gives each one a menu

Ray

2 pizza

Waiter

Which kind?

Ray

All in the menu?

Waiter

Yes

                                  Anthony

Great!

There're many kinds … sea food pizza, vegetables, meat and others.

I take pizza with vegetables

And you?

Ray

Me..

This.. no

Pizza with tune

Waiter

Ok sir

Anthony

Look..

-Ray turns around

Ray

What?

Anthony

This fat man!

Eats with a funny way!

Eats gluttony! Doesn't care anyone around him.

Doesn't feel shame?!

Ray

In which class are you in?

Anthony

Fifth class

Ray

Are you success or not?

Anthony

I didn't fall up till now in any exam

Ray

What would you like to be?

Anthony

A pilot in U.S. Air forces

Ray

Do you like air ?

Anthony

I like planes and pilot's uniform

But I prefer warplanes than civilian planes

I keep many pictures from magazines and internet about warplanes F16 – F 22 , Ghost, French Mirage, and others .

- Waiter brings the pizza

Anthony

Delicious!

Isn't it?

Ray

Very delicious!

Anthony

I forget to ask you, what is your job?

Ray

Why do ask me about my job?

Anthony

I want to know everything about you.

Ray

As you guessed my age, can you guess my job?!

Anthony

This is very difficult!..

Ext. Gym center – Day

- Tony 's BMW car stopped next to the Gym center

- Getting out from the car

- Enters

Int. Gym Center – Day

- Tony walks till reaching the receptionist

- Talks with him

- Turns around then going to a hall

Int. Gym – Center

- Looking around

- The center has some men and youth in different ages practicing sport with devices

- Tony sees Mr.Hank ,about 55 years old

- Hank Manilow , one of businessmen , and the most rich man

- Tony going forward to him

Tony

Mr. Hank

Hank

Tony! … What do you want?

Tony

Don't want see me?

Hank

I told you before we shouldn't meet till finishing everything!

Tony

That's right

But …

Hank

But what?

Speak……..

Tony

You seem annoyed from seeing me!!

Hank

I don't want anyone seeing us till finishing everything … I warned you before and you disregarded my warning.....

Tony

Why overdone fear and worry?!

Mr. Hank, you seem that you forget our agreement!

Hank

No

I didn't forget

Shall we talk in another time

Tony

When?

Hank

Tomorrow at seven P.M.

Tell me, what about your friend Ray?!

Be careful, don't tell him anything about me

Never Tony…. Never!

You shouldn't mention my name … I don't tell you what I shall do if happened so! Consider it is a threat… warning as you wish…do you understand?

Tony

The important thing at him is money… just money

Be quiet , he doesn't know anything about you

Hank

Also the important thing for you is money

Just money

Did he tell you about the second mission?

Tony

He plans , determining time and place then execute

I think he execute successfully

He doesn't like to stay here for long time , as soon as finishing the second mission, he will leave Florida

Hank

Ok Tony

You can go

Tony

Bye..

- Hank returns to his gym

Hank ( to himself )

Vile!

Ignoble!

Ext. Gym Center - Day

- Tony gets out

- Drives his car

Int. Tony 's apartment - bedroom - Day

- A woman in nightgown lies in a bed

- The woman is Tony 's lover , Martina

- Tony arrives

- She hiding behind the door

- He begins to take off his shirt

- She kissing him

Tony

Honey!

Martina

Didn't you feel my presence?

Tony

It is a pleased surprise!

Martina

I missed you too much

Tony

How I miss you!

-He kisses her hot deep kiss in her lips

Martina

We didn't meet than 20 days!

Tony

I'm really busy these days

Do you feel hungry?

Martina

I prepare you wonder food within minutes

- She getting out

- He looks to his face on the mirror

- Touches his beard

- Enters the attached small bathroom to bedroom

Int . The bathroom

- Tony begins to shave his beard

- Martina's voice from the kitchen

Martina

Would you like omelet with salad or …

- Tony doesn't hear

Martina

Tony … Tony

Tony

What?

- Turns shaver off

Tony

Do you say something?

Martina

Would you like omelet with salad or cheese with boiled vegetables?

Tony

As you with

- Turns shaver on

Ext. A street - Day

- Ray's car stopped

- Daimler car stops next to a building

Int. Ray's car – Day

- Ray watching the building's entrance

- Opens car's window little

Ext. The building's entrance - Day

Arthur… the man whom his photo was hanged beside Robin's photo in Ray's apartment appears.

A rich man about 48 years old surrounded with 3 men of his guards.

Int. Ray's car - Day

- Steady position to shoot

- Aiming the gun towards Arthur's head

- But suddenly a woman appears cut vision

- She kisses Arthur

- Guards turning around them

- One of them opening the car's door

- Arthur sits beside her in the back seat

- The car moves

- Ray lights a cigarette

Ray ( to himself )

What is damned luck?!

Ignoble prostitute woman!

- Turns with the car in the other direction

Int. Tony 's apartment – bedroom - Day

- Tony with his lover naked in the bed

- Dalliances , kisses and embraces

- Mobile ringing

Tony

- Is this a time for calls!

- Go to hell

Martina

Maybe it is an important call

Tony

There's no one in the world more important than you … I love you … I love you ….

Int. Ray's car – Day

- Ray trying to make a mobile call , but useless

- Throwing mobile with a nervous action to the back seat

Ext. Ray's car

- Ray's car crossing down town streets

- Stops next to a bar

- Getting out from the car

- Quarrel in the street next to the bar … two men are fighting.

- Ray looks to them….

- Enters to the bar

Int. bar - Day

Ray

Beer

- The barman prepares a cup

Man (1)

This is the worst bar!

Man (2)

All bars here worst each other!

The barman ( to Ray )

Is this the first time come to here?

- Gives him a Cup

- Ray

And the last time

- They laughing

Man (1)

Did I tell you!

This man shall not come to here again

This is the last time

- Ray drinks

- Looking to them

Ray

Shut up

Man (2)

Do you prevent our talks?

- Ray going towards him

- Catches him from his shirt

Ray

I don't like to hear your voice

Or I shall break your neck

The barman

I'm sorry for this

- Ray ready to go out form the bar

The barman

You didn't complete your drink !

- Ray throwing him about 100 dollar in the air

Int. Florida Police - Neil's office - Day

- Neil makes mobile call

Neil

Where are you?

Intercut with Albert in a room – Florida Police – Day

Albert

Floor 2

Neil

Okay

- Neil gets out

INT. Corridor - Florida Police

Neil ( to Margrate ) Police woman

Margrate !congratulations for come back

Margrate

Hi, Neil , thanks

- Neil arrives to a room in floor 2 , then enters

Int. - Florida Police- an office room

- Ray's photo victims on the wall

- The victims , men , woman

Neil

Ray's Victims!

Albert

This man!

Ray killed him in 1994 . His name

Jeff Kilsany . In 1995 another crime has been committed

Neil

Every year he used to commit a crime As long an there is the sponsor of the committed crimes, he is ready.

Albert

His victims are many .Look… In the year 2000, he killed that husband after his wife paid to money to do this.

Neil

There's no thing important in his life more than money

Ext. – Ray's Apartment - Night

- Light glimmering.

- Charming view

- Ray looks from the window

- Drinks a cup of wine

- looking at the photo of the second man, Arthur on the wall.

- Spitting on it.

Ray

You can't escape the next time.

I'll kill you ………...... Kill you.

- Bell 's sound.

- Ray opening the door.

- Tony & Ray are embracing each other's.

Tony

My dear friend

Ray

You look tired..!

Tony

Is this clearly appearing on my face?

Ray

What are you doing to look so tired?

Tony

Nothing new!

- Tony is looking at Anne's photo on the wall....

Tony

Good Evening my fair lady.

Ray

I have called you today

The mobile was off....

Tony

I was so busy at that time

Ray

In what?

Tony

I went to bed with a woman.

- They laughing

Ray

Beautiful?

Tony

So beautiful.. Charm brunette

Ray

I don't like brunettes

Tony

When will you execute the second mission?

-Ray sits

Ray

I was about to kill him, unfortunately he escape

Tony

How?

Ray

I was about to shoot him; unfortunately an old cursed woman cut vision.

Tony

Where?

Ray

Before the building of his office.

- Tony fetch cup of wine

Ray

He will not escape

I need to make surveillance and collect the required information

Tony

Then, the mission shall be long?

Ray

Not much

Tony

I'm waiting

- Ray standing

Ray

The problem that this scoundrel has no appointed time or fixed places.

He moves from place to anther continually!

He will not escape from Ray's bullet!

What's your next deal with Hank?

Tony

Every thing is delayed!

I shall be a partner with 20 %

EXT.- Building - Day

Ray's car stopped before a building .It consists of 3 floors.

- Arthur, appears from the window, with the owner of this building.

- Ray is getting out his gun

- Directing the gun toward Arthur's head.

- But, Arthur enters.

- Ray is getting out from the car.

- Running toward the building

INT. The building

- Ray enters

- The building is unoccupied.

- Ray creeping to the floor where Arthur present in.

- Listening to the dialogue..

- A group of Arthur's guards.

Arthur

Be sure, the amount I give you can't be paid by anyone else.

The owner

I know that

Arthur

Ok, we agree

The owner

You offered me very enough amount more than I expected.

Arthur

Do you know why I bought this building?

I shall change it into super restaurant as I shall call it the name of my new wife.

She will be so happy when knowing that.

You shall get cheque with all amount on Citibank.

The owner

But… I wished if the cheque was directly on HSBC bank

Arthur

As you like. No problem

Tomorrow morning, I will be in my grange.

You can come to sign the cheque

The owner

Ok

Arthur

Now, I want to have another look at the floor 3

INT. - Corridor - Building

- Ray is hiding

- Steady position to shoot.

- Directing his gun toward Arthur's head, but a guard cut vision.

- They are going up to the floor 3

- Ray is going down quickly..

EXT. - Street - Day

- Ray gets out

- Running quickly toward his car.

- D riving with high speed

EXT. - The grange - Day

- A large area, bushy trees .

- A high fence of wires surrounds the grange.

- The gate is closed and guarded by a security man.

- Ray wearing a black suit.

- Standing before the wires..

INT. - The grange

- Arthur is lying down in the terrace

- Beside him Linda the woman who appeared with him in the entrance of the building of his company .

- The guards are four men in different places....

- Mobile ringing

Arthur

Oh my God!

Calls never stop

Linda

Calls means money

Arthur

It looks no time for relaxation and rest.

- Holds mobile sees the called number

Arthur

He is one of those stupid who doesn't differ between work and rest time!

Put this disturb mobile inside , I don't like to hear its ringing!

                                    The guard

Ok, sir

EXT. - the grange - Day

- Ray is examining the wires.

- He is trying to penetrate the gun through the wires.

- But, he can't because of the narrow holes.

- Running to his car

INT. - The grange - The terrace

- Arthur and Linda are still lying down in the terrace

A guard

The horses are ready

- They are getting up

Arthur

A quite and peaceful horse for you

Horses ridding is so enjoyable! Especially in this wonder place and weather!

Linda

I'm ridding horses since I was eighteen. I didn't continue more than this

Arthur

You look as you still eighteen!

EXT. - Road - Day

- Ray has got out his bag from the car

- The bag contains a number of tools, wires, scissors and iron equipments.

- Taking an iron scissor.

- Testing the scissor using a strong cable.

- The scissor is cutting the cable.

- Taking the scissor.

INT. - The grange - Day

- Arthur is on the horse.

- While Linda on another.

- The guards are watching them.

- Two of them are on their horses.

- While the others are standing.

                   Arthur (to the horse)

Oh Faslom! Since a long time, we haven't met

Three months ago, I didn't come here.

Linda

Projects, deals and meetings

Arthur

My life full of hard work all time

Imagine also weekend ,Projects, Deals and Meetings !

Linda

It is hard! And health ruinous.

Arthur

I will try to arrange it even if it is hard

Linda

Did you try before?

Arthur

I did but I failed

Linda

Try again

EXT. - The grange - Day

- Ray is trying to cut parts of the cable using a scissor.

- But, he coudn 't

- Seeing a big vettura beside the wires , thinking for a moment

- Running, getting up of the vettura then, climbs , jumping into the grange without being noticed .

INT. - The grange

- Ray inside the grange.

- Hiding behind a tree.

- The horses are before him nearby.

- At this moment, One of the guards has been seen him!

- Ray is steady position to shoot.

                                   The guard

Look!

- The two guards are shooting

- Ray shoots Arthur's head.

- Linda screams

Linda

Arthur! Arthur!

- The guards are running toward Arthur.

Linda

Carry him to the car, I take him to hospital immediately

- Two guards carrying him, while the other guards shooting in everywhere.

                                       Guard (1)

There!

                                      Guard (2)

He can't escape

- The guards are ridding the horses shoot.

- Ray is looking at the gate.

- He has observed the security man of the gate carrying his gun.

- Running behind the trees.

- One of guards on his horse has observed him....

- He shoots him.

- Ray is hiding well behind a tree.

- Steady position to shoot.

- He has shot the guard on the horse and killed him.

- Running, hiding behind the bushy trees and stones.

- The four are running, three of them are guards and the forth is a security man.

                     A guard (to the security man)

Oh rascal! Stay in the gate

- The security man is running toward the gate

- Ray is shooting him in his back.

A guard

This is the villain!

- He is shoots

A guard

We should surround him carefully

I'm from this side and you from the right..... Come!

- Ray is watching the guard who is moving in the right side.

- Steady position to shoots..

- Shooting him in his head

- Running quickly from the right toward the gate.

- The other two guards are running

- Ray is coming out to the road.

EXT. – Road -Day

- Running toward his car.

- One of the guards is shooting him.

- The bullet hits the car's door.

- Getting into the car, driving at utmost speed.

- - The guards getting into a car.

INT. - Ray's car - Day

- He has smashed small wooden booth.

- Its parts have scattered.

- He is looking at the car mirror.

- The guard's car follows him

- Ray has heightened the car speed

- As a result of the high speed, the car is hitting a tree.

- The front part of the car has smashed then stopped.

- Comes out quickly.

Ext. – Road - Day

- Ray running. They are follow him

- Before him, a school

- Running into the school

INT. - school

- Teachers and students

- Ray rushing to one of the rooms.

INT . School - Room

- A lady is ready to go out

- She hits with Ray, screams

- Ray is hiding behind the curtains.

- The guards are rushing to the room.

- The lady is weeping

- Ray is steady position to shoot.

- One of them has injured in his shoulder and the other in his foot.

- The lady is crying

- Screaming from outside

- Ray is ready to jump from the window.

- Jumping outside.

Ext. – Road - Day

- Looking at the road, hoping to find any car

- A car has appeared from a distance.

- Weaving to the car

- The car has topped.

- A young man of 18 years has driven it.

Ray

I want to go to the downtown.

The young man

You are welcome

INT. – The car - Day

                                              The young man

Did you find any problem in this area?

Ray

No

- Ray is getting out tissue from his pocket.

- Drying his sweat.

- The young man glances a gun

- He is worried and confused.

The young man

Are you a policeman?

Ray

How did you know?

They young man

I had glanced a gun

- Ray gets a gun

Ray

It is a gun never leave me

It is always my sincere friend

I'm a policeman.. Yes

I was following one of the criminals

                                         The young man

Has he escaped?

Ray

I killed him

No one can get away of me

                                              The young man

It seems that you are an experienced and clever policeman

Ray

That's what they are saying

The young man

What did this criminal do?

What is his crime?

Ray

These are top secrets

The young man

Sorry

Policemen very danger job!

Full of risks!

Ray

Won't you stop talking?

The young man

Sorry again

Dissolve

INT. – Florida police – commissioner's office – Day

- The commissioner and Albert with the two guards of Arthur.

- The two guards with wound bandage

- Albert is holding Ray's photo.

- One of the guards is looking at the photo.

The guard

Yes, he is

- The other guards is taking the photo

The other

He is the dirty criminal!

The guard

This criminal caused us a disaster!

The other

We didn't know how he could sneak into the grange?

Albert (to commissioner)

Concerning the black car, FORD model, it appeared that he has rented of office using a false name called (Ronald Ziessy).

The owner of the office has recognized his photo.

Knocking on the door.

Commissioner.

Yes

- Linda is entering

Commissioner

When did your relation begin with Arthur?

Linda

Since one year

Albert

Did you see the man of this photo before?

- She is looking at Ray's photo

Linda

No

Albert

If he has enemies, who are they?

Linda

I recognized him in one of the biggest concert

He was charm and emotional

It was the gladdest year of my life.. last year that we spent it together

Oh! Such happens has been finished and never come back

I don't know anyone of his friends

I know only the guards.

He was living alone.

We were about to marry.

-She is crying

Commissioner

Please, be calm

Linda

Why has he been killed? Why?! Why?!

It's very difficult and hard

They killed all my dreams

Albert,

Please, don’t cry

                                       Linda

The killer must be submitted to justice

Albert

This we trying to do so.

Did you leave your address, telephone and mobile number with the officer outside?

