|
|
| Line 1: |
Line 1: |
|
| | <div id="{{{2}}}" style="{{divstyle{{{1}}}}}"><center><b>{{{2}}}</b></center>{{{3}}}</div> |
|
| |
| | |
|
| |
| | |
|
| |
| | |
|
| |
| | |
|
| |
| | |
| March 2008 , Florida
| |
| | |
| Fade in :
| |
| | |
| INT. - Train - Day
| |
| | |
| - Ray about 30 years old
| |
| | |
| - Wears a Captain uniform & has a mustache
| |
| | |
| - Have sunglasses
| |
| | |
| - Reads a magazine, while an old woman sleeps beside him on a seat .. EXT. - Railway station – Day
| |
| | |
| - Train stops
| |
| | |
| - Ray gets out from the train curries a bag
| |
| | |
| - His eyes move in everywhere
| |
| | |
| - Walks out among the crowd
| |
| | |
| - Two women behind him
| |
| | |
| - Whispering, while he can hear them .
| |
| | |
|
| |
| | |
| Woman ( l )
| |
| | |
| How handsome that man !
| |
| | |
| He is very handsome especially in such wonder wear.
| |
| | |
| Woman ( 2 )
| |
| | |
| Captain !
| |
| | |
| His life in the sea, oceans, ships and harbors
| |
| | |
| INT. - Ray's car - Night
| |
| | |
| - Black Ford Car 4x4
| |
| | |
| - A street corner
| |
| | |
| - Street is calm has little moving .
| |
| | |
| - Ray inside the car without mustache
| |
| | |
| - Smoking a cigarette .
| |
| | |
| - Wears black T. shirt & jeans
| |
| | |
| - Hears footsteps nearing behind the car .....
| |
| | |
| - Tony appears
| |
| | |
| - Tony is about 32 years old.
| |
| | |
| - Opening the door and sits beside him
| |
| | |
| - Lighting a cigarette
| |
| | |
| Tony
| |
| | |
| Everything is ok ?
| |
| | |
| Ray
| |
| | |
| Florida …. a wonder state !
| |
| | |
| Everything is ok
| |
| | |
| Tony
| |
| | |
| When did you decide to execute the first mission?
| |
| | |
| Ray
| |
| | |
| Saturday at night
| |
| | |
| Tony
| |
| | |
| After 3 days !!
| |
| | |
| Ray
| |
| | |
| This rascal shall return to his home around 7 p.m. with his guards every Saturday, then getting his office room in the first floor for an hour Next Saturday around 7.30 he shall bleed by shooting his head by Ray
| |
| | |
| Tony
| |
| | |
| I thought you shall kill him in his office
| |
| | |
|
| |
| | |
| Ray
| |
| | |
|
| |
| | |
| I found this is a very difficult
| |
| | |
|
| |
| | |
| Getting away from the place after finishing the mission shall take time .
| |
| | |
| I planned for everything accurately
| |
| | |
| Tony
| |
| | |
| You're skillful in planning !
| |
| | |
| Ray
| |
| | |
| This Robin is living with his wife and one of his daughters in the house ....
| |
| | |
| Tony
| |
| | |
| I hope the mission won't be exceeded !
| |
| | |
| Ray
| |
| | |
| Won't exceed
| |
| | |
| Since I saw their photos … ..looked at their faces,
| |
| | |
| I become more ardent to kill them .
| |
| | |
| Especially the bold one
| |
| | |
| Tony
| |
| | |
| That bold shall leave the life next Saturday
| |
| | |
| Dissolve
| |
| | |
| Ext. – Robin's house - Night
| |
| | |
| - It consists of 4 floors
| |
| | |
| - House is very luxury
| |
| | |
| - A green area and plenty of trees
| |
| | |
| - Ray's car is far in the backside .
| |
| | |
| INT. - Robin's car - Night
| |
| | |
| - Mercedes car
| |
| | |
| - Robin is about 50 years old
| |
| | |
| - Bold, very Rich....
| |
| | |
| - Seating in the back seat
| |
| | |
| - His private guards in another car back him
| |
| | |
| - Driver drives the car
| |
| | |
| INT. Robin's house -an office room -Night
| |
| | |
| - Office room is rather dark
| |
| | |
| - Few light coming from out.
| |
| | |
| - Ray inside the office room
| |
| | |
| - Carrying a guns
| |
| | |
| - Looks from the window
| |
| | |
| - Getting out from the room careful
| |
| | |
| INT. –Robin 's house-Reception-Night
| |
| | |
| - Ray is hiding behind a column
| |
| | |
| - Suddenly, a light is turning on in the second floor.
| |
| | |
| - Gets attention …….. (Steady position to shoot. )
| |
| | |
| Ext. - Robin's house - Night
| |
| | |
| - Robin arrives
| |
| | |
| - Getting out from the car
| |
| | |
| - He walks to the house entrance
| |
| | |
| - Four guards around him
| |
| | |
| - Robin orders two guards, they stop, then enters with other two guards
| |
| | |
| Int. - Robin's house - Reception - Night
| |
| | |
| - Light turns on
| |
| | |
| - Robin enters to the office room with two guards
| |
| | |
| - Ray nears from the window
| |
| | |
| - Looks
| |
| | |
| - Seeing two guards outside
| |
| | |
| - Nears from the office room
| |
| | |
|
| |
| | |
| - Pushing the door by his foot
| |
| | |
| - Ray shots a guard in his stomach.
| |
| | |
| - Rushing into the office room
| |
| | |
| INT. - Robin's house - an office room
| |
| | |
| - Ray shoots Robin's head
| |
| | |
| - With the other gun shooting the guard, but he didn't injury
| |
| | |
| - The guard shoots Ray
| |
| | |
| - Protecting himself through the door against shots
| |
| | |
| - Woman's voice screaming from the upper floor
| |
| | |
| - The guard is still alive beside the door
| |
| | |
| - Tries to get his gun
| |
| | |
| - Ray shots him while running, injuring his head
| |
| | |
| - Quickly shoots a guard who was coming from out, killing him at once
| |
| | |
| - Ray runs towards the house door
| |
| | |
| - A guard behind him but shoots the other guard who was coming from outside
| |
| | |
| - Ray runs to out
| |
| | |
| Ext. - Robin's House - Night
| |
| | |
| - A guard shoots
| |
| | |
| - Ray hides behind a tree but a bullet injuring him
| |
| | |
| - Steady to shoot
| |
| | |
| - Shooting from a far distance on that guard then injuring him in his hand
| |
| | |
| - Runs
| |
| | |
| - Putting his hand on his bleeding shoulder
| |
| | |
| - Drives his car with high speed
| |
| | |
| INT. - Ray's car - Night
| |
| | |
| - Ray bleeding from his right shoulder's injury
| |
| | |
| - He tries to overcome the pain
| |
| | |
| Ext. - Private hospital - Night
| |
| | |
| - Ray's car arrives to the hospital's entrance
| |
| | |
| Int. - Hospital – corridor
| |
| | |
| - A group of nurses
| |
| | |
| Ray
| |
| | |
| Where the Emergency room?
| |
| | |
| A nurse
| |
| | |
| The third room in the corridor end at right
| |
| | |
| A nurse
| |
| | |
| What happened to you?
| |
| | |
| Ray
| |
| | |
| Nothing serious
| |
| | |
| Int. - Emergency Room
| |
| | |
| - Ray enters
| |
| | |
| - Doctor refers to him to be lay down in a bed
| |
| | |
| - A nurse enters
| |
| | |
| The nurse
| |
| | |
| There's a child injured in his foot
| |
| | |
| Calls Doctor Steve?
| |
| | |
| The doctor
| |
| | |
| Quickly
| |
| | |
| - She gets out
| |
| | |
| - Doctor checks Ray's shoulder, making the necessary aid
| |
| | |
| The doctor
| |
| | |
| Your wound isn't easy
| |
| | |
| Is this shoot! Isn't it?
| |
| | |
| Ray
| |
| | |
| Yes
| |
| | |
| The doctor
| |
| | |
| How you could bear such hard pain?
| |
| | |
| Little people can bear pain such as you .
| |
| | |
| Last month, a man came to the hospital accompanied by his friend he was injured in his finger.
| |
| | |
| The screaming of this man was so loud, he couldn't bear such little injury it could hear his screaming from the end of the street!!
| |
| | |
| The bullet didn't penetrate your shoulder directly, but it made a large wound
| |
| | |
| Are you policeman?
| |
| | |
| Or someone shoot you?
| |
| | |
| Ray
| |
| | |
| - From Florida police
| |
| | |
| - The injured child enters with his grandmother and a nurse
| |
| | |
| - A child has about nine years, crying
| |
| | |
| The nurse
| |
| | |
| Bring the child here in the bed
| |
| | |
| - The bed beside Ray separated with a curtain
| |
| | |
| - Doctor Steve enters with two nurses
| |
| | |
| - Begin to make the necessary aid for the child
| |
| | |
| - Grandmother cries
| |
| | |
| The nurse
| |
| | |
| Be quite.. quite
| |
| | |
| He shall be fine
| |
| | |
| Doctor Steve
| |
| | |
| Check the child's pressure and quickly fetch oxygen
| |
| | |
| - the nurse drag the curtain that separating between Ray and the child
| |
| | |
| - But Ray can see the child's face
| |
| | |
| The doctor
| |
| | |
| Did you follow a criminal?