Linda

Yes, I did

Can I go?

Albert

But, remember that you are under request at any time and you will be called again for the investigation.

- she is coming out

The guard

She is a respectful woman

Albert

Have you any comment on her tales?

The other

No

All what she has said is true.

It was a wonder love story between them .It ended painfully!

Commissioner

You can go

Albert

It should be made a comprehensive investigation concerning to determine the enemies.

EXT. – skyscraper - Day

- A car of Cadillac has stopped.

- A businessman is coming out of it.

- He is Dan who is 51 years old.

- Enters.

INT. – Hank's office – Skyscraper- Day

- The 51st floor.

- A wonderful decoration.

- An extremely majestic office.

- Expensive antiques

- Hank in his office.

- A charming view appears behind the glass.

- Knocking on the door.

Hank

Yes,

  - The office manger enters

The office manger

Timetable that you ordered

Hank

Is there any meeting in the evening?

The office manger

At  seven p.m. with NIOP chairman, Mr. Douglas. That's all

Hank

Delay such meeting with him.

-The office manger gets out.

- Dan enters.

- Shaking hands.

- Dan sits

Hank

Welcome Dan

DAN

Did you read the newspapers of the last five days?

Hank

Just dirty things and have been removed forever.

This is the normal punition of those people who trying to dare me. I could revenge for myself in the suitable time

Dan

Your reaction was danger and unexpected!

I surprised for what had happened!

Hank

They caused me much pain and troubles.

Did you forget? They tried to kill me!

Dan

It couldn't assure that

Hank

No, I assured

I haven't enemies except them

-Hank stands looks at the window

Dan

The comprehensive investigation is still running till now.

I hope that you will be above suspicion.

-Hank turns to Dan

Hank

I'm out of any suspicion. I did it to conserve my life and reputation. It was my life's fault that I dealt with those people. But it will not happen again

Dan

I don't support aggressive and killing as a way of solving the problems and disputes.

Hank

It is the only way that those know and understand it

Without God's blessing I would die now.

-Hank sits again

Because one of them I lost 19 million dollars in a month!.. The villain Arthur!

You think I shall be patient more than that?

Dan

Be calm.. Relax

If you had asked my advice, I would not have given you the permission to do it.

It's no use crying over spilt milk.

Hank

You utter this because they never hurt you.

As for me, the situation is completely different.

The criminal who is killed doesn't live here

Dan

I know this before....

Hank

I was in a badly need first , for a professional killer .Second , in a short time . Third , A killer from outside

Dan

You attached yourself in a circle! Never can penetrate it easily

Hank

I was ready to pay any amount whatever

There is a mediator between me and the criminal

This mediator is a Ragamuffin!

He doesn't know anything about me

He had never seen me before ,and I 'm too

If we meet together anywhere, no one will know the other

I feel comfortable now!

After killing this scoundrels

Dan

Who believes that Hank manilow can be involved in such crimes?

Hank

It's the first time and it will be the last.

Dan

Although Robin & Arthur are surrounded by a large group of guards , they are killed! I astonish how they could live normally among theses guards!

Didn't they feel restricted?

Hank

They are surrounded by guards of a dirty business in addition to their original work, drugs, money laundering. Etc I'm sure of that

Dan

You also have two guards!

Hank

They are guards. Not criminals !

-Moment of silence

Dan

What do you think about?!

INT. - taxi - Night

-Ray is making a mobile call.

-Intercut with Anne in her apartment (bathroom)- Night

-The mobile is ringing

                                        Anne

Ray !!

I miss you

Ray

Me too honey

I missed you so much

Anne

All matters are ok?

Ray

No problems

I performed the two missions successfully.....

Anne

What about your injury ?!

Ray

It was little injury

Anne

I can't absolutely bear that

Ray

Where are you now? What are you doing?

Anne

In the bathroom

While the mobile was ringing, I was taking shower

I was feeling that you are going to call me.

So I put the mobile on a stand

Ray

Then you are naked?!

- They are laughing

Anne

We will meet soon!

Ray

I'm in my way to see Anthony

Anne

Is he recover from his injury?

Ray

Yes he can walk normally now.

You will see his photo when I come back. I got a photo from him

Anne

You make me ardent to see his photo

Ray

I liked him so much

Anne

I'm going to surprise you

Ray

You are my charming princess and fair lady

What is the surprise?

Anne

No, I will not tell you

Ray

Kiss you

Anne

Kiss you

-Turns mobile off

-Ray looks from the window seeing a store for toys and gifts

Ray (to the driver )

please stop front of this store, Wait me

-The taxi stops

-Ray gets out

-Enters to the store

INT. - The store - Day

Ray

I want to buy an airplane but warplane

The seller

Is this important?

Ray

Yes,. yes very important

                                     The seller

Sorry

You can find your request after two days if you visited

us

Ray

Unfortunately!.. Thanks

-Ray gets out getting in the taxi. Its move

INT. - Anthony's apartment - Night

- Anthony is looking through the window.

- Seeing Ray

- Anthony is walking toward the door.

The grandmother

Anthony !

Anthony

My Friend …Ray!

- Ray enters

Ray

How are you my little friend, Anthony?

                                           Anthony

Fine

Ray

Good evening

                                         The grandmother

Good evening, you are welcome

Next Sunday Anthony's Parents shall come

Ray

Really?!

The grandmother

They called me yesterday morning

Ray

Pleasant news for you Anthony !

Anthony

I missed them so much

Ray

I notice that you walk naturally now

Anthony

Pain has decreased completely

Ray

I came today to say goodbye

Anthony

Why?

Ray

There is no reason to stay here any more Anthony

Anthony

Why don't you stay here with me?

Ray

It doesn't mean we shall not meet again

Surely I'll back to visit you.

Believe me, I wish if time was longer. But sorry

Anthony

I am so sad to hear this

Ray

I don't want to see you unhappy

The grandmother

You will come to visit us?

Ray

Of course.

INT. -Night club -Night

- A nightclub in downtown.

- Tony with Martina

- Drinking

Martina

This is the last cup please Tony

Tony

No. we will go on drinking, then spend a hot night

We shall spend one of an enjoyable night in our life

Martina

I'm agree

- He kissing her.

- Touches her cheek.

Martina

You excite me

Tony

This is exactly what I meant

Martina

Stop it

- One of Hank's guards.

                                             The guard

Mr. Hank wants you at once

Tony

Now?!

The guard

He sent me to bring you to him

Tony

Why did not he contact me through the mobile?

The guard

I do not know I have no information

Tony

I shall drink the last cup …,then go with you

Shall I bring you a cup

The guard

No

You drink too much

Tony

Where is he now?

The guard

In the garden of the villa

Tony

So it is not far

                                       Tony (to Martina)

If I am late, go to the apartment

I will return back to you

They go towards the exit door

Tony

This is the first time he sends you to arrest me in this way!

Ext. Nightclub-Night

Tony

My car is not here

The guard

I came in a car

-They getting in

INT. Bentley Car

Tony

Wonderful Bentley!

The guard

He owns a collection of the most excellent recent cars.

Tony

Do you remember the black MAYBACH car that he bought last month?

The guard

It is fantastic masterpiece!

It made especially for him!

EXT. - Garden –Hank 's villa -Night

- A villa like a castle

- Lights glimmering around the swimming pool that is located in a middle of a garden

- Hank is sitting on a chair

- A guard is a few meters away

- Hank is reading some documents

- Tony with the guard entering

Tony

Is there anything that necessitates coming in this way?

- Hank puts the documents on the table.

Hank

Have a seat

Tony

Scarcely, I see you in such case

Hank

Which case you mean?

Tony

Relaxed. . Not nervous. . not stressed

                                        Hank ( to the guard )

You can go

- The other guard is still here.

                                        Tony

Why did you ask to see me?

                                        Hank

Don't be hurry

Tony

This is the first time happened so

                                    Hank

I wanted to talk with you

Tony

In which thing?

Hank

You were in the bar?

Tony

Yes

                                     Hank

Undoubtedly, you won a lot of money since I helped you.

Profits from deals from everywhere

Commissions, rewards and so on

Tony

You opened for me many closed doors

Hank

I think you were and still very loyal

Isn't it?!

Tony

Of course

Hank

All right

Tony

I don't understand what you mean?

Hank

I just wanted to remember you

Your friend is so professional

He could achieve the two missions successfully.

Tony

I was sure that. Did I tell you no one as my friend Ray

The two missions were done as agreed!

Hank

Yes . . . Yes

Where is he?

Tony

Why? I think he will leave Florida tomorrow

Don't worry .As I told you many times he doesn't know anything about you!

He took the money then did the mission

Hank

Why did you leave New York ?

Tony

I came to Florida to establish import and export company

But unfortunately, project was broken down!

I couldn't make any achievement

Hank

Maybe this is the last meeting between us......

Tony

Are you traveling abroad?

Hank

Not me who shall travel

Tony

I don't understand

Hank

Never mind

- A moment of silence.

- Hank with a gestured from his head to the guard

- Comes from behind Tony cautiously carrying a gun

- The guard shoot Tony

- Tony falls on the ground bleeding

Hank

Sorry Tony

You are just an insect that has performed its role . . . a climber!

Now your mission is complete

(to the guard) As I promised you a big reward is waiting for you …You wouldn't have dreamed of it all your life

The guard

I am at your service Mr. Hank

- The guard puts the corpse in a bursa, ties with iron chains - Carrying it to the car.

EXT. –Streets -Night -

- The car that carries Tony's corpse crossing down town streets.

- A sound of music.

EXT. Bridge -Night -

- He reaches

- Carrying the corpse

- The guard watches all directions.

- No one

- He throws the corpse from the bridge

- It sinks in the river

The guard

Good bye Tony!

Money important than anything else

I think you know that very well.

Dissolve

EXT –Tony 's house - Night

- Ray is looking at the window of the apartment

- No lights

- Making a mobile call

- But useless

INT. Florida police- Day

- Neil is reading some documents

- Albert enters

Neil

 We couldn't reach anything important up till now!

Albert

We couldn't reach Ray or the instigator who paid him the money

Neil

We need more patience and time

Albert

Danger criminals don't easily arrest them

Most know nothing about the enemies

Neil

They are trying to hide some facts and data because they don't want to involve in any problems

Albert

This makes our mission more difficult

Neil

This is the daily reports for the intelligencers , private detectives and investigators

Nothing new !

Albert

The investigation reports are familiar

Neil

Did you order to continue watching?

Albert

Yes

Watching will not stop on all persons who probably have relation with the two crimes

In the first crime, there're 6 persons under control, and in the second crime there're about 11 persons

Neil

Look! There's news !

-They're reading from the computer's monitor

Albert

Good Anne!

- The mobile is ringing.

Albert

Yes

When?

This is great news

Flight number 542

- He looks at his watch

Ok

We will be waiting

Neil

Anne!

Albert

The lover couldn't bear her lover's absence any more.

After two hours, she will be at the airport

To the airport immediately

Come on

Neil

Unasked, she will lead us to Ray

Albert

Watching continued for more than two months

- They getting out.

 INT.          - Corridor     - Florida police      - Day

Albert & Neil

Neil

You will fall in the trap today Ray

Albert

The car is ready?

Neil

Of course

EXT. – Florida police

- They getting in a car

- Not a police car

INT. –The car -Day

- Albert drives.

Neil

Finally Ray!

Albert

Ray shall be arrest by us within hours

Ext.–Airport -Day

- An plane lands

- The passengers to the arrival hall

INT. AirPort –Arrival hall

- Albert and Neil are waiting

- They watch all the passengers.

- Anne appears

- Albert sees her

Albert

Welcome Anne

Neil

She looks very happy

Albert

She will see her lover after long time.

Neil

We leave her till she passes from the arrival hall

We will go out from the other door

Come on

- Anne gets out

Ext. –AirPort -Day -

                           Anne (to a taxi driver)

Please to the downtown

- Albert and Neil are getting into the car.

INT. Taxi -Day -

- Air touches Anne's hair.

- She smiles

Anne

Weather is wonder!

Florida doesn't get crowd like New York

The driver

I drives slowly, Is this annoying you?

Anne

Are you a new driver?

Int. -The car –Day

Albert

Come on Anne quickly

Neil

This taxi driver is very slow

Albert

I don't know why he drives slowly?!

Neil

She didn't find except this driver..!

Int. –The taxi - Day

- The driver looks at the mirror

The driver

This car is following us

Anne

What?!

The driver

Since we moved from the Airport ,this car is following us

I 'm sure

Anne

That Car?

The driver

Yes

-Anne is thinking for minutes

Anne

Stop please

- The taxi stops

INT. –The car -Day

-The car stops

Neil

What happened?

Albert

Oh! My God!

A stupid driver!

Neil

I fear if she observed our following up to her?

Int. Taxi - Day

The driver

Is there any problem between you and the driver of this car?

- Anne is thinking

- An idea comes to her mind

- She looks at the car

Anne

Is there a hotel nearby?

The driver

There a small hotel

Anne

It doesn't important, to that hotel please

Where is this hotel?

The driver

Not far

Could you know him? And why following you?

Anne

No

The driver

What about if we stop and ask him why he follows us?

Anne

No …. No don't stop

To the hotel quickly

The driver

This is your first visit to Florida ?

Anne

The first time

INT. Ray's apartment -Day

- Checks his gun

- The photos are still on the wall. A red sign x on Arthur's photo.

- Taking the photos off.

- He lights a fire in them

- Whops Anne's photo

- Kisses it

- Puts it inside the bag

- A mobile is ringing.

Ray

Yes

Anne!!

Intercut with Anne in the taxi – Day

Anne

Listen to me

I am here in Florida in a taxi

There is a car follows me now

Ray

Why did you do that? Why?

Do not come to the apartment

Take care Anne

Anne

Sorry my dear

Now, I am on my way to one of the hotels

Ray

Stay in this hotel

Anne

I never expected that I'd be under surveillance

Ray

I will leave the apartment

Anne

To where?

Ray

I'll leave Florida today despite everything

Thanks for your calling.. Anne

Sure, the airports are being watched, the high way , The railway

If they aren't from the policemen, who are they then?

You should stay in the hotel today .Act naturally till you go once again to New York

Anne

I don't know if there will be an air flight tomorrow or not.

Ray

You can stay here for some days.

Anne

I am sorry. I am stupid, foolish

Ray

No time now

Do exactly as I say

Anne

I will do

Ext. –Hotel - Day

- The taxi stops.

- Anne gets out

- Towards the hotel door

- She sees the car

INT. –The car -Day Neil

In that hotel you stay Ray!

- The taxi moves

- Albert (to the driver)

       Go to hill

INT.– Hotel -Day

Anne

Please, I want a room

The receptionist

Do you want certain requirements for the room?

Anne

Please, quickly

The receptionist

How many days will you stay here?

I asked you before if you want certain requirements for the room.

Anne

No. No, any room.. Any room

The receptionist

Please, your I.D. or your passport

Anne

- Giving him her I.D.

The receptionist

     Room No. 186

- Albert & Neil is entering

- Only 3 ladies in the reception.

- Anne looking to Neil & Albert.

                   The receptionist (to the bellman)

Carry the bag to room No.186

- The bellman is carrying it to the upper floor

- Anne is following him

- Albert & Neil to the receptionist

Albert

We are from FBI and Florida police

- Neil is getting out Ray's photo.

Neil

Is the man of this photo is resider in the hotel now?

And in which room?

- The receptionist is looking at the photo.

The receptionist

I had never seen him before

Albert

Are you sure?

The receptionist

Yes

Neil

 Verifying from the photo again

The receptionist

I 'm sure , I didn't see the man of this photo before

Albert

Guest list please

The receptionist

Here you're

Neil

Is there another receptionist here who changes the shifts?

The receptionist

Amelia starts her shift at six pm.

Albert

It is possible that Ray has a false I.D or passport

Also, probably, he may be disguised.

How many guests now in the hotel?

The receptionist

Only this 3 ladies, with their children and two men, but in out now!

- Albert, Neil looking to the 3 ladies

- Close up on their faces one after one

Neil

Oh! My God! I think we need to policewoman for actualization those ladies!

Albert

We'll wait the two men

Neil

Don't tell anyone that we're police

The receptionist

Ok ,sir

Neil

When these two men come back?

The receptionist

I don't know

Int. Anne's room – Hotel- Day-

- Anne is weeping

- Making a call

Anne

Please, Is there is a flight to New York now?

At 3 pm.

Very Good

I want to a ticket please

Yes..first class

No..no thanks

My name is Anne Tieowhel

 Thank you

- Drying her tears

EXT. - Cafeteria - Railway station- Day

- Ray disguised in a priest dress with beard

- Reading a newspaper.

- Having two bags.

Int. –Hotel – Day

- Anne appears going down the stairs

- Still Neil, Albert in the reception

Anne

I have to go now.

Sorry

The receptionist

What has happened?

The room unappealing ?

Anne

The room is fine.

This isn't the reason.