| |
| | |
| Ray
| |
| | |
| An murderer criminal
| |
| | |
| The doctor
| |
| | |
| This is too much cost paid by policemen
| |
| | |
| Ray
| |
| | |
| That is right
| |
| | |
| The doctor
| |
| | |
| You offer several sacrifices for us
| |
| | |
| (To the nurse) what about the child.. ?
| |
| | |
| The nurse
| |
| | |
| The child's grandmother says that he was playing in the garage, which is full of scrap and heavy objects that a piece of iron falls on his foot .
| |
| | |
| Ray
| |
| | |
| This is a very painful for a child in such age
| |
| | |
| The doctor
| |
| | |
| Do you feel better now?
| |
| | |
| Ray
| |
| | |
| Rather
| |
| | |
| The doctor
| |
| | |
| Check his pressure
| |
| | |
| Currently we don't need more that this
| |
| | |
| Some analgesic for pain after surgery.
| |
| | |
| Ray
| |
| | |
| Thank you
| |
| | |
| The doctor
| |
| | |
| Surely your pressure is lower
| |
| | |
| You bleed too much
| |
| | |
| The nurse
| |
| | |
| His blood pressure is really lower
| |
| | |
| The doctor
| |
| | |
| Remember that pain shall hurts you after 6 hours
| |
| | |
| But the wound has been cleaned
| |
| | |
| - Ray looks to the child through the separated curtain
| |
| | |
| The doctor
| |
| | |
| You should be in a rest today
| |
| | |
| - Ray tries to get up
| |
| | |
| - Feels pain
| |
| | |
| The doctor
| |
| | |
| To where?
| |
| | |
| Ray
| |
| | |
| I can't stay in the hospital
| |
| | |
| Thanks, anyway
| |
| | |
| The doctor
| |
| | |
| Why?
| |
| | |
| Your wound needs some care
| |
| | |
| Why you insist to go now?
| |
| | |
| Ray
| |
| | |
| I must go now
| |
| | |
| Believe me, I feel better, Thanks again
| |
| | |
| - Ray drags the separated curtain between him and the child
| |
| | |
| Ray ( to doctor Steve )
| |
| | |
| What about his wound ?
| |
| | |
| Doctor Steve
| |
| | |
| He shall improve at anyway
| |
| | |
| Ray
| |
| | |
| Are you his grandmother?
| |
| | |
| The grandmother
| |
| | |
| Yes
| |
| | |
| Ray
| |
| | |
| What's his name?
| |
| | |
| The grandmother
| |
| | |
| Anthony
| |
| | |
| Ray
| |
| | |
| A handsome and charm boy
| |
| | |
| Doctor Steve
| |
| | |
| Don't worry
| |
| | |
| He shall be recovered
| |
| | |
| This shall take times.....
| |
| | |
| The grandmother
| |
| | |
| How long?
| |
| | |
| Doctor Steve
| |
| | |
| About 10 days, maybe rather more
| |
| | |
| The grandmother
| |
| | |
| Should we come to hospital for another time?
| |
| | |
| Doctor Steve
| |
| | |
| No, nurse shall follow – up his wound in the house if you want so.....
| |
| | |
| The grandmother
| |
| | |
| Thank you
| |
| | |
| - Anthony crying but little
| |
| | |
| - Both Ray & Anthony looking to each other
| |
| | |
| Ray
| |
| | |
| Can I visit you in your house to see Anthony?
| |
| | |
| The grandmother
| |
| | |
| Of course, You are welcome. Our address is vatrim street 5087,Hilkhreew No,532
| |
| | |
| The doctor
| |
| | |
| I didn't know your name yet.
| |
| | |
| Ray
| |
| | |
| I'm Ray
| |
| | |
| The doctor
| |
| | |
| I'm doctor Alan, and this is my comrade doctor Steve.
| |
| | |
|
| |
| | |
| - Ray looks to Anthony
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Thank you.
| |
| | |
| - Getting out. Wound bandage on his shoulder.
| |
| | |
| Int. - Ray's apartment - Night
| |
| | |
| A luxury apartment
| |
| | |
| Ray is setting, drinks
| |
| | |
| - Before him a big photo on the wall for a beautiful blond woman, his lover Anne .
| |
| | |
| - A photo for Robin marked with red x, beside it, a photo for another man without x on the wall
| |
| | |
| - Beside Ray briefcase, bag full of money
| |
| | |
| - Looks to the other man's photo
| |
| | |
| - Puts the cup of Brandy
| |
| | |
| - Picks the gun up
| |
| | |
| - Aiming the gun towards the man's photo
| |
| | |
| Ray
| |
| | |
| Now is your turn
| |
| | |
| Did you prepare your coffin?
| |
| | |
| Ray's shot shall penetrate your head
| |
| | |
| Your life becomes just little days.
| |
| | |
| Your face is ugly!
| |
| | |
| Makes me furious like your dead friend!
| |
| | |
| Ext. - Anthony's house - Day
| |
| | |
| - Ray arrives in his car
| |
| | |
| - Without wound bandage
| |
| | |
| Int. - Anthony's Apartment - Day
| |
| | |
| - Knocking the door
| |
| | |
| - The grandmother opens
| |
| | |
| The grandmother
| |
| | |
| Welcome Mr. . Ray
| |
| | |
| Ray
| |
| | |
| Good morning
| |
| | |
| The grandmother
| |
| | |
| Please come in
| |
| | |
| - He enters
| |
| | |
| Ray
| |
| | |
| How is my friend Anthony now?
| |
| | |
| The grandmother
| |
| | |
| He's sleeping since two hours
| |
| | |
| Took analgesic then slept at once.
| |
| | |
| Ray
| |
| | |
| A boy full of vital and joy!
| |
| | |
| The grandmother
| |
| | |
| Would you like seeing him?
| |
| | |
| Ray
| |
| | |
| I come exactly for this purpose
| |
| | |
| The grandmother
| |
| | |
| With pleasure
| |
| | |
| - To Anthony's room, at right side of kitchen
| |
| | |
| - Opening the door
| |
| | |
| - Ray enters
| |
| | |
|
| |
| | |
| Int. - Anthony's bedroom - Day
| |
| | |
| - Looks to the innocent child's face
| |
| | |
| - Gets out then gently closing the door
| |
| | |
| Int. - Hall
| |
| | |
| Ray
| |
| | |
| What about the pain?
| |
| | |
| The grandmother
| |
| | |
| Every day improves than before .
| |
| | |
| It was unforgettable day!
| |
| | |
| I didn't feel him when gone out then sneak into garage.
| |
| | |
| When I saw him screaming.. screaming and his foot full of blood
| |
| | |
| I wept also, Maybe I would faint
| |
| | |
| Ray
| |
| | |
| Anthony looks like me when I was his age
| |
| | |
| The grandmother
| |
| | |
| Really?!!
| |
| | |
| Are you recovered from your injury?
| |
| | |
| Ray
| |
| | |
| Rather
| |
| | |
| Are you live with Anthony alone?
| |
| | |
| The grandmother
| |
| | |
| His parent in a work in Swiss ….. they left him with me
| |
| | |
| I don't know what I can say to them when ask me!
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Don't tell them anything.
| |
| | |
| Don't make them worry.
| |
| | |
| The grandmother
| |
| | |
| There's no doubt when they come back, I shall tell them
| |
| | |
|
| |
| | |
| My temper doesn’t bear anymore!
| |
| | |
| I'm an old woman exceeded 75 years.
| |
| | |
| - Anthony's voice from his bedroom
| |
| | |
| Anthony
| |
| | |
| Grandma.. grandma
| |
| | |
| - Ray with the grandmother to the room
| |
| | |
| Int. - Anthony's bedroom
| |
| | |
| Anthony
| |
| | |
| Ray!... My friend..
| |
| | |
| Ray
| |
| | |
| My friend Anthony
| |
| | |
| Anthony
| |
| | |
| I'm very glad to see you
| |
| | |
| Ray
| |
| | |
| Do you feel any pain right now?
| |
| | |
| Anthony
| |
| | |
| Pain hurts me from time to another
| |
| | |
| But it isn't hard
| |
| | |
| Anthony
| |
| | |
| And you?
| |
| | |
| Is your shoulder hurts you?
| |
| | |
| Ray
| |
| | |
| Sometime
| |
| | |
| Such injury shall not make you play again in the garage
| |
| | |
| Anthony
| |
| | |
| I will not do it again
| |
| | |
| But you didn't tell me?
| |
| | |
| Ray
| |
| | |
| Tell you what?
| |
| | |
| Anthony
| |
| | |
| How your shoulder injured?
| |
| | |
| Ray
| |
| | |
| Is this important?
| |
| | |
| Anthony
| |
| | |
| I'd like to know
| |
| | |
| Ray
| |
| | |
| One of the murderer criminal shoot me
| |
| | |
| Anthony
| |
| | |
| Why?
| |
| | |
|
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| I…….
| |
| | |
| -The grandmother interrupt Ray
| |
| | |
| The grandmother
| |
| | |
| Do feel hungry Anthony?
| |
| | |
| Anthony
| |
| | |
| No, no
| |
| | |
| I don't feel hungry now
| |
| | |
| I want to drink water
| |
| | |
| - Ray pouring him a glass of water
| |
| | |
| - Grandmother looks to her watch
| |
| | |
| The grandmother
| |
| | |
| After half an hour you shall get a capsule of your medication
| |
| | |
| Its time after half an hour
| |
| | |
| Ray
| |
| | |
| Anthony, you look like me when I was in your age
| |
| | |
| Anthony
| |
| | |
| Am I ?
| |
| | |
| I'm glad to hear that my friend
| |
| | |
| Have a photo for you when you were a child to compare myself?
| |
| | |
| Int. - Florida police - corridor -Day
| |
| | |
| Neil from Florida police to the commissioner's office
| |
| | |
| Int. - Florida police -the commissioner's office
| |
| | |
|
| |
| | |
| Neil gets in
| |
| | |
| Commissioner
| |
| | |
| Robin is the Ray's first victim
| |
| | |
| Neil
| |
| | |
| Maybe there's other victim or victims!
| |
| | |
| Commissioner
| |
| | |
| Everything was expected as there's who paying for that..!
| |
| | |
| Where's Albert?
| |
| | |
| Neil
| |
| | |
| I saw him parking his car
| |
| | |
| We shall do our best to arrest him
| |
| | |
| We have got several notifications from New York police confirming that he is in Florida
| |
| | |
| Time is very important
| |
| | |
| Commissioner
| |
| | |
| We're facing professional criminal and very intelligent
| |
| | |
| This made him in the list of the most wanted
| |
| | |
| - Searching some documents on the desk
| |
| | |
| All investigations, evidence and information from New York , it was assured that Ray has come to Florida for a murder as maybe crimes .
| |
| | |
| Neil
| |
| | |
| Exit intersection.. Airport.. Railway stations.. High ways under control!
| |
| | |
| - Albert from FBI enters
| |
| | |
| Commissioner
| |
| | |
| Is there new news?
| |
| | |
|
| |
| | |
| Albert
| |
| | |
| There's no news except what we have verified
| |
| | |
| A killed shoot in the victim's head by Ray!
| |
| | |
| Neil
| |
| | |
| If one of Robin's guard still alive, we couldn't verify that the guard recognized his photo as soon as shown it
| |
| | |
| Albert
| |
| | |
| Yes
| |
| | |
| In addition that, this criminal has super ability to aim the goal accurately, he distinguishes with disguise
| |
| | |
| Commissioner
| |
| | |
| We thank Ray that he didn't disguise when executing this
| |
| | |
| crime
| |
| | |
| Albert
| |
| | |
| Since 6 months, we assured from our source that it was agreed with him to kill one of the elected person in the local municipality elections for the benefit of other elected in one of New York Subsidiaries, but so sorry it could approve the accusation on such elected.
| |
| | |
| Commissioner
| |
| | |
| It must arrest him before making more crimes, he considers a threat for public security
| |
| | |
|
| |
| | |
| Albert
| |
| | |
| It should increase investigations in everywhere may suspecting to be there.
| |
| | |
| Neil
| |
| | |
| Many investigators and private detective are spreading now in everywhere.
| |
| | |
| - Ray's photo on the computer's monitor front of him
| |
| | |
| Commissioner
| |
| | |
| What about the next plan?
| |
| | |
| Did you discussed it together?
| |
| | |
| Neil
| |
| | |
| Yes we discussed
| |
| | |
| Albert
| |
| | |
| We have some notices shall be discussed together
| |
| | |
| Neil
| |
| | |
| I think if could hold this thread, it is probably arrest him
| |
| | |
| Commissioner
| |
| | |
| The success of this plan firstly depends on Brain's agreement to work with us without force.
| |
| | |
| Neil
| |
| | |
| This is very important
| |
| | |
| He departure the prison just from short time
| |
| | |
| Albert
| |
| | |
| If we could persuade him to work with us as a nark! It shall be good!
| |
| | |
| Brain Knows most Rich Businessmen and many persons who pay money versus killing.
| |
| | |
| He has multiple relationships with several gangs and murderers in Florida ! I think he shall do much if agreed to work with us!
| |
| | |
| Commissioner
| |
| | |
| Ok., we see what will happen with him
| |
| | |
| Int. - Ray's Car - Day
| |
| | |
| - Listening to hit music
| |
| | |
| - Mobile ringing
| |
| | |
| - Turning down the music
| |
| | |
| Ray
| |
| | |
| Yes
| |
| | |
| Tony! Where are you?
| |
| | |
| Intercut with Tony in his Car – Day
| |
| | |
| Tony
| |
| | |
| In my car
| |
| | |
| Ray
| |
| | |
| I'm also in the car
| |
| | |
| Tony
| |
| | |
| Are going to the apartment?
| |
| | |
| Ray
| |
| | |
| Yes
| |
| | |
| Tony
| |
| | |
| Ok, I will be at you after half an hour
| |
| | |
| - Ray returns to hit music again
| |
| | |
| Int. - Ray's apartment - Day
| |
| | |
| -Ray holding a cup of wine
| |
| | |
|
| |
| | |
| - Bell 's sound
| |
| | |
| - Opens the door
| |
| | |
| - Tony enters
| |
| | |
| Ray
| |
| | |
| Look……
| |
| | |
| - Refers to Anne's photo
| |
| | |
| Tony
| |
| | |
| A charm woman!
| |
| | |
| Wonder blond! Her golden hair makes her more charm and fascinating.
| |
| | |
| She's really beautiful
| |
| | |
| Ray
| |
| | |
| Would you like a cup?
| |
| | |
| Tony
| |
| | |
| I'll be thankful
| |
| | |
| - Ray prepare him a Cup
| |
| | |
| Tony
| |
| | |
| In the newspaper, I saw the bold … Robin's photo shoot in his head
| |
| | |
| - Ray smiling
| |
| | |
| Tony
| |
| | |
| How I felt proud when you told me, you achieved the first mission!
| |
| | |
| I felt proud because my friend is a professional, never miss his goals
| |
| | |
| Ray
| |
| | |
| Tony…. Do you remember our last days in New York ?
| |
| | |
| Tony
| |
| | |
| I wish if such days returned again whatever for just one day!
| |
| | |
| It was nice days; I left New York to Florida . Since Hank told me that he wants to kill two persons and needs a professional to finishing those at once, I imagine you
| |
| | |
| Ray
| |
| | |
| Hank pays a lot of money!
| |
| | |
| Tony
| |
| | |
| He has great wealth
| |
| | |
| He considers one of businessmen here in Florida . Everything, Trade and Industry.
| |
| | |
| Ray
| |
| | |
| Drugs!
| |
| | |
| Tony
| |
| | |
| No, no ,
| |
| | |
| He doesn't need more money
| |
| | |
| - Tony stands
| |
| | |
| - Fetch another Cup of wine , lighting a cigarette
| |
| | |
| You didn't tell me about Robin, How could get the house? Alarm system in everywhere, Secret doors, Guarding dogs
| |
| | |
| Ray
| |
| | |
| It wasn't a problem to me
| |
| | |
| Tony
| |
| | |
| Do you agree with me that the most danger gang that consisting of just one person… that's you?
| |
| | |
| Ray
| |
| | |
| I agree
| |
| | |
| Tony
| |
| | |
| I affirm that I admire you, Since We
| |
| | |
| Known each other and become friends from 12 years …!
| |
| | |
| -Tony puts his hand on his shoulder
| |
| | |
| Tony
| |
| | |
| Is your shoulder has been recovered?
| |
| | |
| Ray
| |
| | |
| Yes
| |
| | |
| Also Anthony can walk now
| |
| | |
| Exactly Ray but a child, when I saw him I felt that I'm facing myself when I was a child!
| |
| | |
| Anthony asked me about the reason of my shoulder's injury? I forced to lie!
| |
| | |
| I told him that a criminal shot me … then he asked me about the reason too!
| |
| | |
| I dodged to answer … what I would telling him?!
| |
| | |
| I injured when providing a murder mission …! I don't like to know that.
| |
| | |
| Maybe he doesn't understand anything … but I don't like Anthony to know !
| |
| | |
| INT. Brain's apartment – Bedroom – Night
| |
| | |
| - Brain the criminal
| |
| | |
| - Naked in bed with a naked woman
| |
| | |
| The woman
| |
| | |
| I'd like to be with you forever
| |
| | |
| How days, months and years have lost when you were in prison
| |
| | |
| Brain
| |
| | |
| We shall recover those days now
| |
| | |
| - Kissing her
| |
| | |
| - Suddenly
| |
| | |
| Neil and Albert pushing the door strongly
| |
| | |
| - Aiming their guns towards Brain's face
| |
| | |
| Brain
| |
| | |
| Who are you? How did you get in?