The receptionist

It's a bad luck

Anne

Thank you

The receptionist

I wish to see you again in our hotel

Anne

Thanks again

- Anne is looking to Neil & Albert

- She is going to the exit door.

- Neil & Albert following her

Ext. – Hotel- Day

- Anne is waving to a taxi.

- Getting into.

- Alberto & Neil are getting in the car.

 Int.  The car - Day

Albert

To where Anne?

Neil

Sure to her lover

INT. The taxi

-Anne is drying her tears

The driver

What had happened?!

Anne

Nothing. Nothing

The driver

I 'm sorry

INT. The car – Day

Neil

Oh! My God!

Albert

Impossible!

She is returning to the Airport!

Neil

Caused by the damned driver!

What a bad luck!

Albert

She called Ray to warm him

Neil

If wasn't that foolish driver!

Albert

All threads that would lead to Ray have cut.

Neil

Maybe ,Ray is back with here on the same plane

Of course disguising

Albert

Anyone with her shall be arrested . if he is Ray or not

Neil

We must arrest her

She is accused of helping a criminal to escape.

Neil

The stupid taxi driver!

He could see us in despite of the long distance between the two cars.

INT.- Cafeteria - Railway station -Day

- Ray is sitting.

- Watching the place.

- He stands

- The porter approaches him..

The porter

Can I help you?

Ray

Carry this bag, please.

- Ray is carrying only the bag of money and his guns

- Going to the platform

INT. –The AirPort - Day

- Anne is waiting the plane..

- Watching the place surrounded.

Albert

We must verify from all of those.

- Passengers on the plane in different ages, old, young, women and men

Neil

Is he so professional in disguising to this way!

- Albert & Neil are approaching her.

Albert

Let me introduce myself to you

I'm Albert, from FBI.

- Anne is trying to be calm..

Neil

Neil from Florida police

- Each one of them is showing his I.D. card

Anne

What do you want?

Albert

You have come to Florida one hour ago.

You didn't stay in the hotel

Then you have decided to come back again.

Anne

Is it outlawed?!

Neil

 But, Helping the criminals to escape are outlawed

Anne

I don't understand

What do you mean?

Albert

Where is Ray?

Anne

Who's Ray? I don't know this Ray!

What is my crime to arrest me?

Albert

Help a criminal to escape.

Anne

I don't know criminals

Neil

You're Ray's lover, we know that

Albert

You were watched from the police

- Taking her out, Get in the car with them.

Int. Florida police - Day

Neil

Please your handbag

Anne

It isn't allow to you that

Commissioner

No, it is allowing....

- Neil opens it.

- Gets a notebook

- Gets mobile out.

Albert

Where's Ray? Is he still in Florida ? Or back to New York ?

Anne

I told you I don't know that Ray.

- Singer sings this song

(the lyric of the song, written by Alaa Soliman)

Title:- Can You Sing With Me?!

Can you sing with me?!

Now.. Sing.. Sing..... Sing.. with me

Believe me.. we have a lot to live together and starting again

Believe me.. we shall coloring our next life with loud color

We are as two birds.. two birds

I can take off my heart.. take off my heart

Then offering it to you

There's no thing shall change our modes.

INT.     Train       - Sunset   - Dissolve

- The train moves speedy.

- Ray is looking at the sights through the window.

- The song continues -

Sun rises on your face

I'll fly from the earth to the sky

I'll fly with two wings.

Colors dancing front of me

All barriers and forests shall be broken.

Can you sing with me

Sing . sing. sing with me ( END )

The Open Knowledge Definition

Last september/october the Open Knowledge Foundation 'ported' the Open Source Definiton to produce the Open Knowledge Definition (full text).

This came out of various discussions with people working on open geodata, open access, and open databases of scientific data. As I wrote then:

"The Open Knowledge Definition (OKD) provides an answer to the question: what is open knowledge? It puts forward, in a simple and clear manner, principles that define open knowledge and which open knowledge licenses must satisfy.

The concept of openness has already started to spread rapidly beyond its original roots in academia and software. We already have 'open access' journals, open genetics, open geodata, open content etc. As the concept spreads so we are seeing a proliferation of licenses and a potential blurring of what is open and what is not.

In such circumstances it is important to preserve compatibility, guard against dilution of the concept, and provide a common thread to this multitude of activities across a variety of disciplines. The definition, by providing clear set of criteria for openness, is an essential tool in achieving these ends."

I therefore think this new initiative is a big step forward at a time, when at least to judge from my experience of debates about the CC license at Free Culture UK, there is no clear consensus about terms such as 'Free Content' (and therefore no consensus about the norms of the community).

Given the common interest in these issues I'd very much like to get further involved in the FCED -- and parhaps also look at a way to merge the OKD and the FCED.

--RufusPollock

My take

"Works built by communities collaborating as volunteers, art created for the purpose of shared enjoyment, essential learning materials, scientific research funded through taxpayer money, and many other works do not benefit from artificial scarcity. They benefit from being used freely."

I think this needs some revising. Production and quality do not benefit from artificial scarcity- individual works may very much so benefit. The last sentence needs some amending- Free content is not just used Freely, but more. An important distinction to my mind.

the freedom to redistribute copies, in whole or in part, of the information or expression
the freedom to make improvements or other changes, and to release modified copies

This freedom isn't very clear. Does this involve not charging, or are "reasonable and non-discriminatory" licensing fees acceptable?

My take on this question: those fees are not acceptable as normally understood. But it does not involve not charging either. For instance, in Free Software, you can charge whatever you can manage when someone obtains a copy from you. That you cannot do is make them pay you a fee when they then make copies of that copy for themselves.

"Any original work of authorship is copyrighted. Under copyright law, authors are considered God-like "creators" and are given legal powers they can use against those who duplicate "their" content in altered or unaltered form."

Personally, I'd like a bit of a mention of the artificiality of copyright. That first line certainly makes it sound like copyright is a God-given natural right.

More generally, the attribution section strikes me as troublesome. What happens if I take an article, on Fujiwara no Teika, say, which is a stub, and work like the dickens on it, until it is orders of magnitude larger, such that there is not so much as a single word in common with the original article? Should the first person still be credited as the original author? --maru (129.21.121.235 06:47, 6 May 2006 (CEST))

Adelphi

Please also consult the Adelphi charter.

And regarding Public domain there is also the concept of "gemeinfrei"/common free in droit' auteur regulation. i.e. public property vs. free to use

The freedom to use and perform the work

I'd like to see the word "display" added to this since perform covers music and plays while display would cover films and pictures.Geni 01:46, 14 February 2007 (CET)

Since we speak of any use, private or public, and all related rights, this is covered, but I agree that we can & should explicitly enumerate it in the next version.--Erik Möller 02:45, 14 February 2007 (CET)

Discussion list

Is it possible to host the discussion list elsewhere than Google Groups? Not everyone wants to centralize their activity in a Google account. Not to mention that plain-jane Mailman archives are so much more usable than Google's system. Thanks. --Antoine 12:44, 16 February 2007 (CET)

I can host a mailman list for this on Wikia if there's no objection to that. Angela Beesley 14:18, 17 February 2007 (CET)

Thanks for the offer - but I'd prefer to host the list with Mako. He's already offered to set up a list for us. As a private company in the wiki space which, I hope, will one day adopt the definition, I don't want Wikia to be seen as in any way influencing its content (same reason I wouldn't host the list with Wikimedia).--Erik Möller 14:40, 17 February 2007 (CET)

Thanks, anything resembling a normal mailing-list with public archives will be ok. --Antoine 15:31, 18 February 2007 (CET)

Metaphor suggestion

I would like to thank the developers of this definition for clearly distinguishing between works that are truly free, and those that are only semi-free. One thing the concept lacks, though, is a simple metaphor as in "free as in beer" vs. "free as in speech", that can be used to illustrate the basic distinction of this paradigm in a non-technical way. Not sure if such a thing belongs in an official definition, but I think it's something we should have around. I think I might have come up with something helpful, which is explained in the passage below:

Many licenses are called "free", but they are free in different ways. One has to ask, is a work "free to pamphlet" or "free to marionette"? A "free to pamphlet" work may be free to hand out copies (while rewriting or sale is restricted), but a "free to marionette" work is free to adapt into a marionette show, and to sell tickets at the door to rent the theatre and feed the hungry puppetteers.--Pharos 00:03, 19 February 2007 (CET)

I think that is a nice metaphor for an essay. I would encourage you to draft an essay here -- I hope that, like the GNU site, freedomdefined.org will eventually be a solid collection of philosophical material.--Erik Möller 21:13, 19 February 2007 (CET)

Thanks, I've written something at Free to marionette. Not sure where it goes in the structure, though.--Pharos 09:29, 24 February 2007 (CET)

I've collected that and some other material I found here at Portal:Free Culture Soapbox. There didn't seem to be any established place for such material till now, so I just went ahead and created one.--Pharos 08:01, 10 March 2007 (CET)

Source data

I think the source data section will still need some work to deal with cases where such data is simply not obtainable; IMHO that should not make the work non-free.--Erik Möller 21:11, 19 February 2007 (CET)

I think this is a very tricky part. The source vs. binary duality is very different in the case of a creative work. If I took a photo of a flower would the source data be the flower itself, the raw format of the photo, or would the jpg be enough? If I released a png after adjusting the white balance, would I still have to release the raw format for a work to be free and be excused only if I happen to 'accidentally' destroy the raw data? I think that as long as a work is editable the source data is irrelevant. In the case of software, not releasing source places a technical impediment to modifying the work. In the case of a 3D scene this might also be the case, but in the case of an image it is clearly not. In the case of an audio file, or a film, would the author have to release the off cuts? I would not think so. --Inkwina 16:07, 13 March 2007 (CET)

I think is this fine to distinguish between works where there are no "source data" and where there is. A not yet fleshed-out thought is that anything that can be modified non-destructively should be available for distribution in the preferred form for modification. Kat Walsh 18:28, 27 March 2007 (CEST)

Copyleft suggestion

I would like to see a discussion of copyleft and what it needs to have to promote / protect a pool of Free Works.

Moral rights

There are some moral rights (droit d'auteur not copyright) that I have as an author and due to legal restriction I can't waive them. Does this make my work unfree? This page or Permissible restrictions does not address this issue.

PS. You may call me old fashioned, but I don't think sentences like these give a mature and intelligent impression: "They consider authors as god-like creators and give them an exclusive monopoly as to how 'their content' can be re-used. This monopoly impedes the flourishing of culture, and it does not even help the economic situation of authors so much as it protects the business model of the most powerful publishing companies." Samulili from Wikimedia projects

I agree, the hostility is unnecessary and immature. 130.58.68.159 22:47, 1 April 2007 (CEST)

In my opinion, moral rights do not make your own work un-free, because they don't forbid other people to e.g. make modifications, they allow you to oppose some modifications on a case by case basis. --Antoine 20:21, 6 April 2007 (CEST)

Commercial Restrictions

What about some restrictions on the commercial distribution of a work? That is, a free culture work can be copied and those copies can be shared but with some restrictions on selling those copies when permission is not granted.

That isn't free content. Commercial Restrictions are explicitly not permissible restrictions. Angela Beesley 18:20, 3 April 2007 (CEST)

In the summary...

considered "free." --> considered "free".--Alnokta 20:47, 9 April 2007 (CEST)

"god-like creators"?

From the definition: "In most countries however, these freedoms are not enforced but suppressed by the laws commonly named copyright laws. They consider authors as god-like creators and give them an exclusive monopoly as to how "their content" can be re-used."

Is this even true? The purpose of Western copyright law is not meant to prop authors upon some pedestal to be worshiped, but to provide direct incentives for them to publish in the first place. Thus society benefits from the all-rights-reserved work, even if to a lesser extent than if work was freely licensed. I recall at least one US Supreme Court case finding that the primary purpose of copyright/patents is to provide for the benefit of society, and secondly to reward the author if he/she so chooses. Congress has made policy decisions to exempt works of federal employees from copyright, provide for "fair usage", and set (generous) copyright duration limits.

My incentive to publish most of my work under free licenses is to promote a progressive international society. I expect that the Congress that passed the original version of copyright law shared the same values, as they have created the foundation which makes our work possible. Thanks, GChriss (Who is not a lawyer.) 23:46, 10 April 2007 (CEST)

True, but one has to appreciate the significant difference between original intentions and truth on the ground. I believe that the Original intentions of the people who first came up with the idea of copyright where not to different from ours, when taken in the context of the period. Yet, I think that legislative development is an evolutionary process, and evolutionary process exist in a state of equilibrium which can become unstable, at which point a fork (not dissimilar to a source code fork) tends to occur.

I think that in the case of Creative Works this fork has occurred (with the emergence of the internet as the critical factor driving the imbalance) with the "Freedom Culture" and the "IP protectionist Culture" as its two branches, both relying on the same resource, namely "Copyright laws" to archive their goals. Therefore, it is very important to make it absolutely clear how the "Freedom Culture" differs from the "IP Protectionist Culture", by stating the state of affairs as they are today, not based n original intentions. On the other hand a Definition ought not to rely on emotionally charged statements to provide its information. I think that statement needs to be changed not because of what it tries to convey, but because of how it does it ... because at the end of the day the medium is the message. --Inkwina 15:27, 13 May 2007 (CEST)

By "truth on the ground," do you mean to say that aggressive copyright compliance has historically increased? The idea is plausible, but I am interested in seeing direct evidence of such a claim.

I agree that making "absolutely clear how the "Freedom Culture" differs from the "IP Protectionist Culture"" is terribly important. I also posit that we should respect both and acknowledge that "free" is not always appropriate. The author needs to make that choice, a choice partially informed by freedomdefined.org. Thanks, GChriss 16:04, 14 May 2007 (CEST)

By the "truth on the ground" I mean the actual legislation and regulations that are in effect today that are supposed to implement that original intention, as well as case law, actual enforcement, the current context particularly asyncronisity with the digital media, adequacy in view of globalisation etc ... and current public perception of those intentions

So, in short, I think we are agreeing. Where I do tend to differ slightly is on the appropriatness of freedom. I think that while in the current situation ""free" is not always appropriate", this in not necessary to the human condition, but rather and incidental effect of history. On the other hand a definition like this needs to address the here and now, and not some potential state-of-affairs where humanity enjoys universal intellectual freedom. But, again, we mostly agree see here for e.g. --Inkwina 18:20, 14 May 2007 (CEST)

Yes. I should add that I am one to enjoy history :-) I'll catch you around, GChriss 20:10, 14 May 2007 (CEST)

Why the sneering tone towards authorship anyway? Free Content isn't about limiting author's rights, it's about convincing people that it's better for authors to share, not that they're misguided in wanting some control at all. It's really all about the author's control over the work, because without it an author couldn't say "you must follow the GPL" any more than he could say 'no copying.' 130.58.194.111 05:08, 22 May 2007 (CEST)

Photos should not be modified

There are legal restrictions on the use and modification of photos, especially if they show living people. Personality rights in many countries do not allow to use photos in a way that could be regarded as libel. Photos of buildings or industrial products do not include the right to reproduce them. So the definition of free photos should be less permissive than the current definition and should not include the right of unlimited changes. --84.137.109.177 21:28, 19 May 2007 (CEST)

Does this need to be in the definition? Surely, all free cultural works are subject to other laws. Free software programs that capture photos in such a way that is governed by personality rights would be affected by those laws, but that doesn't make the software non-free or require the free software defintion, or a license for that matter, to include a clause about personality rights. If the definition, or a license, were to include clauses about every other possible law, there would be no point. What about child pornography, for example?

Good point, but I don't think it ought to be in the definition. --Balleyne 00:18, 21 March 2008 (EDT)

Trademarks?

There is no mention of trademark restrictions in this article. Does the section No other restrictions or limitations also include trademark restrictions? To give an example, the w:Empire State Building is protected by trademark restrictions, so it is not "free of limitations". Is a photo of it -- a photo that was released by the photographer under a free license -- to be considered "free" according to the definition? / commons:User:Fred J 17:55, 29 May 2007 (CEST)

This is an excellent question. The best example I can think of is Linux, which is obviously freely-licensed and yet there was a huge controversy and court case surrounding the trademark issue. See Copyright, licensing and the Linux trademark and [1]. Usually it's not a problem, but the trademark issue can make things complicated. Wikipedia, which is GFDl of course, uses trademarks all the time, and has a disclaimer about it: w:Wikipedia:General_disclaimer. w:User:Nadav1 16:06, 31 May 2007 (CEST)

See also m:User talk:Eloquence#Licensing policy: request for clarification, where I had asked Erik Möller for a clarification regarding that point. The issue goes beyond trademarks. Photographs of people, for instance, cannot be used in advertising without the subject's express consent in many countries, AFAIK (personality rights). What about design protection? And so on... Lupo 11:15, 1 June 2007 (CEST)

Wiki content license

This is terrible, you selected some license, which is still in heavy 'development' to license the content and didn't even say '2.5 or later'. Please! Use instead something like the gnu project does with "Verbatim copying and distribution of this entire article is permitted in any medium without royalty provided this notice is preserved." at the end of each page. Who can actually decide such a change in this wiki?!? --Qubodup 23:49, 1 December 2007 (CET)

What substantial problem do you see with CC-BY 2.5? I agree that we should add the "any later version" clause, though technically that's problematic at this point.--Erik Möller 11:09, 4 December 2007 (CET)

Selecting ONE license of many for this definition of content freedom marks this one license special. Why CCby2.5? Why not FAL (LAL) 1.2? Why not GFDL? Why not GPL? If there should be a license for the definition's content at all, it should be every single of the accepted 'free content' licenses (are the ones on the licenses page valid free content licenses?) or something extremely simple and permissive as what the GNU project uses for it's web text content. --Qubodup 20:33, 4 December 2007 (CET)

PS: A terrible solution would be something like "every change made starting with 04. Dec 2007 is licensed under all of the following licenses and any of their later versions"

Doesn't CC-BY 2.5 itself say that it can be relicensed under any later version (and any national version)?