| |
| | |
| -The woman screaming…. Putting bed sheet on her breast to cover it.
| |
| | |
| Brain
| |
| | |
| What do you want?
| |
| | |
|
| |
| | |
| Neil
| |
| | |
| Florida police
| |
| | |
| Albert
| |
| | |
| FBI
| |
| | |
| Brain
| |
| | |
| What do you want?
| |
| | |
| I'm arrested?
| |
| | |
| If so, why?
| |
| | |
| Albert
| |
| | |
| You aren’t arrested exactly
| |
| | |
| It is our luck that door was rather opened so we entered
| |
| | |
| Brain
| |
| | |
| I want to know what's happened.
| |
| | |
| Neil
| |
| | |
| You will know everything
| |
| | |
| Brain
| |
| | |
| Shall you take me naked?
| |
| | |
| Albert
| |
| | |
| Wear your clothes then let us go
| |
| | |
| Brain (to Neil )
| |
| | |
| The pants beside you on the chair
| |
| | |
| I'll wear pants under over … would you please?
| |
| | |
| The woman
| |
| | |
| And me …. And me
| |
| | |
| Albert
| |
| | |
| Calm down for a while. you aren't aimed for anything
| |
| | |
| Brain
| |
| | |
| May you bring please?
| |
| | |
| Or you want to down from the bed then walking naked as I born front of you!
| |
| | |
| - Neil throwing the pants on air then falling on his face
| |
| | |
| Brain
| |
| | |
| Thanks
| |
| | |
| - Trying to wear the pants ……. He still under bed sheet
| |
| | |
| - Suddenly throwing the bed sheet on Neil's face
| |
| | |
| - Quickly getting up
| |
| | |
| - Pushing Albert by his hand
| |
| | |
| - Takes his shirt quickly
| |
| | |
| - The woman screaming
| |
| | |
| - Brain running.. escaping from the apartment
| |
| | |
| Ext. - Street - Night
| |
| | |
| - Wearing his shirt while running
| |
| | |
| - Albert & Neil run after him
| |
| | |
| Neil
| |
| | |
| Stop Brain .. stop
| |
| | |
| Albert
| |
| | |
| Don't ever shoot
| |
| | |
| - Hides behind a vettura
| |
| | |
|
| |
| | |
|
| |
| | |
| Neil
| |
| | |
| Rascal!
| |
| | |
| Albert
| |
| | |
| Damned! .. Vile!
| |
| | |
| Ext. - streets -Crowd - Night
| |
| | |
| Albert
| |
| | |
| He's there
| |
| | |
| - Running
| |
| | |
| - Brain among crowd, cars ,people
| |
| | |
| - Trying to stop any car, but useless
| |
| | |
| - Running among people
| |
| | |
| - All go away from him
| |
| | |
| - Hiding behind a stopped car
| |
| | |
| - Careful, looks through car's glass
| |
| | |
| - Sees Neil & Albert
| |
| | |
| - Tries to open car's door
| |
| | |
| The car's Owner
| |
| | |
| Get away of my car
| |
| | |
| - Brain strike his face strongly
| |
| | |
| Neil
| |
| | |
| Is he lost in the crowed?
| |
| | |
| - Brain running
| |
| | |
| - Hits with a man, falling together
| |
| | |
| - Quickly gets up
| |
| | |
| - Keep running
| |
| | |
| Neil
| |
| | |
| He falls there!
| |
| | |
| - Running towards him
| |
| | |
| - Red Pontiac car driven by a woman was steady to be stopped
| |
| | |
| - Brain pushes her out
| |
| | |
| - The woman screaming
| |
| | |
| - Brain rushing into the car
| |
| | |
| - Drives the car with high speed
| |
| | |
| - A taxi is passing in this moment
| |
| | |
| - Albert stops the taxi.
| |
| | |
| Int. - Taxi - Streets - Night
| |
| | |
| Albert
| |
| | |
| Quickly follow that red car
| |
| | |
| We're police
| |
| | |
| - Neil makes a contact
| |
| | |
| - Neil
| |
| | |
| Unit 15
| |
| | |
| Unit 15
| |
| | |
| We're in san Dircy street , We need a police car to halt the way front of the fugitive. Right now. Red Pontiac car
| |
| | |
| Albert( to the taxi driver )
| |
| | |
| Don't let him runaway
| |
| | |
| The taxi driver
| |
| | |
| He's crazy!
| |
| | |
| What this rash does? What is his crime? ...... why
| |
| | |
| Do you chasing him? !
| |
| | |
| Is he stolen this car?
| |
| | |
| Albert
| |
| | |
| Don't talk too much.
| |
| | |
| Keep following
| |
| | |
| Don't let him escape
| |
| | |
| Int. - Streets - The red car
| |
| | |
| - Brain drives the car frivolity
| |
| | |
| - Crushing a car
| |
| | |
| - Keep his way
| |
| | |
| Ext. - Police car - Night
| |
| | |
| - Police car moves
| |
| | |
| Int. - Taxi - Streets
| |
| | |
| Albert
| |
| | |
| Foolish!
| |
| | |
| Neil
| |
| | |
| He near from the highway
| |
| | |
|
| |
| | |
| Ext. - The red car - Street - Night
| |
| | |
| - Car's steering wheel out of his control
| |
| | |
| - Crushing two cars
| |
| | |
| - Getting away from the street
| |
| | |
| - Brain turns with the car then keep his way
| |
| | |
| Ext. - Police car
| |
| | |
| - Police car appears
| |
| | |
|
| |
| | |
| Int. - Police car - Night
| |
| | |
| - 3 Policemen
| |
| | |
| - One of them makes a contact
| |
| | |
| -Picks the microphone to call in
| |
| | |
| The policeman
| |
| | |
| We can 't halt the way !
| |
| | |
| Very crowed !
| |
| | |
|
| |
| | |
| Ext. –The red car – Highway –Night
| |
| | |
| The red car to the Highway
| |
| | |
| Int.. - The taxi - Highway
| |
| | |
| Albert
| |
| | |
| We must contact the first intersection
| |
| | |
| - Neil makes a contact
| |
| | |
| Neil
| |
| | |
| Unit 15 .. unit 15
| |
| | |
| Telling the first intersection with car's details
| |
| | |
| Int. - Police car - Highway - Night
| |
| | |
| The policeman
| |
| | |
| I'll do order right now
| |
| | |
| - Picks up the microphone to call in
| |
| | |
| Intersection A
| |
| | |
| Intersection A
| |
| | |
| From Intersection
| |
| | |
| I hear you
| |
| | |
| The policeman
| |
| | |
| Here unit 15 ,A red Pontiac car
| |
| | |
| Its numbers panel is crushed
| |
| | |
| Driven by a man
| |
| | |
| You should stop this car
| |
| | |
| Int. -The red car - Highway
| |
| | |
| - Brain trying to cross a big truck next to him
| |
| | |
| - Steering wheel out of his control
| |
| | |
| - The car gets away from the way
| |
| | |
| Ext. -The red car - Highway - Night
| |
| | |
| -The car crushing with the iron barrier
| |
| | |
| - Turning over many times
| |
| | |
| - Police car stop
| |
| | |
| - The taxi stop
| |
| | |
| - Running towards Brain
| |
| | |
| - Brain's face bleeding
| |
| | |
| Neil
| |
| | |
| Is he still alive?
| |
| | |
| Albert
| |
| | |
| I don't think so
| |
| | |
| The taxi driver
| |
| | |
| Can I go?
| |
| | |
| Albert
| |
| | |
| We thank you
| |
| | |
| The taxi driver
| |
| | |
| I'm always helping policemen
| |
| | |
| Is this crazy dead?
| |
| | |
| Int. - Neil's office -Day
| |
| | |
| Neil & Albert
| |
| | |
| Neil
| |
| | |
| Our thread has been cut!
| |
| | |
| Albert
| |
| | |
| He's died! I think we mistaken when we entered to his bedroom armed
| |
| | |
| - Ray's photo on the wall … [ Wanted ]
| |
| | |
| Neil
| |
| | |
| Don't forget Brain is a danger criminal
| |
| | |
| Always armed, shooting anyone facing his way
| |
| | |
| Albert
| |
| | |
| He though that we came to arrest him
| |
| | |
| Neil
| |
| | |
| He always used to escape from policemen
| |
| | |
| - Mobile rings
| |
| | |
| Albert
| |
| | |
| Yes
| |
| | |
| When?
| |
| | |
| Watching 24 hours a day
| |
| | |
| Ok … ok
| |
| | |
| Albert
| |
| | |
| There's a call from FBI
| |
| | |
| Neil
| |
| | |
| About Anne?
| |
| | |
| Albert
| |
| | |
| I asked to watch her 24 hours a day
| |
| | |
| Neil
| |
| | |
| Maybe longing and yearning to her lover makes her coming to Florida
| |
| | |
| Albert
| |
| | |
| This is just probability
| |
| | |
| She will be under watching
| |
| | |
| Neil
| |
| | |
| If so, she will make a great help
| |
| | |
| Int. - Anthony's house - bedroom - Day
| |
| | |
| - Anthony wears his clothes
| |
| | |
| Anthony
| |
| | |
| What is your opinion about this red t. shirt?
| |
| | |
| Ray
| |
| | |
| As you like
| |
| | |
| Anthony
| |
| | |
| I ask you my friend
| |
| | |
| Ray
| |
| | |
| This red is elegant
| |
| | |
| Anthony
| |
| | |
| Ok
| |
| | |
| -The grandmother enters
| |
| | |
| Anthony
| |
| | |
| I didn't go out since 20 days grand ma … !
| |
| | |
| The grandmother
| |
| | |
| Anthony, you must be careful
| |
| | |
| Ray
| |
| | |
| Be quiet about him
| |
| | |
| - Anthony combs his hair
| |
| | |
| Anthony
| |
| | |
| I 'm finished
| |
| | |
| Ray
| |
| | |
| Let 's go
| |
| | |
| -Ray helps him
| |
| | |
| Anthony( to his grandmother )
| |
| | |
| Do you change your mind and come with us?
| |
| | |
| - Getting out from the room
| |
| | |
| Int. - Anthony's house - the hall
| |
| | |
| - She opens the door
| |
| | |
| The grandmother
| |
| | |
| Please Mr. Ray don't be late
| |
| | |
| Ray
| |
| | |
| We shall not
| |
| | |
| Ext. - Anthony's house – Day
| |
| | |
| - Ray helps Anthony to get in the car
| |
| | |
| - Puts him safety belt
| |
| | |
| - The boy salutes his grandma
| |
| | |
| - She salutes him
| |
| | |
| - The car moves
| |
| | |
|
| |
| | |
| Int. Ray's Car – Day
| |
| | |
| Ray
| |
| | |
| Would you Italian Food?
| |
| | |
| Anthony
| |
| | |
| Pizza?
| |
| | |
| Ray
| |
| | |
| Pizza.. Do you like pizza?
| |
| | |
| Anthony
| |
| | |
| I think nobody dislike it.
| |
| | |
| Pizza…. Italian food !
| |
| | |
| Ray
| |
| | |
| Also Italy distinguishing with macaroni..
| |
| | |
| Anthony
| |
| | |
| Did you visit Italy before?
| |
| | |
| Ray
| |
| | |
| Since 7 years!
| |
| | |
| Anthony
| |
| | |
| Do you like Pizza my friend?
| |
| | |
| Ray
| |
| | |
| As you said ....No body dislike pizza
| |
| | |
| Anthony
| |
| | |
| To the Italian pizza
| |
| | |
| Ray
| |
| | |
| When your parents come?
| |
| | |
| Anthony
| |
| | |
| I don't know
| |
| | |
| My father called yesterday but didn't tell anything
| |
| | |
| Ray
| |
| | |
| Did you talk with him
| |
| | |
| Anthony
| |
| | |
| Little
| |
| | |
| He called lately at night
| |
| | |
| I was sleepy
| |
| | |
| My grandma didn't tell him about my accident
| |
| | |
| She told me to not say anything
| |
| | |
| Ray
| |
| | |
| well done
| |
| | |
| Anthony
| |
| | |
| Mum will be so sad when knowing what happened to me and of course dad too.
| |
| | |
| But when they come, I shall tell them about you!
| |
| | |
| Ray
| |
| | |
| Me?!
| |
| | |
| What you will say?
| |
| | |
|
| |
| | |
| Anthony
| |
| | |
| I shall say you're my new friend
| |
| | |
| Although you're older than me
| |
| | |
| How old are you?
| |
| | |
| Ray
| |
| | |
| Guess?
| |
| | |
| Anthony
| |
| | |
| 25 , 28 years
| |
| | |
| Ray
| |
| | |
| How old are you exactly?
| |
| | |
| Anthony
| |
| | |
| 9 years
| |
| | |
| Ray
| |
| | |
| I'm older than you about 21 years
| |
| | |
| Anthony
| |
| | |
| 30 years
| |
| | |
| Ray
| |
| | |
| I seem older or younger?
| |
| | |
| Anthony
| |
| | |
| Seem younger
| |
| | |
| Ext. The restaurant - Day
| |
| | |
| - The car is parking
| |
| | |
| - Ray get out
| |
| | |
| - Helps Anthony to getting out
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| What about this Italian restaurant?
| |
| | |
| It offers all kind of Italian food , especially pizza
| |
| | |
| -They enter
| |
| | |
| Int. The restaurant - Day
| |
| | |
| Anthony
| |
| | |
| Is there unoccupied table!
| |
| | |
| What shall we do now ?
| |
| | |
| Going to other restaurant ? … we haven't luck to eat pizza today ?!
| |
| | |
| Ray
| |
| | |
| This time usually crowded
| |
| | |
| -Ray sees unoccupied table
| |
| | |
| Ray
| |
| | |
| There's one
| |
| | |
| -They go to unoccupied table … seating
| |
| | |
| - Waiter gives each one a menu
| |
| | |
| Ray
| |
| | |
| 2 pizza | |
| | |
| Waiter
| |
| | |
| Which kind?
| |
| | |
| Ray
| |
| | |
| All in the menu?
| |
| | |
| Waiter
| |
| | |
| Yes
| |
| | |
| Anthony
| |
| | |
| Great!
| |
| | |
| There're many kinds … sea food pizza, vegetables, meat and others.
| |
| | |
| I take pizza with vegetables
| |
| | |
| And you?
| |
| | |
| Ray
| |
| | |
| Me..
| |
| | |
| This.. no
| |
| | |
| Pizza with tune
| |
| | |
| Waiter
| |
| | |
| Ok sir
| |
| | |
| Anthony
| |
| | |
| Look..
| |
| | |
| -Ray turns around
| |
| | |
| Ray
| |
| | |
| What?
| |
| | |
| Anthony
| |
| | |
| This fat man!
| |
| | |
| Eats with a funny way!
| |
| | |
| Eats gluttony! Doesn't care anyone around him.
| |
| | |
| Doesn't feel shame?!
| |
| | |
| Ray
| |
| | |
| In which class are you in?
| |
| | |
|
| |
| | |
| Anthony
| |
| | |
| Fifth class
| |
| | |
| Ray
| |
| | |
| Are you success or not?
| |
| | |
| Anthony
| |
| | |
| I didn't fall up till now in any exam
| |
| | |
| Ray
| |
| | |
| What would you like to be?
| |
| | |
| Anthony
| |
| | |
| A pilot in U.S. Air forces
| |
| | |
| Ray
| |
| | |
| Do you like air ?
| |
| | |
| Anthony
| |
| | |
| I like planes and pilot's uniform
| |
| | |
| But I prefer warplanes than civilian planes
| |
| | |
| I keep many pictures from magazines and internet about warplanes F16 – F 22 , Ghost, French Mirage, and others .
| |
| | |
| - Waiter brings the pizza
| |
| | |
| Anthony
| |
| | |
| Delicious!
| |
| | |
| Isn't it?
| |
| | |
| Ray
| |
| | |
| Very delicious!
| |
| | |
| Anthony
| |
| | |
| I forget to ask you, what is your job?
| |
| | |
| Ray
| |
| | |
| Why do ask me about my job?
| |
| | |
| Anthony
| |
| | |
| I want to know everything about you.
| |
| | |
| Ray
| |
| | |
| As you guessed my age, can you guess my job?!
| |
| | |
| Anthony
| |
| | |
| This is very difficult!..
| |
| | |
| Ext. Gym center – Day
| |
| | |
| - Tony 's BMW car stopped next to the Gym center
| |
| | |
| - Getting out from the car
| |
| | |
| - Enters
| |
| | |
| Int. Gym Center – Day
| |
| | |
| - Tony walks till reaching the receptionist
| |
| | |
| - Talks with him
| |
| | |
| - Turns around then going to a hall
| |
| | |
| Int. Gym – Center
| |
| | |
| - Looking around
| |
| | |
| - The center has some men and youth in different ages practicing sport with devices
| |
| | |
| - Tony sees Mr.Hank ,about 55 years old
| |
| | |
| - Hank Manilow , one of businessmen , and the most rich man
| |
| | |
| - Tony going forward to him
| |
| | |
| Tony
| |
| | |
| Mr. Hank
| |
| | |
| Hank
| |
| | |
| Tony! … What do you want?
| |
| | |
| Tony
| |
| | |
| Don't want see me?
| |
| | |
| Hank
| |
| | |
| I told you before we shouldn't meet till finishing everything!
| |
| | |
| Tony
| |
| | |
| That's right
| |
| | |
| But …
| |
| | |
| Hank
| |
| | |
| But what?