Allowing reuse of content under any free cultural work license would be certainly wiser, though. It's a bit strange that free cultural works are not permitted to include the definition of free cultural works (unless they use cc-by license, and only that). --Tgr 22:53, 23 December 2007 (CET)

Why can't they? The cc-by license isn't a "share alike" license. --Andy 11:23, 6 March 2008 (CET)

The cc-by still has a freaking load of text in it and this is a problem. The free software definition is licensed under "Copyright © 1996 - 2007 Free Software Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA 02110-1301, USA Verbatim copying and distribution of this entire article is permitted in any medium without royalty provided this notice is preserved." that's it. overkill is the right word. read this. --Qubodup 11:42, 27 March 2008 (EDT)

Existing exemptions

Free Culture Licenses do not take rights away -- they are always optional to accept, and if accepted, they grant freedoms which copyright law alone does not provide. When accepted, they never limit or reduce existing exemptions in copyright laws.

What exactly does this section intend to state? In the strict sense, a license can never limit an exemption (thats why it is called an exemption). If it's meant in a more general sense, saying that FC licenses are not intended to limit your rights, thats not quite true: they do limit your right to relicense derivative works.

For example, some countries have a concept called panorama freedom: photos made of copyrighted buildings and statues do not need permission from the copyright owner. Thus if somebody takes a picture of a statue, he can treat it as if it were fully his own work: sell it for money, grant limited distribution rights etc. If the statue was under a free "viral" license, that license would explicitly forbid this (the photo being a derivative work). Thus free licenses can take away rights (not freedoms though; actually they take away your right to reduce the freedom of others to use your work). --Tgr 01:35, 24 December 2007 (CET)

An Objective Definition of Free?

I've written two books about copyright, (http://www.greglondon.com/bountyhunters/index.htm) "Bounty Hunters: Metaphors for Fair IP Law" and (http://www.greglondon.com/libre/index.htm) Libre Labyrinth". Both are licensed CC-BY. "Bounty Hunters" is more geared towards understanding how to find copyright laws that are fair for All Rights Reserved applications and how Free/Libre/Open projects fit into that context. "Libre Labyrinth" focuses on objectively describing and comparing different Free/Libre/Open licenses.

The GNU-GPL is graphed out on pages 40 and 41 of "Libre Labyrinth". The main point is that all the "rooms" (all the areas that could be monopolized through some IP law) are open to one another. All the "doors" have been taken off the hinges (it's a bit of an odd metaphor for explaing Venn Diagrams that include allowed state transistions, but it's explained in the beginning of the book, and it seems to work), so there is no one-way trap-doors that allow someone to monopolize the work.

It would seem that this would qualify as an objectively measurable definition of "Free". I thought you might find this useful, but didn't want to put my own works into your wiki. Conflict of interest, and all that. If this is useful, someone can put it in your main page. If it's not, then feel free to leave it out.

GregLondon 00:19, 29 February 2008 (EST)

TECHNICAL: Upload not functional

Make the uploaded files directory writable please, I cannot upload files. --Qubodup 11:44, 27 March 2008 (EDT)

Save It

Can we save it to a music CD

Box at top

Should be (+ "a" or + "the" as the 3rd word):

Stable versionThis is a stable version 1.0 of the definition. The version number will be updated as the definition develops. The editable version of the definition can be found at Definition/Unstable. See authoring process for more information, and see translations if you want to contribute a version in another language.

Jtneill 23:45, 23 June 2008 (EDT)

"the" added, thank you! Finn Rindahl 13:25, 24 June 2008 (EDT)

TECHNICAL: favicon

Please add the logo as a favicon, it's hard to find this site between lots of tabs... --Tgr 17:01, 9 September 2008 (EDT)

Thanks for the suggestion. Mako has added this. Angela Beesley 20:41, 10 September 2008 (EDT)

Preamble for 1.1

I think in the 1.1 version we should try to rewrite the preamble in response to some of the feedback we've received. In particular:

In most countries however, these freedoms are not enforced but suppressed by the laws commonly named copyright laws. They consider authors as god-like creators and give them an exclusive monopoly as to how "their content" can be re-used. This monopoly impedes the flourishing of culture, and it does not even help the economic situation of authors so much as it protects the business model of the most powerful publishing companies.

This seems unnecessarily polemical and polarizing. We want to invite even those people to participate who utilize traditional copyright protections for some of their works. My preference would be to replace this entire paragraph with a more positive one about the power of sharing and collaboration. I don't think we need to take a pro-copyright stance in this definition, but I also don't think we need or want to take an anti-copyright one. Thoughts?--Erik Möller 22:03, 17 September 2008 (EDT)

Yes Eric, this is currently being discussed on the Wikieducator list at the moment, but you are right to try and bring it here. My feeling is that the paragraph is so poor that it should be deleted immediately. Then you/we could build something up if it leaves a void. Personally I think the document is better without it all together, and is not diminished if nothing is there for a time. Leigh Blackall 15:07 18 Sept NZ time.

I am an advocate of the free cultural works definition and have recently been directed to issues in the preamble of the definition in the WikiEducator discussion forums. The WikiEducator community have adopted the free cultural works definition and I think that the paragraph referred to below does not serve the interests of the definition. I propose that the following paragraph be deleted from the definition: "In most countries however, these freedoms are not enforced but suppressed by the laws commonly named copyright laws. They consider authors as god-like creators and give them an exclusive monopoly as to how "their content" can be re-used. This monopoly impedes the flourishing of culture, and it does not even help the economic situation of authors so much as it protects the business model of the most powerful publishing companies." Having been on the receiving end of the FUD for many years, I appreciate and understand the sentiments expressed in the paragraph. Perhaps we should create an addendum containing further reading and key resources to articulate these concerns, but I don't think they should be included in the main body of the definition.

--Mackiwg 23:06, 17 September 2008 (EDT)

I wonder though - given that the discussion page shows a fair number of unresolved or threads without closure, how we will determine consensus and take action on that paragraph...? Leigh Blackall 17:57 18 Sept NZ time.

I've made an edit to Definition/Unstable per the above; feel free to revise further. If I don't hear anything back within the next week, I'm just going to do a quick 1.1 update myself.--Erik Möller 14:06, 18 September 2008 (EDT)

Yes, neutral is better. I think this is the only part that can be considered biased, the rest looks fine. →Spiritia 15:04, 18 September 2008 (EDT)

Updated.--Erik Möller 21:02, 26 September 2008 (EDT)

Have further tweaked the Unstable version where I thought there were still unnecessary words, or confusing sentences. Hope to see them in the Definition at some stage. --Leighblackall 21:35, 26 September 2008 (EDT)

Thanks so much for removing this. Now it's actually a neutral definition instead of advocacy. Maybe there's hope for the project after all. :) Omegatron 14:27, 11 January 2009 (EST)

Photos and their use

As a photographer I am concerned with how my work is used. Now having said that I do fully understand the concept of creative commons and free cultural work and other "licenses" however the biggest issue I see is that "one size does not fit all". For example Creative Commons uses music/audio terms such as "remix" and in 30 years do taking photographs I have never once been asked if someone could "remix" my image. GFDL is meant for text - so using it for an image and saying "No Back cover text" does not fully apply.

That being said the FCW license might work great for images with a few re-wording or clarifications. And these are suggestions, rough ones at that.

The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work. For kinds of works where it is relevant, this freedom should include all derived uses ("related rights") such as performing or interpreting the work. There must be no exception regarding, for example, political or religious considerations.

For images the word "perform" might be changed to "display". However for an image I feel "exceptions" should be considered. For example - a photographer takes an image in New Orleans lower ninth ward of an Afro-American who was killed during katrina and they release it "freely". Based upon the FCW "there must be no exception" so a user could re-purpose that image for use in a pro-Nazi poster. A CCL does have "fine print" that state the licensee can not distort, mutilate, modify or take other derogatory action in relation to the Work which would be prejudicial to the Original Author's honor or reputation which I think, in relations to images, is a good thing. Perhaps the FCW could change the wording of "There must be no exception regarding, for example, political or religious considerations" to something along the lines of "There can be exceptions regarding, for example, exploitation or racist use"

The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict "reverse engineering".

I do not see any issues with this part as it would relate to images.

The freedom to redistribute copies: Copies may be sold, swapped or given away for free, as part of a larger work, a collection, or independently. There must be no limit on the amount of information that can be copied. There must also not be any limit on who can copy the information or on where the information can be copied

The concept is fine but it's execution in relation to an image might not fully work. Redistribution is fine. Adding to a collection is fine. Anyone can copy it is fine. Sales however is where you run into issues. Look at the "exception" issue(s) for an idea. If there were to be no restrictions on use there would be no doubt an image could be used in a manner it was never intended to be used and be used in that manner to make money. Again - perhaps in regards to images there could be a choice of the photographer to disallow use for hate "profit" (ie - use the image in pro-hate merchandise or literature). Likewise a religious group could take an image of someone dying and place it on a t-shirt saying "Aids Kills" and sell it. I fully believe that a photographer should be allowed some choice in how their image is used.

The freedom to distribute derivative works

Sort of a given with any of these "free" licenses. But perhaps in conjunction with any sort of image options as defined above this would slightly change what the "derivative work" could be used for.

Probably most of this could be added in the Permissible restrictions section too. It would be good to hear other photographers input on this and have a discussion on ways to make this work. Soundvisions1 21:31, 1 October 2008 (EDT)

Time scope and revocability of licenses, etc...

The present definition is unclear concerning

Licenses allowing free use for a definite time scope (1 year only, 1 week only)

Licenses with a "for the time being", or "until revoked" clause.

The only point where the present definition clearly rejects revocability is in connection with patents : should not be protected by patents, unless a world-wide, unlimited and irrevocable royalty-free grant... but there is no such condition in connection with copyright.

I suggest that future versions of the definition should address this concern.

I have also questions concerning the space scope : what about non-worldwide, free-in-only-a-few-countries licenses ?

Teofilo 04:12, 20 November 2008 (EST)

I made a small edit in the unstable version, to reflect this concern : (diff). Teofilo 04:48, 20 November 2008 (EST)

Compare with the following statement in the definition of « free software » : In order for these freedoms to be real, they must be irrevocable as long as you do nothing wrong; if the developer of the software has the power to revoke the license, without your doing anything to give cause, the software is not free. The Free Software Definition, by the Free Software Foundation. Teofilo 20:15, 28 November 2008 (EST)

If I understand the intent correctly, it seems to me that it would help to express the "without limitation" principle by explicitly stating that rights granted by any free license should be both perpetual (non-expiring) and non-revocable. Do all of the current stock licenses explicitly express this? Danorton 17:26, 13 April 2009 (UTC)

I agree that this is a very important clarification to make in the definition. It seems that wording to this effect has been added and removed from various versions of the official definition over the years (and is absent in the current version). I'm not sure why its inclusion has been inconsistent, as it seems to have been part of the unstable version consistently since at least 2006. Perhaps Erik could respond to this, as he is the person who has actually implemented most of the version updates. Is there a reason we don't want to define free licenses as unrevokable or is it just that most people consider this to be obvious? Kaldari 19:05, 15 April 2009 (UTC)

I don't recall that this has been added before - perhaps I missed it? If you can find it, could you provide a diff? I don't have any problem with adding this to the definition, but I'll post the issue to our mailing list so other people are aware of it as well.--Erik Möller 00:42, 16 April 2009 (UTC)

The very specific language that has been in the unstable version for a while has never been in this version, as far as I know, but the statement that the freedoms "should be available to anyone, anywhere, anytime" was in both version 0.9 and version 1.0, but was stripped out of version 1.1. This led to a discussion about whether that phrase should be included in the commons licensing policy or not. Personally, I don't think the sentence itself is that important, but the definition should specifically address the issue of revokability somewhere. Kaldari 16:47, 16 April 2009 (UTC)

Permanent URLs

This needs stable URLs fast. It is impossible to link to it from a legal document as long as the text can change at any time. Definition/1.0 and Definition/1.1 should contain unchanging texts, and so should Definition/1.0/de etc. And they should be referred from the header so readers realize Definition is not a stable text.

(Also, could someone clean out the porn ads from the mailing list home page? Or at least remove the link to them from the site notice?) --Tgr 04:00, 27 November 2008 (EST)

I don't know if this is what you need, but there is a "permanent link" in the toolbox, in the left margin. However, "The definition itself is not a license", so be careful not to use in a legal document as if it were a license. Teofilo 07:27, 27 November 2008 (EST)

The definition is inteded to be used in legal documents to define what kinds of licenses are acceptable. That's how the Wikimedia Foundation used it in their licensing policy resolution, and IIRC this site was originally created as part of that resolution. And the link to this definition (which plays quite a fundamental role in the policy) now points to a different text than it did when the resolution was passed. Though it says explicitly 1.0, so the intention is clear there, but even if the reader does realise that he has been sent to the wrong page (whch does not exactly create an air of professionalism btw), he has no idea where to find the tight text. (Keep in mind that the intended target audience of this site goes much beyond the wiki world, so the reader is not neccessarily wiki-savvy.) When the wording of a document is less cautious and doesn't explicitly name the version, that could lead to even bigger problems. --Tgr 20:09, 27 November 2008 (EST)

Tgr, I got your point, you're right that separate versions should be uniquely accessed. This is an easy job to do, and you can help me if you please, as most of the pages are not protected. It is possible to find the precise version before the 1.0->1.1 update and copy it into a subpage, and then exchange links in order to have all readers informed. I will spend some time in the weekend... →Spiritia 17:48, 28 November 2008 (EST)

I am not able to help for the Korean translation only. I cannot recognize words "version" and "stable" in order to make a precise change in the wordings. For the latin and cyrillic languages, even for Greek, this was an easy job to do. →Spiritia 10:57, 1 December 2008 (EST)

First sentence

The first sentence of this article currently says:

This document defines "Free Cultural Works" as works or expressions which can be freely studied, applied, copied and/or modified, by anyone, for any purpose.

I propose that it be changed to:

This document defines "Free Cultural Works" as works or expressions which can be freely applied, studied, copied, modified, and/or distributed, by anyone, for any purpose.

I have just added "distributed", which appears in other parts of the article, but is strangely missing in the first sentence. In my opinion, "distributed" is important enough to merit inclusion in the first sentence. --Antonielly 18:33, 31 March 2009 (UTC)

Talk:Definition: Difference between revisions

Revision as of 08:26, 26 April 2009

Contents

What about the applicable law?

First Thoughts

The Open Knowledge Definition

My take

Adelphi

The freedom to use and perform the work

Discussion list

Metaphor suggestion

Source data

Copyleft suggestion

Moral rights

Commercial Restrictions

In the summary...

"god-like creators"?

Photos should not be modified

Trademarks?

Wiki content license

Existing exemptions

An Objective Definition of Free?

TECHNICAL: Upload not functional

Save It

Box at top

TECHNICAL: favicon

Preamble for 1.1

Photos and their use

Time scope and revocability of licenses, etc...