| |
| | |
| Speak……..
| |
| | |
| Tony
| |
| | |
| You seem annoyed from seeing me!!
| |
| | |
| Hank
| |
| | |
| I don't want anyone seeing us till finishing everything … I warned you before and you disregarded my warning.....
| |
| | |
| Tony
| |
| | |
| Why overdone fear and worry?!
| |
| | |
| Mr. Hank, you seem that you forget our agreement!
| |
| | |
| Hank
| |
| | |
| No
| |
| | |
| I didn't forget
| |
| | |
| Shall we talk in another time
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| When?
| |
| | |
| Hank
| |
| | |
| Tomorrow at seven P.M.
| |
| | |
| Tell me, what about your friend Ray?!
| |
| | |
| Be careful, don't tell him anything about me
| |
| | |
| Never Tony…. Never!
| |
| | |
| You shouldn't mention my name … I don't tell you what I shall do if happened so! Consider it is a threat… warning as you wish…do you understand?
| |
| | |
| Tony
| |
| | |
| The important thing at him is money… just money
| |
| | |
| Be quiet , he doesn't know anything about you
| |
| | |
| Hank
| |
| | |
| Also the important thing for you is money
| |
| | |
| Just money
| |
| | |
| Did he tell you about the second mission?
| |
| | |
| Tony
| |
| | |
| He plans , determining time and place then execute
| |
| | |
| I think he execute successfully
| |
| | |
| He doesn't like to stay here for long time , as soon as finishing the second mission, he will leave Florida
| |
| | |
| Hank
| |
| | |
| Ok Tony
| |
| | |
| You can go
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| Bye..
| |
| | |
| - Hank returns to his gym
| |
| | |
| Hank ( to himself )
| |
| | |
| Vile!
| |
| | |
| Ignoble!
| |
| | |
| Ext. Gym Center - Day
| |
| | |
| - Tony gets out
| |
| | |
| - Drives his car
| |
| | |
| Int. Tony 's apartment - bedroom - Day
| |
| | |
| - A woman in nightgown lies in a bed
| |
| | |
| - The woman is Tony 's lover , Martina
| |
| | |
| - Tony arrives
| |
| | |
| - She hiding behind the door
| |
| | |
| - He begins to take off his shirt
| |
| | |
| - She kissing him
| |
| | |
| Tony
| |
| | |
| Honey!
| |
| | |
| Martina
| |
| | |
| Didn't you feel my presence?
| |
| | |
| Tony
| |
| | |
| It is a pleased surprise!
| |
| | |
| Martina
| |
| | |
| I missed you too much
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| How I miss you!
| |
| | |
| -He kisses her hot deep kiss in her lips
| |
| | |
| Martina
| |
| | |
| We didn't meet than 20 days!
| |
| | |
| Tony
| |
| | |
| I'm really busy these days
| |
| | |
| Do you feel hungry?
| |
| | |
| Martina
| |
| | |
| I prepare you wonder food within minutes
| |
| | |
| - She getting out
| |
| | |
| - He looks to his face on the mirror
| |
| | |
| - Touches his beard
| |
| | |
| - Enters the attached small bathroom to bedroom
| |
| | |
| Int . The bathroom
| |
| | |
| - Tony begins to shave his beard
| |
| | |
| - Martina's voice from the kitchen
| |
| | |
| Martina
| |
| | |
| Would you like omelet with salad or …
| |
| | |
| - Tony doesn't hear
| |
| | |
| Martina
| |
| | |
| Tony … Tony
| |
| | |
| Tony
| |
| | |
| What?
| |
| | |
| - Turns shaver off
| |
| | |
| Tony
| |
| | |
| Do you say something?
| |
| | |
| Martina
| |
| | |
| Would you like omelet with salad or cheese with boiled vegetables?
| |
| | |
| Tony
| |
| | |
| As you with
| |
| | |
| - Turns shaver on
| |
| | |
| Ext. A street - Day
| |
| | |
| - Ray's car stopped
| |
| | |
| - Daimler car stops next to a building
| |
| | |
| Int. Ray's car – Day
| |
| | |
| - Ray watching the building's entrance
| |
| | |
| - Opens car's window little
| |
| | |
| Ext. The building's entrance - Day
| |
| | |
| Arthur… the man whom his photo was hanged beside Robin's photo in Ray's apartment appears.
| |
| | |
| A rich man about 48 years old surrounded with 3 men of his guards.
| |
| | |
| Int. Ray's car - Day
| |
| | |
| - Steady position to shoot
| |
| | |
| - Aiming the gun towards Arthur's head
| |
| | |
| - But suddenly a woman appears cut vision
| |
| | |
| - She kisses Arthur
| |
| | |
| - Guards turning around them
| |
| | |
| - One of them opening the car's door
| |
| | |
| - Arthur sits beside her in the back seat
| |
| | |
| - The car moves
| |
| | |
| - Ray lights a cigarette
| |
| | |
|
| |
| | |
| Ray ( to himself )
| |
| | |
| What is damned luck?!
| |
| | |
| Ignoble prostitute woman!
| |
| | |
| - Turns with the car in the other direction
| |
| | |
| Int. Tony 's apartment – bedroom - Day
| |
| | |
| - Tony with his lover naked in the bed
| |
| | |
| - Dalliances , kisses and embraces
| |
| | |
| - Mobile ringing
| |
| | |
| Tony
| |
| | |
| - Is this a time for calls!
| |
| | |
| - Go to hell
| |
| | |
| Martina
| |
| | |
| Maybe it is an important call
| |
| | |
| Tony
| |
| | |
| There's no one in the world more important than you … I love you … I love you ….
| |
| | |
| Int. Ray's car – Day
| |
| | |
| - Ray trying to make a mobile call , but useless
| |
| | |
| - Throwing mobile with a nervous action to the back seat
| |
| | |
| Ext. Ray's car
| |
| | |
| - Ray's car crossing down town streets
| |
| | |
| - Stops next to a bar
| |
| | |
| - Getting out from the car
| |
| | |
| - Quarrel in the street next to the bar … two men are fighting.
| |
| | |
| - Ray looks to them….
| |
| | |
| - Enters to the bar
| |
| | |
| Int. bar - Day
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Beer
| |
| | |
| - The barman prepares a cup
| |
| | |
| Man (1)
| |
| | |
| This is the worst bar!
| |
| | |
|
| |
| | |
| Man (2)
| |
| | |
| All bars here worst each other!
| |
| | |
| The barman ( to Ray )
| |
| | |
|
| |
| | |
| Is this the first time come to here?
| |
| | |
| - Gives him a Cup
| |
| | |
| - Ray
| |
| | |
| And the last time
| |
| | |
| - They laughing
| |
| | |
| Man (1)
| |
| | |
| Did I tell you!
| |
| | |
| This man shall not come to here again
| |
| | |
| This is the last time
| |
| | |
| - Ray drinks
| |
| | |
| - Looking to them
| |
| | |
| Ray
| |
| | |
| Shut up
| |
| | |
| Man (2)
| |
| | |
| Do you prevent our talks?
| |
| | |
| - Ray going towards him
| |
| | |
| - Catches him from his shirt
| |
| | |
| Ray
| |
| | |
| I don't like to hear your voice
| |
| | |
| Or I shall break your neck
| |
| | |
| The barman
| |
| | |
| I'm sorry for this
| |
| | |
| - Ray ready to go out form the bar
| |
| | |
| The barman
| |
| | |
| You didn't complete your drink !
| |
| | |
| - Ray throwing him about 100 dollar in the air
| |
| | |
| Int. Florida Police - Neil's office - Day
| |
| | |
| - Neil makes mobile call
| |
| | |
| Neil
| |
| | |
| Where are you?
| |
| | |
| Intercut with Albert in a room – Florida Police – Day
| |
| | |
| Albert
| |
| | |
| Floor 2
| |
| | |
| Neil
| |
| | |
| Okay
| |
| | |
| - Neil gets out
| |
| | |
| INT. Corridor - Florida Police
| |
| | |
| Neil ( to Margrate ) Police woman
| |
| | |
| Margrate !congratulations for come back
| |
| | |
| Margrate
| |
| | |
| Hi, Neil , thanks
| |
| | |
| - Neil arrives to a room in floor 2 , then enters
| |
| | |
| Int. - Florida Police- an office room
| |
| | |
| - Ray's photo victims on the wall
| |
| | |
| - The victims , men , woman
| |
| | |
| Neil
| |
| | |
| Ray's Victims!
| |
| | |
| Albert
| |
| | |
| This man!
| |
| | |
| Ray killed him in 1994 . His name
| |
| | |
| Jeff Kilsany . In 1995 another crime has been committed
| |
| | |
| Neil
| |
| | |
| Every year he used to commit a crime As long an there is the sponsor of the committed crimes, he is ready.
| |
| | |
| Albert
| |
| | |
| His victims are many .Look… In the year 2000, he killed that husband after his wife paid to money to do this.