Permanent URLs

First sentence

Navigation menu

@@ Line 37: / Line 37: @@
 Wow ... you even frame/structure Talk?! ... meh. Anyhow, ''nota'': you have Definition as your default index (wrong ... on basic principle, wrong ... you program? think trampolene) but Definition links to the rest of the site very very poorly. --BenTrem [[User:68.148.26.220|68.148.26.220]] 01:07, 25 June 2006 (CEST)
-== versioning ==
-License 333 and version 0.66 -- it is a sign!  Excellent.
+WANTED
+Written By : Alaa Soliman
+  E-mail       :  alaa.din10@yahoo.com
+March 2008 , Florida
+Fade in :
+INT. - Train    -       Day
+-              Ray    about 30 years old
+-              Wears a Captain uniform & has a mustache
+-              Have sunglasses
+-              Reads a magazine, while an old woman sleeps beside       him on a seat .. EXT.   - Railway station – Day
+           - Train stops
+           - Ray gets out from the train curries a bag
+           - His eyes move in everywhere
+           - Walks out among the crowd
+           - Two women behind him
+-        Whispering, while he can hear them .
+Woman ( l )
+How handsome that man !
+He is very handsome especially in such wonder wear.
+Woman ( 2 )
+Captain !
+His life in the sea, oceans, ships and harbors
+  INT.        - Ray's car              - Night
+-        Black Ford Car 4x4
+-        A street corner
+-        Street is calm has little moving .
+-        Ray inside the car without mustache
+-        Smoking a cigarette .
+-        Wears black T. shirt & jeans
+- Hears footsteps nearing behind the car .....
+-        Tony appears
+-        Tony is about 32 years old.
+-        Opening the door and sits beside him
+- Lighting a cigarette
+Tony
+        Everything is ok ?
+Ray
+        Florida …. a wonder state !
+        Everything is ok
+Tony
+        When did you decide to execute the first mission?
+Ray
+Saturday at night
+Tony
+After 3 days !!
+Ray
+        This rascal shall return to his home around 7 p.m. with his guards every Saturday, then getting his office room in the first floor for an hour Next Saturday around 7.30 he shall bleed by shooting his head by Ray
+Tony
+        I thought you shall kill him in his office
+Ray
+I found this is a very difficult
+Getting away from the place after finishing the mission shall take time .
+I planned for everything accurately
+Tony
+You're skillful in planning !
+Ray
+This Robin is living with his wife and one of his daughters in the house ....
+Tony
+       I hope the mission won't be exceeded !
+Ray
+ Won't exceed
+Since I saw their photos … ..looked at their faces,
+I become more ardent to kill them .
+Especially the bold one
+Tony
+        That bold shall leave the life next Saturday
+Dissolve
+Ext. – Robin's house      - Night
+-        It consists of 4 floors
+-        House is very luxury
+-        A green area and plenty of trees
+-        Ray's car is far in the backside .
+INT.    -      Robin's car   - Night
+-        Mercedes car
+-        Robin is about 50 years old
+-        Bold, very Rich....
+-        Seating in the back seat
+-        His private guards in another car back him
+-        Driver drives the car
+INT.   Robin's house     -an office room -Night
+-        Office room is rather dark
+-        Few light coming from out.
+-        Ray inside the office room
+-        Carrying a guns
+-        Looks from the window
+-        Getting out from the room careful
+        INT. –Robin 's house-Reception-Night
+-        Ray is hiding behind a column
+-        Suddenly, a light is turning on in the second floor.
+-        Gets attention    ……..   (Steady position to shoot. )
+Ext.    -  Robin's house   -  Night
+-        Robin arrives
+-        Getting out from the car
+-        He walks to the house entrance
+-        Four guards around him
+-        Robin orders two guards, they stop, then enters with other two guards
+  Int. - Robin's house -  Reception - Night
+-        Light turns on
+-        Robin enters to the office room with two guards
+-        Ray nears from the window
+-        Looks
+-        Seeing two guards outside
+-        Nears from the office room
+-         Pushing the door by his foot
+-           Ray shots a guard in his stomach.
+-     Rushing into the office room
+INT. - Robin's  house - an office room
+-        Ray shoots Robin's head
+-        With the other gun shooting the guard, but he didn't injury
+-        The guard shoots Ray
+-        Protecting himself through the door against shots
+-        Woman's voice screaming from the upper floor
+-        The guard is still alive beside the door
+-        Tries to get his gun
+-        Ray shots him while running, injuring his head
+-        Quickly shoots a guard who was coming from out, killing him at once
+-        Ray runs towards the house door
+-        A guard behind him but shoots the other guard who was coming from outside
+-        Ray runs to out
+Ext.    - Robin's House  - Night
+-        A guard shoots
+-        Ray hides behind a tree but a bullet injuring him
+-        Steady to shoot
+-        Shooting from a far distance on that guard then injuring him in his hand
+-        Runs
+-        Putting his hand on his bleeding shoulder
+-        Drives his car with high speed
+INT.   - Ray's car  - Night
+-        Ray bleeding from his right shoulder's injury
+-        He tries to overcome the pain
+Ext.   - Private hospital   - Night
+-        Ray's car arrives to the hospital's entrance
+Int. - Hospital – corridor
+-        A group of nurses
+Ray
+        Where the Emergency room?
+A nurse
+        The third room in the corridor end at right
+A nurse
+        What happened to you?
+Ray
+        Nothing serious
+Int. - Emergency Room
+-        Ray enters
+-        Doctor refers to him to be lay down in a bed
+-        A nurse enters
+The nurse
+        There's a child injured in his foot
+         Calls Doctor Steve?
+The doctor
+Quickly
+-        She gets out
+-        Doctor checks Ray's shoulder, making the necessary aid
+The doctor
+        Your wound isn't easy
+        Is this shoot!  Isn't it?
+Ray
+Yes
+The doctor
+How you could bear such hard pain?
+        Little people can bear pain such as you .
+        Last month, a man came to the hospital accompanied by his friend he was injured in his finger.
+        The screaming of this man was so loud, he couldn't bear such little injury it could hear his screaming from the end of the street!!
+        The bullet didn't penetrate your shoulder directly, but it made a large wound
+        Are you policeman?
+        Or someone shoot you?
+Ray
+-        From Florida police
+-        The injured child enters with his grandmother and a nurse
+-        A child has about nine years, crying
+The nurse
+        Bring the child here in the bed
+-        The bed beside Ray separated with a curtain
+-        Doctor Steve enters with two nurses
+-        Begin to make the necessary aid for the child
+-        Grandmother cries
+The nurse
+Be quite.. quite
+        He shall be fine
+Doctor Steve
+        Check the child's pressure and quickly fetch oxygen
+-        the nurse drag the curtain that separating between Ray and the child
+-        But Ray can see the child's face
+The doctor
+        Did you follow a criminal?
+Ray
+        An murderer criminal
+The doctor
+        This is too much cost paid by policemen
+Ray
+        That is right
+The doctor
+        You offer several sacrifices for us
+(To the nurse)               what about the child.. ?
+The nurse
+        The child's grandmother says that he was playing in the garage, which is full of scrap and heavy objects that a piece of iron falls on his foot .
+Ray
+        This is a very painful for a child in such age
+The doctor
+        Do you feel better now?
+Ray
+        Rather
+The doctor
+        Check his pressure
+        Currently we don't need more that this
+        Some analgesic for pain after surgery.
+Ray
+Thank you
+The doctor
+        Surely your pressure is lower
+        You bleed too much
+The nurse
+        His blood pressure is really lower
+The doctor
+        Remember that pain shall hurts you after 6 hours
+        But the wound has been cleaned
+-        Ray looks to the child through the separated curtain
+The doctor
+        You should be in a rest today
+-        Ray tries to get up
+-        Feels pain
+The doctor
+        To where?
+Ray
+        I can't stay in the hospital
+        Thanks, anyway
+The doctor
+Why?
+        Your wound needs some care
+        Why you insist to go now?
+Ray
+        I must go now
+        Believe me, I feel better, Thanks again
+-        Ray drags the separated curtain between him and the child
+Ray ( to doctor Steve )
+        What about his wound ?
+Doctor Steve
+        He shall improve at anyway
+Ray
+        Are you his grandmother?
+The grandmother
+        Yes
+Ray
+        What's his name?
+The grandmother
+        Anthony
+Ray
+        A handsome and charm boy
+Doctor Steve
+Don't worry
+He shall be recovered
+This shall take times.....
+The grandmother
+        How long?
+Doctor Steve
+        About 10 days, maybe rather more
+The grandmother
+        Should we come to hospital for another time?
+Doctor Steve
+        No, nurse shall follow – up his wound in the house if you want so.....
+The grandmother
+        Thank you
+-        Anthony crying but little
+-        Both Ray & Anthony looking to each other
+Ray
+        Can I visit you in your house to see Anthony?
+The grandmother
+        Of course, You are welcome. Our address is vatrim street 5087,Hilkhreew No,532
+The doctor
+        I didn't know your name yet.
+Ray
+        I'm Ray
+The doctor
+        I'm doctor Alan, and this is my comrade doctor Steve.
+-        Ray looks to Anthony
+Ray
+Thank you.
+-        Getting out. Wound bandage on his shoulder.
+Int. - Ray's apartment  - Night
+A luxury apartment
+         Ray is setting, drinks
+        - Before him a big photo on the wall for a beautiful blond woman, his lover Anne .
+        - A photo for Robin marked with red x, beside it, a photo for another man without x on the wall
+        - Beside Ray briefcase, bag full of money
+        - Looks to the other man's photo
+        - Puts the cup of Brandy
+        - Picks the gun up
+        - Aiming the gun towards the man's photo
+Ray
+        Now is your turn
+        Did you prepare your coffin?
+        Ray's shot shall penetrate your head
+        Your life becomes just little days.
+        Your face is ugly!
+     Makes me furious like your dead friend!
+  Ext.         - Anthony's house - Day
+-        Ray arrives in his car
+-        Without wound bandage
+  Int.   - Anthony's Apartment - Day
+-        Knocking the door
+-        The grandmother opens
+The grandmother
+        Welcome Mr. . Ray
+Ray
+        Good morning
+The grandmother
+        Please come in
+-        He enters
+Ray
+        How is my friend Anthony now?
+The grandmother
+        He's sleeping since two hours
+        Took analgesic then slept at once.
+Ray
+        A boy full of vital and joy!
+The grandmother
+        Would you like seeing him?
+Ray
+        I come exactly for this purpose
+The grandmother
+        With pleasure
+-        To Anthony's room, at right side of kitchen
+-        Opening the door
+-        Ray enters
+Int.   - Anthony's bedroom      - Day
+-        Looks to the innocent child's face
+-        Gets out then gently closing the door
+Int.   - Hall
+Ray
+        What about the pain?
+The grandmother
+        Every day improves than before .
+        It was unforgettable day!
+I didn't feel him when gone out then sneak into garage.
+       When I saw him screaming.. screaming and his foot full of blood
+        I wept also, Maybe I would faint
+Ray
+        Anthony looks like me when I was his age
+The grandmother
+        Really?!!
+        Are you recovered from your injury?
+Ray
+          Rather
+        Are you live with Anthony alone?
+The grandmother
+  His parent in a work in Swiss ….. they left him with me
+        I don't know what I can say to them when ask me!
+Ray
+        Don't tell them anything.
+        Don't make them worry.
+The grandmother
+        There's no doubt when they come back, I shall tell them
+        My temper doesn’t bear anymore!
+        I'm an old woman exceeded 75 years.
+-        Anthony's voice from his bedroom
+Anthony
+        Grandma..      grandma
+-        Ray with the grandmother to the room
+Int.  - Anthony's bedroom
+Anthony
+        Ray!... My friend..
+Ray
+        My friend Anthony
+Anthony
+        I'm very glad to see you
+Ray
+        Do you feel any pain right now?
+Anthony
+        Pain hurts me from time to another
+        But it isn't hard
+Anthony
+        And you?
+        Is your shoulder hurts you?
+Ray
+        Sometime
+        Such injury shall not make you play again in the garage
+Anthony
+        I will not do it again
+But you didn't tell me?
+Ray
+        Tell you what?
+Anthony
+        How your shoulder injured?
+Ray
+        Is this important?
+Anthony
+        I'd like to know
+Ray
+        One of the murderer criminal shoot me
+Anthony
+        Why?
+Ray
+  I…….
+-The grandmother interrupt Ray
+The grandmother
+        Do feel hungry Anthony?
+Anthony
+No, no
+        I don't feel hungry now
+        I want to drink water
+        - Ray pouring him a glass of water
+        - Grandmother looks to her watch
+The grandmother
+        After half an hour you shall get a capsule of your medication
+        Its time after half an hour
+Ray
+        Anthony, you look like me when I was in your age
+Anthony
+        Am I ?
+        I'm glad to hear that my friend
+        Have a photo for you when you were a child to compare myself?
+Int. - Florida police     - corridor    -Day
+Neil from Florida police to the commissioner's office
+Int. - Florida police  -the commissioner's office
+Neil gets in
+Commissioner
+        Robin is the Ray's first victim
+                                 Neil
+        Maybe there's other victim or victims!
+Commissioner
+        Everything was expected as there's who paying for that..!
+        Where's Albert?
+Neil
+       I saw him parking his car
+        We shall do our best to arrest him
+        We have got several notifications from New York police confirming that he is in Florida
+        Time is very important
+Commissioner
+               We're facing professional criminal and very intelligent
+        This made him in the list of the most wanted
+-        Searching some documents on the desk
+All investigations, evidence and information from New York , it was assured that Ray has come to Florida for a murder as maybe crimes .
+Neil
+        Exit intersection.. Airport.. Railway stations.. High ways under control!
+-        Albert from FBI enters
+Commissioner
+        Is there new news?
+Albert
+        There's no news except what we have verified
+        A killed shoot in the victim's head by Ray!
+Neil
+        If one of Robin's guard still alive, we couldn't verify that the guard recognized his photo as soon as shown it
+Albert
+Yes
+        In addition that, this criminal has super ability to aim the goal accurately, he distinguishes with disguise
+Commissioner
+We thank Ray that he didn't disguise when executing this
+crime
+Albert
+        Since 6 months, we assured from our source that it was agreed with him to kill one of the elected person in the local municipality elections for the benefit of other elected in one of New York Subsidiaries, but so sorry it could approve the accusation on such elected.
+Commissioner
+It must arrest him before making more crimes, he considers a threat for public security
+Albert
+It should increase investigations in everywhere may suspecting to be there.
+Neil
+Many investigators and private detective are spreading now in everywhere.
+- Ray's photo on the computer's monitor front of him
+Commissioner
+        What about the next plan?
+        Did you discussed it together?
+Neil
+        Yes we discussed
+Albert
+        We have some notices shall be discussed together
+Neil
+I think if could hold this thread, it is probably arrest him
+Commissioner
+The success of this plan firstly depends on Brain's agreement to work with us without force.
+Neil
+This is very important
+He departure the prison just from short time
+Albert
+If we could persuade him to work with us as a nark! It shall be good!
+Brain Knows most Rich Businessmen and many persons who pay money versus killing.
+He has multiple relationships with several gangs and murderers in Florida ! I think he shall do much if agreed to work with us!
+Commissioner
+Ok., we see what will happen with him
+Int. -   Ray's Car    -  Day
+-        Listening to hit music
+-        Mobile ringing
+-        Turning down the music
+Ray
+Yes
+Tony! Where are you?
+Intercut with Tony in his Car – Day
+Tony
+                In my car
+Ray
+                I'm also in the car
+Tony
+                Are going to the apartment?
+Ray
+                Yes
+Tony
+                Ok, I will be at you after half an hour
+-        Ray returns to hit music again
+Int. -       Ray's apartment     - Day
+-Ray holding a cup of wine
+- Bell 's sound
+- Opens the door
+- Tony enters
+                                           Ray
+       Look……
+- Refers to Anne's photo
+Tony
+        A charm woman!
+        Wonder blond! Her golden hair makes her more charm and fascinating.
+        She's really beautiful
+Ray
+        Would you like a cup?
+Tony
+        I'll be thankful
+-        Ray prepare him a Cup
+Tony
+        In the newspaper, I saw the bold … Robin's photo shoot in his head
+- Ray smiling
+Tony
+How I felt proud when you told me, you achieved the first mission!
+I felt proud because my friend is a professional, never miss his goals
+Ray
+Tony…. Do you remember our last days in New York ?
+Tony
+I wish if such days returned again whatever for just one day!