| |
| | |
| Neil
| |
| | |
| There's no thing important in his life more than money
| |
| | |
| Ext. – Ray's Apartment - Night
| |
| | |
| - Light glimmering.
| |
| | |
| - Charming view
| |
| | |
| - Ray looks from the window
| |
| | |
| - Drinks a cup of wine
| |
| | |
|
| |
| | |
| - looking at the photo of the second man, Arthur on the wall.
| |
| | |
| - Spitting on it.
| |
| | |
| Ray
| |
| | |
| You can't escape the next time.
| |
| | |
| I'll kill you ………...... Kill you.
| |
| | |
| - Bell 's sound.
| |
| | |
| - Ray opening the door.
| |
| | |
| - Tony & Ray are embracing each other's.
| |
| | |
| Tony
| |
| | |
| My dear friend
| |
| | |
| Ray
| |
| | |
| You look tired..!
| |
| | |
| Tony
| |
| | |
| Is this clearly appearing on my face?
| |
| | |
| Ray
| |
| | |
| What are you doing to look so tired?
| |
| | |
| Tony
| |
| | |
| Nothing new!
| |
| | |
| - Tony is looking at Anne's photo on the wall....
| |
| | |
| Tony
| |
| | |
| Good Evening my fair lady.
| |
| | |
| Ray
| |
| | |
| I have called you today
| |
| | |
| The mobile was off....
| |
| | |
| Tony
| |
| | |
| I was so busy at that time
| |
| | |
| Ray
| |
| | |
| In what?
| |
| | |
| Tony
| |
| | |
| I went to bed with a woman.
| |
| | |
| - They laughing
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Beautiful?
| |
| | |
| Tony
| |
| | |
| So beautiful.. Charm brunette
| |
| | |
| Ray
| |
| | |
| I don't like brunettes
| |
| | |
| Tony
| |
| | |
| When will you execute the second mission?
| |
| | |
| -Ray sits
| |
| | |
| Ray
| |
| | |
| I was about to kill him, unfortunately he escape
| |
| | |
| Tony
| |
| | |
| How?
| |
| | |
| Ray
| |
| | |
| I was about to shoot him; unfortunately an old cursed woman cut vision.
| |
| | |
| Tony
| |
| | |
| Where?
| |
| | |
| Ray
| |
| | |
| Before the building of his office.
| |
| | |
| - Tony fetch cup of wine
| |
| | |
| Ray
| |
| | |
| He will not escape
| |
| | |
| I need to make surveillance and collect the required information
| |
| | |
| Tony
| |
| | |
| Then, the mission shall be long?
| |
| | |
| Ray
| |
| | |
|
| |
| | |
| Not much
| |
| | |
| Tony
| |
| | |
| I'm waiting
| |
| | |
| - Ray standing
| |
| | |
| Ray
| |
| | |
| The problem that this scoundrel has no appointed time or fixed places.
| |
| | |
| He moves from place to anther continually!
| |
| | |
| He will not escape from Ray's bullet!
| |
| | |
| What's your next deal with Hank?
| |
| | |
| Tony
| |
| | |
| Every thing is delayed!
| |
| | |
| I shall be a partner with 20 %
| |
| | |
| EXT.- Building - Day
| |
| | |
| Ray's car stopped before a building .It consists of 3 floors.
| |
| | |
| - Arthur, appears from the window, with the owner of this building.
| |
| | |
| - Ray is getting out his gun
| |
| | |
| - Directing the gun toward Arthur's head.
| |
| | |
| - But, Arthur enters.
| |
| | |
| - Ray is getting out from the car.
| |
| | |
| - Running toward the building
| |
| | |
| INT. The building
| |
| | |
| - Ray enters
| |
| | |
| - The building is unoccupied.
| |
| | |
| - Ray creeping to the floor where Arthur present in.
| |
| | |
| - Listening to the dialogue..
| |
| | |
| - A group of Arthur's guards.
| |
| | |
|
| |
| | |
| Arthur
| |
| | |
| Be sure, the amount I give you can't be paid by anyone else.
| |
| | |
| The owner
| |
| | |
| I know that
| |
| | |
| Arthur
| |
| | |
| Ok, we agree
| |
| | |
| The owner
| |
| | |
| You offered me very enough amount more than I expected.
| |
| | |
| Arthur
| |
| | |
| Do you know why I bought this building?
| |
| | |
| I shall change it into super restaurant as I shall call it the name of my new wife.
| |
| | |
| She will be so happy when knowing that.
| |
| | |
| You shall get cheque with all amount on Citibank.
| |
| | |
| The owner
| |
| | |
| But… I wished if the cheque was directly on HSBC bank
| |
| | |
| Arthur
| |
| | |
| As you like. No problem
| |
| | |
| Tomorrow morning, I will be in my grange.
| |
| | |
| You can come to sign the cheque
| |
| | |
| The owner
| |
| | |
| Ok
| |
| | |
| Arthur
| |
| | |
| Now, I want to have another look at the floor 3
| |
| | |
| INT. - Corridor - Building
| |
| | |
| - Ray is hiding
| |
| | |
| - Steady position to shoot.
| |
| | |
| - Directing his gun toward Arthur's head, but a guard cut vision.
| |
| | |
| - They are going up to the floor 3
| |
| | |
| - Ray is going down quickly..
| |
| | |
| EXT. - Street - Day
| |
| | |
| - Ray gets out
| |
| | |
| - Running quickly toward his car.
| |
| | |
| - D riving with high speed
| |
| | |
| EXT. - The grange - Day
| |
| | |
| - A large area, bushy trees .
| |
| | |
| - A high fence of wires surrounds the grange.
| |
| | |
| - The gate is closed and guarded by a security man.
| |
| | |
| - Ray wearing a black suit.
| |
| | |
| - Standing before the wires..
| |
| | |
| INT. - The grange
| |
| | |
| - Arthur is lying down in the terrace
| |
| | |
| - Beside him Linda the woman who appeared with him in the entrance of the building of his company .
| |
| | |
| - The guards are four men in different places....
| |
| | |
|
| |
| | |
| - Mobile ringing
| |
| | |
| Arthur
| |
| | |
| Oh my God!
| |
| | |
| Calls never stop
| |
| | |
|
| |
| | |
| Linda
| |
| | |
| Calls means money
| |
| | |
| Arthur
| |
| | |
| It looks no time for relaxation and rest.
| |
| | |
| - Holds mobile sees the called number
| |
| | |
| Arthur
| |
| | |
| He is one of those stupid who doesn't differ between work and rest time!
| |
| | |
| Put this disturb mobile inside , I don't like to hear its ringing!
| |
| | |
| The guard
| |
| | |
| Ok, sir
| |
| | |
| EXT. - the grange - Day
| |
| | |
| - Ray is examining the wires.
| |
| | |
| - He is trying to penetrate the gun through the wires.
| |
| | |
| - But, he can't because of the narrow holes.
| |
| | |
| - Running to his car
| |
| | |
| INT. - The grange - The terrace
| |
| | |
| - Arthur and Linda are still lying down in the terrace
| |
| | |
| A guard
| |
| | |
| The horses are ready
| |
| | |
| - They are getting up
| |
| | |
| Arthur
| |
| | |
| A quite and peaceful horse for you
| |
| | |
| Horses ridding is so enjoyable! Especially in this wonder place and weather!
| |
| | |
| Linda
| |
| | |
| I'm ridding horses since I was eighteen. I didn't continue more than this
| |
| | |
| Arthur
| |
| | |
| You look as you still eighteen!
| |
| | |
| EXT. - Road - Day
| |
| | |
| - Ray has got out his bag from the car
| |
| | |
| - The bag contains a number of tools, wires, scissors and iron equipments.
| |
| | |
| - Taking an iron scissor.
| |
| | |
| - Testing the scissor using a strong cable.
| |
| | |
| - The scissor is cutting the cable.
| |
| | |
| - Taking the scissor.
| |
| | |
| INT. - The grange - Day
| |
| | |
| - Arthur is on the horse.
| |
| | |
| - While Linda on another.
| |
| | |
| - The guards are watching them.
| |
| | |
| - Two of them are on their horses.
| |
| | |
| - While the others are standing.
| |
| | |
| Arthur (to the horse)
| |
| | |
| Oh Faslom! Since a long time, we haven't met
| |
| | |
| Three months ago, I didn't come here.
| |
| | |
| Linda
| |
| | |
| Projects, deals and meetings
| |
| | |
| Arthur
| |
| | |
| My life full of hard work all time
| |
| | |
|
| |
| | |
| Imagine also weekend ,Projects, Deals and Meetings !
| |
| | |
| Linda
| |
| | |
| It is hard! And health ruinous.
| |
| | |
| Arthur
| |
| | |
| I will try to arrange it even if it is hard
| |
| | |
| Linda
| |
| | |
| Did you try before?
| |
| | |
| Arthur
| |
| | |
| I did but I failed
| |
| | |
| Linda
| |
| | |
| Try again
| |
| | |
| EXT. - The grange - Day
| |
| | |
| - Ray is trying to cut parts of the cable using a scissor.