+It was nice days; I left New York to Florida . Since Hank told me that he wants to kill two persons and needs a professional to finishing those at once, I imagine you
+Ray
+        Hank pays a lot of money!
+Tony
+        He has great wealth
+        He considers one of businessmen here in  Florida    . Everything, Trade and Industry.
+Ray
+        Drugs!
+Tony
+        No, no ,
+He doesn't need more money
+- Tony stands
+- Fetch another Cup of wine , lighting a cigarette
+        You didn't tell me about Robin, How could get the house?   Alarm system in everywhere, Secret doors, Guarding dogs
+Ray
+It wasn't a problem to me
+Tony
+Do you agree with me that the most danger gang that consisting of just one person… that's you?
+Ray
+I agree
+Tony
+I affirm that I admire you, Since We
+Known each other and become friends from 12 years …!
+-Tony puts his hand on his shoulder
+Tony
+Is your shoulder has been recovered?
+Ray
+Yes
+Also Anthony can walk now
+Exactly Ray but a child, when I saw him I felt that I'm facing myself when I was a child!
+        Anthony asked me about the reason of my shoulder's injury? I forced to lie!
+I told him that a criminal shot me … then he asked me about the reason too!
+I dodged to answer … what I would telling him?!
+I injured when providing a murder mission …! I don't like to know that.
+Maybe he doesn't understand anything … but I don't like Anthony to know !
+INT.          Brain's apartment – Bedroom – Night
+-        Brain the criminal
+-        Naked in bed with a naked woman
+                            The woman
+I'd like to be with you forever
+How days, months and years have lost when you were in prison
+Brain
+            We shall recover those days now
+-        Kissing her
+-        Suddenly
+Neil and Albert pushing the door strongly
+-        Aiming their guns towards Brain's face
+Brain
+Who are you?        How did you get in?
+-The woman screaming…. Putting bed sheet on her breast to cover it.
+Brain
+What do you want?
+Neil
+Florida police
+Albert
+FBI
+Brain
+What do you want?
+I'm arrested?
+If so, why?
+Albert
+You aren’t arrested exactly
+It is our luck that door was rather opened so we entered
+Brain
+I want to know what's happened.
+Neil
+You will know everything
+Brain
+Shall you take me naked?
+Albert
+Wear your clothes then let us go
+Brain (to Neil )
+The pants beside you on the chair
+I'll wear pants under over … would you please?
+The woman
+And me …. And me
+Albert
+Calm down for a while. you aren't aimed for anything
+Brain
+May you bring please?
+Or you want to down from the bed then walking naked as I born front of you!
+-        Neil throwing the pants on air then falling on his face
+Brain
+        Thanks
+-        Trying to wear the pants ……. He still under bed sheet
+-        Suddenly throwing the bed sheet on Neil's face
+-        Quickly getting up
+-        Pushing Albert by his hand
+-        Takes his shirt quickly
+-        The woman screaming
+-        Brain running.. escaping from the apartment
+Ext.         - Street            - Night
+-        Wearing his shirt while running
+-        Albert & Neil run after him
+Neil
+Stop Brain .. stop
+Albert
+Don't ever shoot
+-        Hides behind a vettura
+Neil
+Rascal!
+Albert
+Damned! .. Vile!
+Ext.         - streets -Crowd              - Night
+Albert
+He's there
+-        Running
+-        Brain among crowd, cars ,people
+-        Trying to stop any car, but useless
+-        Running among people
+-        All go away from him
+-        Hiding behind a stopped car
+-        Careful, looks through car's glass
+-        Sees Neil & Albert
+-        Tries to open car's door
+The car's Owner
+Get away of  my car
+- Brain     strike his face strongly
+Neil
+Is he lost in the crowed?
+-        Brain running
+-        Hits with a man, falling together
+-        Quickly gets up
+-        Keep running
+Neil
+He falls there!
+-        Running towards him
+-        Red Pontiac car driven by a woman was steady to be stopped
+-        Brain pushes her out
+-        The woman screaming
+-        Brain rushing into the car
+-        Drives the car with high speed
+  -        A taxi is passing in this moment
+-        Albert stops the taxi.
+Int. - Taxi      - Streets           - Night
+Albert
+Quickly follow that red car
+We're police
+-        Neil makes a  contact
+-        Neil
+Unit 15
+Unit 15
+We're in san Dircy street , We need a police car to halt the way front of the fugitive. Right now. Red Pontiac car
+Albert( to the taxi driver )
+Don't let him runaway
+                                       The taxi driver
+He's crazy!
+What this rash does? What is his crime? ...... why
+Do you chasing him? !
+Is he stolen this car?
+Albert
+Don't talk too much.
+Keep following
+ Don't let him escape
+Int.         - Streets   - The red car
+-        Brain drives the car frivolity
+-        Crushing a car
+-        Keep his way
+Ext.                 - Police car             - Night
+-        Police car moves
+Int. - Taxi      - Streets
+Albert
+Foolish!
+Neil
+He near from the highway
+Ext.         - The red car   - Street    - Night
+-        Car's steering wheel out of his control
+-        Crushing two cars
+-        Getting away from the street
+-        Brain turns with the car then keep his way
+Ext.         - Police car
+-        Police car appears
+Int. - Police car     - Night
+-        3 Policemen
+-        One of them makes a  contact
+ -Picks the microphone to call in
+                                  The policeman
+We can 't halt the way !
+Very crowed !
+Ext.  –The red car – Highway –Night
+The red car to the Highway
+Int..         - The taxi        - Highway
+Albert
+We must contact the first intersection
+-        Neil makes a contact
+Neil
+Unit 15 ..  unit 15
+Telling the first intersection with car's details
+Int.   - Police car     - Highway               - Night
+The policeman
+I'll do order right now
+-        Picks up the microphone to call in
+Intersection A
+Intersection A
+From Intersection
+I hear you
+The policeman
+Here unit 15  ,A red Pontiac car
+Its numbers panel is crushed
+Driven by a man
+You should stop this car
+Int. -The red car    - Highway
+-        Brain trying to cross a big truck next to him
+-        Steering wheel out of his control
+-        The car gets away from the way
+Ext.        -The red car - Highway                 - Night
+-The car crushing with the iron barrier
+ - Turning over many times
+-        Police car stop
+-        The taxi stop
+-        Running towards Brain
+-        Brain's face bleeding
+Neil
+Is he still alive?
+Albert
+I don't think so
+                                         The taxi driver
+Can I go?
+Albert
+We thank you
+                                          The taxi driver
+I'm always helping policemen
+Is this crazy dead?
+Int.   -  Neil's office    -Day
+Neil & Albert
+Neil
+Our thread has been cut!
+Albert
+He's died!       I think we mistaken when we entered to his bedroom armed
+-        Ray's photo on the wall …  [ Wanted ]
+Neil
+Don't forget Brain is a danger criminal
+Always armed, shooting anyone facing his way
+Albert
+He though that we came to arrest him
+Neil
+He always used to escape from policemen
+-        Mobile rings
+Albert
+Yes
+When?
+Watching 24 hours a day
+Ok …  ok
+Albert
+There's a call from FBI
+Neil
+About Anne?
+Albert
+I asked to watch her 24 hours a day
+Neil
+        Maybe longing and yearning to her lover makes her coming to Florida
+Albert
+This is just probability
+She will be under watching
+Neil
+If so, she will make a great help
+Int. - Anthony's house - bedroom       - Day
+-        Anthony wears his clothes
+Anthony
+What is your opinion about this red t. shirt?
+Ray
+As you like
+Anthony
+I ask you my friend
+Ray
+This red is elegant
+Anthony
+Ok
+-The grandmother enters
+Anthony
+I didn't go out since 20 days grand ma … !
+The grandmother
+Anthony, you must be careful
+Ray
+Be quiet about him
+-        Anthony combs his hair
+Anthony
+I 'm finished
+Ray
+Let 's go
+-Ray helps him
+Anthony( to his grandmother )
+Do you change your mind and come with us?
+-        Getting out from the room
+Int. - Anthony's house - the hall
+- She opens the door
+The grandmother
+Please Mr. Ray don't be late
+Ray
+We shall not
+Ext. - Anthony's house  – Day
+-        Ray helps Anthony to get in the car
+-        Puts him safety belt
+-        The boy salutes his  grandma
+-        She salutes him
+-        The car moves
+Int. Ray's Car – Day
+Ray
+Would you Italian Food?
+Anthony
+Pizza?
+Ray
+Pizza.. Do you like pizza?
+Anthony
+I think nobody dislike it.
+Pizza…. Italian food !
+Ray
+Also Italy distinguishing with macaroni..
+Anthony
+Did you visit Italy before?
+Ray
+Since 7 years!
+Anthony
+Do you like Pizza my friend?
+                                      Ray
+As you said  ....No body dislike pizza
+Anthony
+To the Italian pizza
+Ray
+When your parents come?
+Anthony
+I don't know
+My father called yesterday but didn't tell anything
+Ray
+Did you talk with him
+Anthony
+Little
+He called lately at night
+I was sleepy
+My grandma didn't tell him about my accident
+She told me to not say anything
+                                      Ray
+well done
+Anthony
+Mum will be so sad when knowing what happened to me and of course dad too.
+But when they come, I shall tell them about you!
+Ray
+Me?!
+What you will say?
+Anthony
+I shall say you're my new friend
+Although you're older than me
+How old are you?
+Ray
+Guess?
+Anthony
+, 28 years
+Ray
+How old are you exactly?
+Anthony
+years
+Ray
+I'm older than you about 21 years
+Anthony
+years
+Ray
+I seem older or younger?
+Anthony
+Seem younger
+Ext.                 The restaurant        - Day
+-        The car is parking
+-        Ray get out
+-        Helps Anthony to getting out
+Ray
+What about this Italian restaurant?
+It offers all kind of Italian food , especially pizza
+-They enter
+Int. The restaurant        - Day
+Anthony
+Is there unoccupied table!
+What shall we do now  ?
+Going to other restaurant ? … we haven't luck to eat pizza  today ?!
+Ray
+This time usually crowded
+-Ray sees unoccupied table
+Ray
+There's one
+-They go to unoccupied table … seating
+-        Waiter gives each one a menu
+Ray
+pizza
+Waiter
+Which kind?
+Ray
+All in the menu?
+Waiter
+Yes
+                                   Anthony
+Great!
+There're many kinds … sea food pizza, vegetables, meat and others.
+I take pizza with vegetables
+And you?
+Ray
+Me..
+This.. no
+Pizza with tune
+Waiter
+Ok sir
+Anthony
+Look..
+-Ray turns around
+Ray
+What?
+Anthony
+This fat man!
+Eats with a funny way!
+Eats gluttony! Doesn't care anyone around him.
+Doesn't feel shame?!
+Ray
+In which class are you in?
+Anthony
+Fifth class
+Ray
+Are you success or not?
+Anthony
+I didn't fall up till now in any exam
+Ray
+What would you like to be?
+Anthony
+A pilot in U.S. Air forces
+Ray
+Do you like air ?
+Anthony
+I like planes and pilot's uniform
+But I prefer warplanes than civilian planes
+I keep many pictures from magazines and internet about warplanes F16  – F 22 , Ghost, French Mirage, and others .
+- Waiter brings the pizza
+Anthony
+Delicious!
+Isn't it?
+Ray
+Very delicious!
+Anthony
+I forget to ask you, what is your job?
+Ray
+Why do ask me about my job?
+Anthony
+I want to know everything about you.
+Ray
+As you guessed my age, can you guess my job?!
+Anthony
+This is very difficult!..
+Ext.         Gym  center – Day
+-        Tony 's BMW car stopped next to the Gym  center
+-        Getting out from the car
+-        Enters
+Int.  Gym   Center – Day
+-        Tony walks till reaching the receptionist
+-        Talks with him
+-        Turns around then going to a hall
+Int.  Gym – Center
+-        Looking around
+-        The center has some men and youth in different ages practicing sport with devices
+-        Tony sees Mr.Hank ,about 55 years old
+-        Hank Manilow , one of businessmen , and the most rich man
+-        Tony going forward to him
+Tony
+Mr. Hank
+Hank
+Tony! … What do you want?
+Tony
+Don't want see me?
+Hank
+I told you before we shouldn't meet till finishing everything!
+Tony
+That's right
+But …
+Hank
+But what?
+Speak……..
+Tony
+You seem annoyed from seeing me!!
+Hank
+I don't want anyone seeing us till finishing everything … I warned you before and you disregarded my warning.....
+Tony
+Why overdone fear and worry?!
+Mr. Hank, you seem that you forget our agreement!
+Hank
+No
+I didn't forget
+Shall we talk in another time
+Tony
+When?
+Hank
+Tomorrow at seven P.M.
+Tell me, what about your friend Ray?!
+Be careful, don't tell him anything about me
+Never Tony…. Never!
+You shouldn't mention my name … I don't tell you what I shall do if happened so! Consider it is a threat… warning as you wish…do you understand?
+Tony
+The important thing at him is money… just money
+Be quiet , he doesn't know anything about you
+Hank
+Also the important thing  for you is money
+Just money
+Did he tell you about the second mission?
+Tony
+He plans , determining time and place then execute
+I think he execute successfully
+He doesn't like to stay here for long time , as soon as finishing the second mission, he will leave Florida
+Hank
+Ok Tony
+You can go
+Tony
+Bye..
+- Hank returns to his gym
+Hank ( to himself )
+Vile!
+Ignoble!
+Ext.                 Gym   Center                 - Day
+-        Tony gets out
+-        Drives his car
+Int.          Tony 's  apartment  - bedroom       - Day
+-        A woman in nightgown lies in a bed
+-        The woman is Tony 's lover , Martina
+-        Tony arrives
+-        She hiding behind the door
+-        He begins to take off his shirt
+-        She kissing him
+Tony
+Honey!
+Martina
+Didn't you feel my presence?
+Tony
+It is a pleased surprise!
+Martina
+I missed you too much
+Tony
+How I miss you!
+-He kisses her hot deep kiss in her lips
+Martina
+We didn't meet than 20 days!
+Tony
+I'm really busy these days
+Do you feel hungry?
+Martina
+I prepare you wonder food within minutes
+-        She getting out
+-        He looks to his face on the mirror
+-        Touches his beard
+-        Enters the attached small bathroom to bedroom
+Int .         The bathroom
+-        Tony  begins to shave his beard
+-        Martina's voice from the kitchen
+Martina
+Would you like omelet with salad or …
+-        Tony doesn't hear
+Martina
+Tony … Tony
+Tony
+What?
+-        Turns shaver off
+Tony
+Do you say something?
+Martina
+Would you like omelet with salad or cheese with boiled vegetables?
+Tony
+As you with
+-        Turns shaver on
+Ext.                 A street   - Day
+-        Ray's car stopped
+-        Daimler car stops next to a building
+Int.          Ray's car         – Day
+-        Ray watching the building's entrance
+-        Opens car's window little
+Ext.                 The building's entrance         - Day
+Arthur… the man whom his photo was hanged beside Robin's photo in Ray's apartment appears.
+A rich man about 48 years old surrounded with 3 men of his guards.
+Int.          Ray's car                         - Day
+-        Steady position to shoot
+-        Aiming the gun towards Arthur's head
+-        But suddenly a woman appears cut vision
+-        She kisses Arthur
+-        Guards turning around them
+-        One of them opening the car's door
+-        Arthur sits beside her in  the back seat
+-        The car moves
+-        Ray lights a cigarette
+Ray ( to himself )
+What is damned luck?!
+Ignoble prostitute woman!
+-        Turns with the car in the other direction
+Int. Tony 's apartment   – bedroom      - Day
+-        Tony with his lover naked in the bed
+-        Dalliances , kisses and embraces
+-        Mobile ringing
+Tony
+-        Is this a time for calls!
+-        Go to hell
+Martina
+Maybe it is an important call
+Tony
+There's no one in the world more important than you … I love you … I love you ….
+Int.          Ray's car                 – Day
+-        Ray trying to make a mobile call , but useless
+-        Throwing mobile with  a nervous action to the back seat
+Ext.                 Ray's car
+-        Ray's car crossing down town streets
+-        Stops next to a bar
+-        Getting out from the car
+-        Quarrel in the street next to the bar … two men are fighting.
+-        Ray looks to them….
+-        Enters to  the bar
+Int.          bar           - Day
+Ray
+Beer
+-        The barman prepares a cup
+Man (1)
+This is the worst bar!
+Man (2)
+All bars here worst each other!
+The barman ( to Ray )
+Is this the first time come to here?
+-        Gives him a Cup
+-                               Ray
+And the last time
+- They laughing
+Man (1)
+Did I tell you!
+This man shall not come to here again
+This is the last time
+-        Ray drinks
+-        Looking to them
+Ray
+Shut up
+Man (2)
+Do you prevent our talks?
+-        Ray going towards him
+-        Catches him from his shirt
+Ray
+I don't like to hear your voice
+Or I shall break your neck
+The barman
+I'm sorry for this
+-        Ray ready to go out form the bar
+The barman
+You didn't complete your drink !
+-        Ray throwing him about 100 dollar in the air
+Int.          Florida Police        - Neil's office - Day
+-        Neil makes mobile call
+Neil
+Where are you?
+Intercut  with Albert in a room – Florida Police – Day
+Albert
+Floor 2
+Neil
+Okay
+-        Neil gets out
+INT.    Corridor  -    Florida Police
+Neil ( to Margrate ) Police woman
+Margrate !congratulations for come back
+Margrate
+Hi, Neil , thanks
+-        Neil arrives to a room in floor 2 , then enters
+Int.  - Florida Police-  an office room
+-        Ray's photo victims on the wall
+-        The victims , men , woman
+Neil
+Ray's Victims!
+Albert
+This man!
+Ray killed him in 1994 . His name
+Jeff Kilsany . In 1995 another crime has been committed
+Neil
+Every year he used to commit a crime As long an there is the sponsor of the committed crimes, he is ready.
+Albert
+His victims are many .Look… In the year 2000, he killed that husband after his wife paid to money to do this.
+Neil
+There's no thing important in his life more than money
+Ext. – Ray's Apartment - Night
+-         Light glimmering.
+-         Charming view
+-    Ray looks from the window
+-         Drinks a cup of wine
+-         looking at the photo of the second man, Arthur on the wall.
+-         Spitting on it.
+Ray
+You can't escape the next time.
+I'll kill you ………...... Kill you.
+-         Bell 's sound.
+-         Ray opening the door.
+-         Tony & Ray are embracing each other's.
+Tony
+My dear friend
+Ray
+You look tired..!
+Tony
+Is this clearly appearing on my face?
+Ray
+What are you doing to look so tired?
+Tony
+Nothing new!
+-         Tony is looking at Anne's photo on the wall....
+Tony
+Good Evening my fair lady.
+Ray
+I have called you today
+The mobile was off....
+Tony
+I was so busy at that time
+Ray
+In what?
+Tony
+I went to bed with a woman.
+- They laughing
+Ray
+Beautiful?
+Tony
+So beautiful.. Charm brunette
+                                         Ray
+I don't like brunettes
+Tony
+When will you execute the second mission?
+-Ray sits
+Ray
+I was about to kill him, unfortunately he escape
+Tony
+How?
+Ray
+I was about to shoot him; unfortunately an old cursed woman cut vision.
+Tony
+Where?
+Ray
+Before the building of his office.
+-         Tony fetch cup of wine
+Ray
+He will not escape
+I need to make surveillance and collect the required information
+Tony
+Then, the mission shall be long?
+Ray
+Not much
+Tony
+I'm waiting
+-         Ray standing
+Ray
+The problem that this scoundrel has no appointed time or fixed places.
+He moves from place to anther continually!
+He will not escape from Ray's bullet!
+What's your next deal with Hank?
+Tony
+Every thing is delayed!
+I shall be a partner with 20 %
+EXT.-     Building                      - Day
+Ray's car stopped before a building .It consists of 3 floors.
+-         Arthur, appears from the window, with the owner of this building.
+-         Ray is getting out his gun
+-         Directing the gun toward Arthur's head.
+-         But, Arthur enters.
+-         Ray is getting out from the car.
+-         Running toward the building
+INT.            The building
+-         Ray enters
+-         The building is unoccupied.
+-         Ray creeping to the floor where Arthur present in.
+-         Listening to the dialogue..
+-         A group of Arthur's guards.
+Arthur
+Be sure, the amount I give you can't be paid by anyone else.
+The owner
+I know that
+Arthur
+Ok, we agree
+The owner
+You offered me very enough amount more than I expected.
+Arthur
+Do you know why I bought this building?
+I shall change it into super restaurant as I shall call it the name of my new wife.
+She will be so happy when knowing that.
+You shall get cheque with all amount on Citibank.
+The owner
+But… I wished if the cheque was directly on HSBC bank
+Arthur
+As you like. No problem
+Tomorrow morning, I will be in my grange.
+You can come to sign the cheque
+The owner
+Ok
+Arthur
+Now, I want to have another look at the floor 3
+INT. - Corridor                     - Building
+-         Ray is hiding
+-         Steady position to shoot.
+-         Directing his gun toward Arthur's head, but a guard cut vision.
+-         They are going up to the floor 3
+-         Ray is going down quickly..
+EXT.          - Street                                    - Day
+-         Ray gets out
+-         Running quickly toward his car.
+-         D riving with high speed
+EXT.                    - The grange                           - Day
+-         A large area, bushy trees .
+-         A high fence of wires surrounds the grange.
+-         The gate is closed and guarded by a security man.
+-         Ray wearing a black suit.
+-         Standing before the wires..
+INT.            - The grange
+-         Arthur is lying down in the terrace
+-         Beside him Linda the woman who appeared with him in the entrance of the building of his company .
+-         The guards are four men in different places....
+-           Mobile ringing
+Arthur
+Oh my God!
+Calls never stop
+Linda
+Calls means money
+Arthur
+It looks no time for relaxation and rest.
+-           Holds mobile sees the called number
+Arthur
+He is one of those stupid who doesn't differ between work and rest time!
+Put this disturb mobile inside , I don't like to hear its ringing!
+                                     The guard
+Ok, sir
+EXT.          - the grange                                      - Day
+-         Ray is examining the wires.
+-         He is trying to penetrate the gun through the wires.
+-         But, he can't because of the narrow holes.
+-         Running to his car
+INT.            - The grange  - The terrace
+-         Arthur and Linda are still lying down in the terrace
+A guard
+The horses are ready
+-         They are getting up
+Arthur
+A quite and peaceful horse for you
+Horses ridding is so enjoyable! Especially in this wonder place and weather!
+Linda
+I'm ridding horses since I was eighteen.      I didn't continue more than this
+Arthur
+You look as you still eighteen!
+EXT.          - Road                                     - Day
+-         Ray has got out his bag from the car
+-         The bag contains a number of tools, wires, scissors and iron equipments.
+-         Taking an iron scissor.
+-         Testing the scissor using a strong cable.
+-         The scissor is cutting the cable.
+-         Taking the scissor.
+INT. - The grange                                     - Day
+-         Arthur is on the horse.
+-         While Linda on another.
+-         The guards are watching them.
+-         Two of them are on their horses.
+-         While the others are standing.
+                    Arthur (to the horse)
+Oh Faslom! Since a long time, we haven't met
+Three months ago, I didn't come here.
+Linda
+Projects, deals and meetings
+Arthur
+My life full of hard work all time
+Imagine also weekend ,Projects, Deals and Meetings !
+Linda
+It is hard! And health ruinous.
+Arthur
+I will try to arrange it even if it is hard
+Linda
+Did you try before?
+Arthur
+I did but I failed
+Linda
+Try again
+EXT.          - The grange                                     - Day
+-         Ray is trying to cut parts of the cable using a scissor.
+-         But, he coudn 't
+-  Seeing a  big vettura beside the wires , thinking                 for a moment
+-  Running, getting up of the vettura then, climbs , jumping into the grange without being noticed .
+INT. - The grange
+-         Ray inside the grange.
+-         Hiding behind a tree.
+-         The horses are before him nearby.
+-         At this moment, One of the guards has been seen him!
+-         Ray is steady position to shoot.
+                                    The guard
+Look!
+-         The two guards are shooting
+-         Ray shoots Arthur's head.
+-         Linda screams
+Linda
+Arthur!                Arthur!
+-         The guards are running toward Arthur.
+Linda
+Carry him to the car, I take him to hospital immediately
+-         Two guards carrying him, while the other guards shooting in everywhere.
+                                        Guard (1)
+There!
+                                       Guard (2)
+He can't escape
+-         The guards are ridding the horses shoot.
+-         Ray is looking at the gate.
+-         He has observed the security man of the gate carrying his gun.
+-         Running behind the trees.
+-         One of guards on his horse has observed him....
+-         He shoots him.
+-         Ray is hiding well behind a tree.
+-         Steady position to shoot.
+-         He has shot the guard on the horse and killed him.
+-         Running, hiding behind the bushy trees and stones.
+-         The four are running, three of them are guards and the forth is a security man.
+                      A guard (to the security man)
+Oh rascal! Stay in the gate
+-         The security man is running toward the gate
+-         Ray is shooting him in his back.
+A guard
+This is the villain!
+-         He is shoots
+A guard
+We should surround him carefully
+I'm from this side and you from the right..... Come!
+-         Ray is watching the guard who is moving in the     right side.
+-         Steady position to shoots..
+-         Shooting him in his head
+-         Running quickly from the right toward the gate.
+-         The other two guards are running
+-         Ray is coming out to the road.
+EXT. – Road                 -Day
+-         Running toward his car.
+-         One of the guards is shooting him.
+-         The bullet hits the car's door.
+-         Getting into the car, driving at utmost speed.
+-         - The guards getting into a car.
+INT. - Ray's car            -        Day
+-         He has smashed small wooden booth.
+-         Its parts have scattered.
+-         He is looking at the car mirror.
+-         The guard's car follows him
+-     Ray has heightened the car speed
+-     As a result of the high speed, the car is hitting a tree.
+-     The front part of the car has smashed then stopped.
+-     Comes out quickly.
+Ext. – Road                   - Day
+-         Ray running. They are follow him
+-         Before him, a school
+-         Running into the school
+INT.            - school
+-          Teachers and  students
+-         Ray rushing to one of the rooms.
+INT  .   School       -  Room
+-         A lady is ready to go out
+-    She hits with Ray, screams
+-         Ray is hiding behind the curtains.
+-         The guards are rushing to the room.
+-         The lady is weeping
+-         Ray is steady position to shoot.
+-         One of them has injured in his shoulder and the other in his foot.
+-         The lady is crying
+-         Screaming from outside
+-         Ray is ready to jump from the window.
+-         Jumping outside.
+Ext. – Road                   - Day
+-         Looking at the road, hoping to find any car
+-         A car has appeared from a distance.
+-         Weaving to the car
+-         The car has topped.
+-         A young man of 18 years has driven it.
+Ray
+I want to go to the downtown.
+The young man
+You are welcome
+INT. – The car          - Day
+                                               The young man
+Did you find any problem in this area?
+Ray
+No
+-         Ray is getting out tissue from his pocket.
+-         Drying his sweat.
+-         The young man glances a gun
+-         He is worried and confused.
+The young man
+Are you a policeman?
+Ray
+How did you know?
+They young man
+I had glanced a gun
+- Ray gets a gun
+Ray
+It is a gun never leave me
+It is always my sincere friend
+I'm a policeman.. Yes
+I was following one of the criminals
+                                          The young man
+Has he escaped?
+Ray
+I killed him
+No one can get away of me
+                                               The young man
+It seems that you are an experienced and clever policeman
+Ray
+That's what they are saying
+The young man
+What did this criminal do?
+What is his crime?
+Ray
+These are top secrets
+The young man
+Sorry
+Policemen very danger job!
+Full of risks!
+Ray
+Won't you stop talking?
+The young man
+Sorry again
+Dissolve
+INT. – Florida police – commissioner's office – Day
+-         The commissioner and Albert with the two guards of Arthur.
+-         The two guards with wound bandage
+-         Albert is holding Ray's photo.
+-         One of the guards is looking at the photo.
+The guard
+Yes, he is
+-         The other guards is taking the photo
+The other
+He is the dirty criminal!
+The guard
+This criminal caused us a disaster!
+The other
+We didn't know how he could sneak into the grange?
+Albert (to commissioner)
+Concerning the black car, FORD model, it appeared that he has rented of office using a false name called (Ronald Ziessy).
+The owner of the office has recognized his photo.
+Knocking on the door.
+Commissioner.
+Yes
+-         Linda is entering
+Commissioner
+When did your relation begin with Arthur?
+Linda
+Since one year
+Albert
+Did you see the man of this photo before?
+-         She is looking at Ray's photo
+Linda
+No
+Albert
+If he has enemies, who are they?
+Linda
+I recognized him in one of the biggest concert
+He was charm and emotional
+It was the gladdest year of my life.. last year that we spent it together
+Oh! Such happens has been finished and never come back
+I don't know anyone of his friends
+I know only the guards.
+He was living alone.
+We were about to marry.
+-She is crying
+Commissioner
+Please, be calm
+Linda
+Why has he been killed? Why?! Why?!
+It's very difficult and hard
+They killed all my dreams
+Albert,
+Please, don’t cry
+                                        Linda
+The killer must be submitted to justice
+Albert
+This we trying to do so.
+Did you leave your address, telephone and mobile number with the officer outside?
+Linda
+Yes, I did
+Can I go?
+Albert
+But, remember that you are under request at any time and you will be called again for the investigation.
+- she is coming out
+The guard
+She is a respectful woman
+Albert
+Have you any comment on her tales?
+The other
+No
+All what she has said is true.
+It was a wonder love story between them .It ended painfully!
+Commissioner
+You can go
+Albert
+It should be made a comprehensive investigation concerning to determine the enemies.
+EXT. – skyscraper                  - Day
+-         A car of Cadillac has stopped.
+-         A businessman is coming out of it.
+-         He is Dan who is 51 years old.
+-         Enters.
+INT. – Hank's office – Skyscraper- Day
+-         The 51st floor.
+-         A wonderful decoration.
+-         An extremely majestic office.
+-         Expensive antiques
+-         Hank in his office.
+-         A charming view appears behind the glass.
+-         Knocking on the door.
+Hank
+Yes,
+   - The office manger enters
+The office manger
+Timetable that you ordered
+Hank
+Is there any meeting in the evening?
+The office manger
+ At  seven p.m. with NIOP chairman, Mr. Douglas. That's all
+Hank
+Delay such meeting with him.
+-The office manger gets out.
+-         Dan enters.
+-         Shaking hands.
+-         Dan sits
+Hank
+Welcome Dan
+DAN
+Did you read the newspapers of the last five days?
+Hank
+Just dirty things and have been removed forever.
+This is the normal punition of those people who trying to dare me. I could revenge for myself in the suitable time
+Dan
+Your reaction was danger and unexpected!
+I surprised for what had happened!
+Hank
+They caused me much pain and troubles.
+Did you forget? They tried to kill me!
+Dan
+It couldn't assure that
+Hank
+No, I assured
+I haven't enemies except them
+-Hank stands looks at the window
+Dan
+The comprehensive investigation is still running till now.
+I hope that you will be above suspicion.
+-Hank turns to Dan
+Hank
+I'm out of any suspicion. I did it to conserve my life and reputation. It was my life's fault that I dealt with those people. But it will not happen again
+Dan
+I don't support aggressive and killing as a way of solving the problems and disputes.
+Hank
+It is the only way that those know and understand it
+Without God's blessing I would die now.
+-Hank sits again
+Because one of them I lost 19 million dollars in a month!.. The villain Arthur!
+You  think I shall be patient more than that?
+Dan
+Be calm.. Relax
+If you had asked my advice, I would not have given you the permission to do it.
+It's no use crying over spilt milk.
+Hank
+You utter this because they never hurt you.
+As for me, the situation is completely different.
+The criminal who is killed doesn't live here
+Dan
+I know this before....
+Hank
+I was in a badly need first , for a professional killer .Second , in a short time . Third  , A killer from outside
+Dan
+You attached yourself in a circle! Never can penetrate it easily
+Hank
+I was ready to pay any amount whatever
+There is a mediator between me and the criminal
+This mediator is a Ragamuffin!
+He doesn't  know anything about me
+He had never seen me before ,and I 'm too
+If we meet together anywhere, no one will know the other
+I feel comfortable now!
+After killing this scoundrels
+Dan
+Who believes that Hank manilow can be involved in such crimes?
+Hank
+It's the first time and it will be the last.
+Dan
+Although Robin & Arthur are surrounded by a large group of guards , they are killed! I astonish how they could live normally among theses guards!
+Didn't they feel restricted?
+Hank
+They are surrounded by guards of a dirty business in addition to their original work, drugs, money laundering. Etc I'm sure of that
+Dan
+You also have two guards!
+Hank
+They are guards.   Not criminals !
+-Moment of silence
+Dan
+What do you think about?!
+INT.            - taxi                    - Night
+-Ray is making a mobile call.
+-Intercut with Anne in her apartment (bathroom)- Night
+-The mobile is ringing
+                                         Anne
+Ray !!
+I miss you
+                                         Ray
+Me too honey
+I missed you so much
+Anne
+All matters are ok?
+Ray
+No problems
+I performed the two missions successfully.....
+Anne
+What about your injury ?!
+Ray
+It was little injury
+Anne
+I can't absolutely bear that
+Ray
+Where are you now? What are you doing?
+Anne
+In the bathroom
+While the mobile was ringing, I was taking shower
+I was feeling that you are going to call me.
+So I put the mobile on a stand
+Ray
+Then you are naked?!
+-         They are laughing
+Anne
+We will meet soon!
+Ray
+I'm in my way to see Anthony
+Anne
+Is he recover from his  injury?
+Ray
+Yes he can walk normally now.
+You will see his photo when I come back. I got a photo from him
+Anne
+You make me ardent to see his photo
+Ray
+I liked him so much
+Anne
+I'm going to surprise you
+Ray
+You are my charming princess and fair lady
+What is the surprise?
+Anne
+No, I will not tell you
+Ray
+Kiss you
+Anne
+Kiss you
+-Turns mobile off
+-Ray looks from the window seeing  a store for toys and gifts
+Ray (to the driver )
+please stop front of this store, Wait me
+-The taxi stops
+-Ray gets out
+-Enters to the store
+INT.            -        The store    -        Day
+Ray
+I want to buy an airplane but warplane
+The seller
+Is this important?
+Ray
+Yes,. yes very important
+                                      The seller
+Sorry
+You can find your request after two days if you visited
+us
+Ray
+Unfortunately!.. Thanks
+-Ray gets out getting in the taxi. Its move
+INT.    - Anthony's apartment         - Night
+-     Anthony is looking through the window.
+-   Seeing Ray
+-   Anthony is walking toward the door.
+The grandmother
+Anthony !
+Anthony
+My Friend …Ray!
+- Ray enters
+Ray
+How are you my little friend, Anthony?
+                                            Anthony
+Fine
+Ray
+Good evening
+                                          The grandmother
+Good evening, you are welcome
+Next Sunday Anthony's Parents shall come
+Ray
+Really?!
+The grandmother
+They called me yesterday morning
+Ray
+Pleasant news for you Anthony !
+Anthony
+I missed them so much
+Ray
+I notice that you walk naturally now
+Anthony
+Pain has decreased completely
+Ray
+I came today to say goodbye
+Anthony
+Why?
+Ray
+There is no reason to stay here any more Anthony
+Anthony
+Why don't you stay here with me?
+Ray
+It doesn't mean we shall not meet again
+Surely I'll back to visit you.
+Believe me, I wish if time was longer. But sorry
+Anthony
+I am so sad to hear this
+Ray
+I don't want to see you unhappy
+The grandmother
+You will come to visit us?
+Ray
+Of course.
+INT.            -Night club                             -Night
+-         A nightclub in downtown.
+-         Tony with Martina
+-         Drinking
+Martina
+This is the last cup please Tony
+Tony
+No. we will go on drinking, then spend a hot night
+We shall spend one of an enjoyable night in our life
+Martina
+I'm agree
+-         He kissing her.
+-         Touches her cheek.
+Martina
+You excite me
+Tony
+This is exactly what I meant
+Martina
+Stop it
+-         One of Hank's guards.
+                                              The guard
+Mr. Hank wants you at once
+Tony
+Now?!
+The guard
+He sent me to bring you to him
+Tony
+Why did not he contact me through the mobile?
+The guard
+I do not know  I have no information
+Tony
+I shall drink the last cup …,then go with you
+Shall I bring you a cup
+The guard
+No
+You drink too much
+Tony
+Where is he now?
+The guard
+In the garden of the villa
+Tony
+So it is not far
+                                        Tony (to Martina)
+If I am late, go to the apartment
+I will return back to you
+They go towards the exit door
+Tony
+This is the first time he sends you to arrest me in this way!
+Ext.  Nightclub-Night
+Tony
+My car is not here
+The guard
+I came in a car
+-They getting in
+INT.  Bentley Car
+Tony
+Wonderful Bentley!
+The guard
+He owns a collection of the most excellent recent cars.
+Tony
+Do you remember the black MAYBACH car that he bought last month?
+The guard
+It is fantastic masterpiece!
+It made especially for him!
+EXT. - Garden –Hank 's villa -Night
+-         A villa like a castle
+-         Lights glimmering around the swimming pool that is located in a middle of a garden
+-         Hank is sitting on a chair
+-         A guard is a few meters away
+-         Hank is reading some documents
+- Tony with the guard entering
+Tony
+Is there anything that necessitates coming in this way?
+-  Hank puts the documents on the table.
+Hank
+Have a seat
+Tony
+Scarcely, I see you in such case
+Hank
+Which case you mean?
+Tony
+Relaxed. . Not nervous. . not stressed
+                                         Hank ( to the guard )
+You can go
+- The other guard is still here.
+                                         Tony
+Why did you ask to see me?
+                                         Hank
+Don't be hurry
+Tony
+This is the first time happened so
+                                     Hank
+I wanted to talk with you
+Tony
+In which thing?
+Hank
+You were in the bar?
+Tony
+Yes
+                                      Hank
+Undoubtedly, you won a lot of money since I helped you.
+Profits from deals from everywhere
+Commissions, rewards and so on
+Tony
+You opened for me many closed doors
+Hank
+I think you were and still very loyal
+Isn't it?!
+Tony
+Of course
+Hank
+All right
+Tony
+I don't understand what you mean?
+Hank
+I just wanted to remember you
+Your friend is so professional
+He could achieve the two missions successfully.
+Tony
+I was sure that. Did I tell you no one as my friend Ray
+The two missions were done as agreed!
+Hank
+Yes . . . Yes
+Where is he?
+Tony
+Why? I think he will leave Florida tomorrow
+Don't worry .As I told you many times he doesn't know anything about you!
+He took the money then did the mission
+Hank
+Why did you leave New York ?
+Tony
+I came to Florida to establish import and export company
+But unfortunately, project was broken down!
+I couldn't make any achievement
+Hank
+Maybe this is the last meeting between us......
+Tony
+Are you traveling abroad?
+Hank
+Not me who shall travel
+Tony
+I don't understand
+Hank
+Never mind
+-         A moment of silence.
+-         Hank with a gestured from his head to the guard
+-         Comes from behind Tony cautiously carrying a gun
+-         The guard shoot Tony
+-         Tony falls on the ground bleeding
+Hank
+Sorry Tony
+You are just an insect that has performed its role . . . a climber!
+Now your mission is complete
+(to the guard) As I promised you a big reward is waiting for you …You wouldn't have dreamed of it all your life
+The guard
+I am at your service Mr. Hank
+-         The guard puts the corpse in a bursa, ties with iron chains    -    Carrying it to the car.
+EXT.  –Streets -Night -
+-  The car that carries Tony's corpse crossing down town streets.
+-         A sound of music.
+EXT.  Bridge  -Night     -
+-         He reaches
+-         Carrying the corpse
+-         The guard watches all directions.
+-         No one
+-         He throws the corpse from the bridge
+-          It sinks in the river
+The guard
+Good bye Tony!
+Money important than anything else
+I think you know that very well.
+Dissolve
+EXT –Tony 's house - Night
+-         Ray is looking at the window of the apartment
+-         No lights
+-         Making a mobile call
+-         But useless
+INT.   Florida police- Day
+-         Neil is reading some documents
+-         Albert enters
+Neil
+  We couldn't reach anything important up till now!
+Albert
+We couldn't reach Ray or the instigator who paid him the money
+Neil
+We need more patience and time
+Albert
+Danger criminals don't easily arrest them
+Most know nothing about the enemies
+Neil
+They are trying to hide some facts and data because they don't want to involve in any problems
+Albert
+This makes our mission more difficult
+Neil
+This is the daily reports for the intelligencers , private detectives and investigators
+Nothing new !
+Albert
+The investigation reports are familiar
+Neil
+Did you order to continue watching?
+Albert
+Yes
+Watching will not stop on all persons who probably have relation with the two crimes
+In the first crime, there're 6 persons under control, and in the second crime there're about 11 persons
+Neil
+Look! There's news !
+-They're reading from the computer's monitor
+Albert
+Good Anne!
+-         The mobile is ringing.
+Albert
+Yes
+When?
+This is great news
+Flight number 542
+-         He looks at his watch
+Ok
+We will be waiting
+Neil
+Anne!
+Albert
+The lover couldn't bear her lover's absence any more.
+After two hours, she will be at the airport
+To the airport immediately
+Come on
+Neil
+Unasked, she will lead us to Ray
+Albert
+Watching continued for more than two months
+-         They getting out.
+  INT.          - Corridor     - Florida police      - Day
+Albert & Neil
+Neil
+You will fall in the trap today Ray
+Albert
+The car is ready?
+Neil
+Of course
+EXT. – Florida police
+-         They getting in a car
+-         Not a police car
+ INT. –The car -Day
+-         Albert drives.
+Neil
+Finally Ray!
+Albert
+Ray shall be arrest by us within hours
+Ext.–Airport  -Day
+-         An plane lands
+-         The passengers to the arrival hall
+INT.  AirPort –Arrival hall
+-         Albert and Neil are waiting
+-         They watch all the passengers.
+-         Anne appears
+-         Albert sees her
+Albert
+Welcome Anne
+Neil
+She looks very happy
+Albert
+She will see her lover after long time.
+Neil
+We leave her till she passes from the arrival hall
+We will go out from the other door
+Come on
+-         Anne gets out
+Ext. –AirPort -Day                                                 -
+                            Anne (to a taxi driver)
+Please to the downtown
+-         Albert and Neil are getting into the car.
+INT. Taxi -Day                                                    -
+-         Air touches Anne's hair.
+-          She smiles
+Anne
+Weather is wonder!
+Florida doesn't get crowd like New York
+The driver
+I drives slowly, Is this annoying you?
+Anne
+Are you a new driver?
+Int. -The car –Day
+Albert
+Come on Anne quickly
+Neil
+This taxi driver is very slow
+Albert
+I don't know why he drives slowly?!
+Neil
+She didn't find except this driver..!
+Int. –The taxi - Day
+-         The driver looks at the mirror
+The driver
+This car is following us
+Anne
+What?!
+The driver
+Since we moved from the Airport ,this car is following us
+I 'm sure
+Anne
+That Car?
+The driver
+Yes
+-Anne is thinking for minutes
+Anne
+ Stop please
+- The taxi stops
+INT. –The car -Day
+-The car stops
+Neil
+What happened?
+Albert
+Oh! My God!
+A stupid driver!
+Neil
+I fear if she observed our following up to her?
+Int.    Taxi    - Day
+The driver
+Is there any problem between you and the driver of this car?
+-         Anne is thinking
+-         An idea comes to her mind
+-         She looks at the car
+Anne
+Is there a hotel nearby?
+The driver
+There a small hotel
+Anne
+It doesn't important, to that hotel please
+Where is this hotel?
+The driver
+Not far
+Could you know him? And why following you?
+Anne
+No
+The driver
+What about if we stop and ask him why he follows us?
+Anne
+No …. No don't stop
+To the hotel quickly
+The driver
+This is your first visit to Florida ?
+Anne
+The first time
+INT. Ray's apartment -Day
+-         Checks his gun
+-         The photos are still on the wall. A red sign x on Arthur's photo.
+-         Taking the photos off.
+-         He lights a fire in them
+-         Whops Anne's photo
+-         Kisses it
+-         Puts it inside the bag
+-         A mobile is ringing.
+Ray
+Yes
+Anne!!
+ Intercut with Anne in the taxi – Day
+Anne
+Listen to me
+I am here in Florida  in a taxi
+There is a car follows me now
+Ray
+Why did you do that? Why?
+Do not come to the apartment
+Take care Anne
+Anne
+Sorry my dear
+Now, I am on my way to one of the hotels
+Ray
+Stay in this hotel
+Anne
+I never expected that I'd be under surveillance
+Ray
+I will leave the apartment
+Anne
+To where?
+Ray
+I'll leave Florida today despite everything
+Thanks for your calling.. Anne
+Sure, the airports are being watched, the high way , The railway
+If they aren't from the policemen, who are they then?
+You should stay in the hotel today .Act naturally till you go once again to New York
+Anne
+I don't know if there will be an air flight tomorrow or not.
+Ray
+You can stay here for some days.
+Anne
+I am sorry. I am stupid, foolish
+Ray
+No time now
+Do exactly as I say
+Anne
+I will do
+Ext. –Hotel - Day
+-         The taxi stops.
+-         Anne gets out
+-         Towards the hotel door
+-         She sees the car
+INT. –The car -Day                                            Neil
+In that hotel you stay Ray!
+-         The taxi moves
+-         Albert (to the driver)
+        Go to hill
+INT.– Hotel  -Day
+Anne
+Please, I want a room
+The receptionist
+Do you want certain requirements for the room?
+Anne
+Please, quickly
+The receptionist
+How many days will you stay here?
+I asked you before if you want certain requirements for the room.
+Anne
+No. No, any room.. Any room
+The receptionist
+Please, your I.D. or your passport
+Anne
+-         Giving him her I.D.
+The receptionist
+      Room No. 186
+-         Albert & Neil is entering
+-         Only 3 ladies in the reception.
+-         Anne looking to Neil & Albert.
+                    The receptionist (to the bellman)
+Carry the bag to room No.186
+- The bellman is carrying it to the upper floor
+- Anne is following him
+- Albert & Neil to the receptionist
+Albert
+We are from FBI and Florida police
+-         Neil is getting out Ray's photo.
+Neil
+Is the man of this photo is resider in the hotel now?
+And in which room?
+-         The receptionist is looking at the photo.
+The receptionist
+I had never seen him before
+Albert
+Are you sure?
+The receptionist
+Yes
+Neil
+  Verifying from the photo again
+The receptionist
+I 'm sure ,          I didn't see the man of this photo before
+Albert
+Guest list please
+The receptionist
+Here you're
+Neil
+Is there another receptionist here who changes the shifts?
+The receptionist
+Amelia starts her shift at six pm.
+Albert
+It is possible that Ray has a false I.D or passport
+Also, probably, he may be disguised.
+How many guests now in the hotel?
+The receptionist
+Only this 3 ladies, with their children and two men, but in out now!
+-         Albert, Neil looking to the 3 ladies
+-         Close up on their faces one after one
+Neil
+Oh! My God! I think we need to policewoman for actualization those ladies!
+Albert
+We'll wait the two men
+Neil
+Don't tell anyone that we're police
+The receptionist
+Ok ,sir
+Neil
+When these two men come back?
+The receptionist
+I don't know
+Int. Anne's room – Hotel- Day-
+-     Anne is weeping
+-         Making a call
+Anne
+Please, Is there is a flight to New York now?
+At 3 pm.
+Very Good
+I want to a ticket please
+Yes..first class
+No..no thanks
+My name is Anne Tieowhel
+  Thank you
+- Drying her tears
+EXT.  - Cafeteria   - Railway station- Day
+-         Ray disguised in a priest dress with beard
+-         Reading a newspaper.
+-         Having two bags.
+Int. –Hotel – Day
+-         Anne appears going down the stairs
+-         Still Neil, Albert in the reception
+Anne
+I have to go now.
+Sorry
+The receptionist
+What has happened?
+The room unappealing ?
+Anne
+The room is fine.
+This isn't the reason.
+The receptionist
+It's a bad luck
+Anne
+Thank you
+The receptionist
+I wish to see you again in our hotel
+Anne
+Thanks again
+-         Anne is looking to Neil & Albert
+-         She is going to the exit door.
+-         Neil & Albert following her
+Ext. – Hotel- Day
+-         Anne is waving to a taxi.
+-         Getting into.
+-         Alberto & Neil are getting in the car.
+  Int.  The car - Day
+Albert
+To where Anne?
+Neil
+Sure to her lover
+INT. The taxi
+-Anne is drying her tears
+The driver
+What had happened?!
+Anne
+Nothing. Nothing
+The driver
+I 'm sorry
+INT. The car – Day
+Neil
+Oh! My God!
+Albert
+Impossible!
+She is returning to the Airport!
+Neil
+Caused by the damned driver!
+What a bad luck!
+Albert
+She called Ray to warm him
+Neil
+If wasn't that foolish driver!
+Albert
+All threads that would lead to Ray have cut.
+Neil
+Maybe ,Ray is back with here on the same plane
+Of course disguising
+Albert
+Anyone with her shall be arrested . if he is Ray or not
+Neil
+We must arrest her
+She is accused of helping a criminal to escape.
+Neil
+The stupid taxi driver!
+He could see us in despite of the long distance between the two cars.
+INT.- Cafeteria - Railway station -Day
+-         Ray is sitting.
+-         Watching the place.
+-         He stands
+-         The porter approaches him..
+The porter
+Can I help you?
+Ray
+Carry this bag, please.
+-         Ray is carrying only the bag of money and his guns
+-         Going to the platform
+INT. –The AirPort - Day
+-         Anne is waiting the plane..
+-         Watching the place surrounded.
+Albert
+We must verify from all of those.
+- Passengers on the plane in different ages, old, young, women and men
+Neil
+Is he so professional in disguising to this way!
+-         Albert & Neil are approaching her.
+Albert
+Let me introduce myself to you
+I'm Albert, from FBI.
+-         Anne is trying to be calm..
+Neil
+Neil from Florida police
+-         Each one of them is showing his I.D. card
+Anne
+What do you want?
+Albert
+You have come to Florida one hour ago.
+You didn't stay in the hotel
+Then you have decided to come back again.
+Anne
+Is it outlawed?!
+Neil
+  But, Helping the criminals to escape are outlawed
+Anne
+I don't understand
+What do you mean?
+Albert
+Where is Ray?
+Anne
+Who's Ray? I don't know this Ray!
+What is my crime to arrest me?
+Albert
+Help a criminal to escape.
+Anne
+I don't know criminals
+Neil
+You're Ray's lover, we know that
+Albert
+You were watched from the police
+- Taking her out, Get in the car with them.
+Int. Florida police - Day
+Neil
+Please your handbag
+Anne
+It isn't allow to you that
+Commissioner
+No, it is allowing....
+-         Neil opens it.
+-         Gets a notebook
+-         Gets mobile out.
+Albert
+Where's Ray? Is he still in Florida ? Or back to New York ?
+Anne
+I told you I don't know that Ray.
+- Singer sings this song
+(the lyric of the song, written by Alaa Soliman)
+Title:- Can You Sing With Me?!
+Can you sing with me?!
+Now.. Sing.. Sing..... Sing.. with me
+Believe me.. we have a lot to live together and starting again
+Believe me.. we shall coloring our next life with loud color
+We are as two birds.. two birds
+I can take off my heart.. take off my heart
+Then offering it to you
+There's no thing shall change our modes.
+ INT.     Train       - Sunset   - Dissolve
+-         The train moves speedy.
+-         Ray is looking at the sights through the window.
+- The song continues -
+Sun rises on your face
+I'll fly from the earth to the sky
+I'll fly with two wings.
+Colors dancing front of me
+All barriers and forests shall be broken.
+Can you sing with me
+Sing . sing. sing with me ( END )
 == The Open Knowledge Definition ==