| |
| | |
| - But, he coudn 't
| |
| | |
| - Seeing a big vettura beside the wires , thinking for a moment
| |
| | |
| - Running, getting up of the vettura then, climbs , jumping into the grange without being noticed .
| |
| | |
| INT. - The grange
| |
| | |
| - Ray inside the grange.
| |
| | |
| - Hiding behind a tree.
| |
| | |
| - The horses are before him nearby.
| |
| | |
| - At this moment, One of the guards has been seen him!
| |
| | |
| - Ray is steady position to shoot.
| |
| | |
| The guard
| |
| | |
| Look!
| |
| | |
| - The two guards are shooting
| |
| | |
| - Ray shoots Arthur's head.
| |
| | |
| - Linda screams
| |
| | |
| Linda
| |
| | |
| Arthur! Arthur!
| |
| | |
| - The guards are running toward Arthur.
| |
| | |
| Linda
| |
| | |
| Carry him to the car, I take him to hospital immediately
| |
| | |
| - Two guards carrying him, while the other guards shooting in everywhere.
| |
| | |
| Guard (1)
| |
| | |
| There!
| |
| | |
| Guard (2)
| |
| | |
| He can't escape
| |
| | |
| - The guards are ridding the horses shoot.
| |
| | |
| - Ray is looking at the gate.
| |
| | |
| - He has observed the security man of the gate carrying his gun.
| |
| | |
| - Running behind the trees.
| |
| | |
| - One of guards on his horse has observed him....
| |
| | |
| - He shoots him.
| |
| | |
| - Ray is hiding well behind a tree.
| |
| | |
| - Steady position to shoot.
| |
| | |
| - He has shot the guard on the horse and killed him.
| |
| | |
| - Running, hiding behind the bushy trees and stones.
| |
| | |
| - The four are running, three of them are guards and the forth is a security man.
| |
| | |
| A guard (to the security man)
| |
| | |
| Oh rascal! Stay in the gate
| |
| | |
| - The security man is running toward the gate
| |
| | |
| - Ray is shooting him in his back.
| |
| | |
| A guard
| |
| | |
| This is the villain!
| |
| | |
| - He is shoots
| |
| | |
| A guard
| |
| | |
| We should surround him carefully
| |
| | |
| I'm from this side and you from the right..... Come!
| |
| | |
| - Ray is watching the guard who is moving in the right side.
| |
| | |
| - Steady position to shoots..
| |
| | |
| - Shooting him in his head
| |
| | |
| - Running quickly from the right toward the gate.
| |
| | |
| - The other two guards are running
| |
| | |
| - Ray is coming out to the road.
| |
| | |
| EXT. – Road -Day
| |
| | |
| - Running toward his car.
| |
| | |
| - One of the guards is shooting him.
| |
| | |
| - The bullet hits the car's door.
| |
| | |
| - Getting into the car, driving at utmost speed.
| |
| | |
| - - The guards getting into a car.
| |
| | |
| INT. - Ray's car - Day
| |
| | |
| - He has smashed small wooden booth.
| |
| | |
| - Its parts have scattered.
| |
| | |
| - He is looking at the car mirror.
| |
| | |
| - The guard's car follows him
| |
| | |
| - Ray has heightened the car speed
| |
| | |
| - As a result of the high speed, the car is hitting a tree.
| |
| | |
| - The front part of the car has smashed then stopped.
| |
| | |
| - Comes out quickly.
| |
| | |
| Ext. – Road - Day
| |
| | |
| - Ray running. They are follow him
| |
| | |
| - Before him, a school
| |
| | |
| - Running into the school
| |
| | |
| INT. - school
| |
| | |
| - Teachers and students
| |
| | |
| - Ray rushing to one of the rooms.
| |
| | |
| INT . School - Room
| |
| | |
| - A lady is ready to go out
| |
| | |
| - She hits with Ray, screams
| |
| | |
| - Ray is hiding behind the curtains.
| |
| | |
| - The guards are rushing to the room.
| |
| | |
| - The lady is weeping
| |
| | |
| - Ray is steady position to shoot.
| |
| | |
| - One of them has injured in his shoulder and the other in his foot.
| |
| | |
| - The lady is crying
| |
| | |
| - Screaming from outside
| |
| | |
| - Ray is ready to jump from the window.
| |
| | |
| - Jumping outside.
| |
| | |
| Ext. – Road - Day
| |
| | |
| - Looking at the road, hoping to find any car
| |
| | |
| - A car has appeared from a distance.
| |
| | |
| - Weaving to the car
| |
| | |
| - The car has topped.
| |
| | |
| - A young man of 18 years has driven it.
| |
| | |
| Ray
| |
| | |
| I want to go to the downtown.
| |
| | |
| The young man
| |
| | |
| You are welcome
| |
| | |
| INT. – The car - Day
| |
| | |
| The young man
| |
| | |
| Did you find any problem in this area?
| |
| | |
| Ray
| |
| | |
| No
| |
| | |
| - Ray is getting out tissue from his pocket.
| |
| | |
| - Drying his sweat.
| |
| | |
| - The young man glances a gun
| |
| | |
| - He is worried and confused.
| |
| | |
| The young man
| |
| | |
| Are you a policeman?
| |
| | |
| Ray
| |
| | |
| How did you know?
| |
| | |
| They young man
| |
| | |
| I had glanced a gun
| |
| | |
| - Ray gets a gun
| |
| | |
| Ray
| |
| | |
| It is a gun never leave me
| |
| | |
| It is always my sincere friend
| |
| | |
| I'm a policeman.. Yes
| |
| | |
| I was following one of the criminals
| |
| | |
|
| |
| | |
|
| |
| | |
| The young man
| |
| | |
| Has he escaped?
| |
| | |
| Ray
| |
| | |
| I killed him
| |
| | |
| No one can get away of me
| |
| | |
| The young man
| |
| | |
| It seems that you are an experienced and clever policeman
| |
| | |
| Ray
| |
| | |
| That's what they are saying
| |
| | |
| The young man
| |
| | |
| What did this criminal do?
| |
| | |
| What is his crime?
| |
| | |
| Ray
| |
| | |
| These are top secrets
| |
| | |
| The young man
| |
| | |
| Sorry
| |
| | |
| Policemen very danger job!
| |
| | |
| Full of risks!
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Won't you stop talking?
| |
| | |
| The young man
| |
| | |
| Sorry again
| |
| | |
| Dissolve
| |
| | |
| INT. – Florida police – commissioner's office – Day
| |
| | |
| - The commissioner and Albert with the two guards of Arthur.
| |
| | |
| - The two guards with wound bandage
| |
| | |
| - Albert is holding Ray's photo.
| |
| | |
| - One of the guards is looking at the photo.
| |
| | |
| The guard
| |
| | |
| Yes, he is
| |
| | |
| - The other guards is taking the photo
| |
| | |
|
| |
| | |
| The other
| |
| | |
| He is the dirty criminal!
| |
| | |
| The guard
| |
| | |
| This criminal caused us a disaster!
| |
| | |
| The other
| |
| | |
| We didn't know how he could sneak into the grange?
| |
| | |
| Albert (to commissioner)
| |
| | |
| Concerning the black car, FORD model, it appeared that he has rented of office using a false name called (Ronald Ziessy).
| |
| | |
| The owner of the office has recognized his photo.
| |
| | |
| Knocking on the door.
| |
| | |
| Commissioner.
| |
| | |
| Yes
| |
| | |
| - Linda is entering
| |
| | |
| Commissioner
| |
| | |
| When did your relation begin with Arthur?
| |
| | |
| Linda
| |
| | |
| Since one year
| |
| | |
| Albert
| |
| | |
| Did you see the man of this photo before?
| |
| | |
| - She is looking at Ray's photo
| |
| | |
| Linda
| |
| | |
| No
| |
| | |
|
| |
| | |
| Albert
| |
| | |
|
| |
| | |
| If he has enemies, who are they?
| |
| | |
| Linda
| |
| | |
| I recognized him in one of the biggest concert
| |
| | |
| He was charm and emotional
| |
| | |
| It was the gladdest year of my life.. last year that we spent it together
| |
| | |
| Oh! Such happens has been finished and never come back
| |
| | |
|
| |
| | |
| I don't know anyone of his friends
| |
| | |
| I know only the guards.
| |
| | |
| He was living alone.
| |
| | |
| We were about to marry.
| |
| | |
| -She is crying
| |
| | |
| Commissioner
| |
| | |
| Please, be calm
| |
| | |
| Linda
| |
| | |
| Why has he been killed? Why?! Why?!
| |
| | |
| It's very difficult and hard
| |
| | |
| They killed all my dreams
| |
| | |
| Albert,
| |
| | |
| Please, don’t cry
| |
| | |
| Linda
| |
| | |
| The killer must be submitted to justice
| |
| | |
| Albert
| |
| | |
| This we trying to do so.
| |
| | |
| Did you leave your address, telephone and mobile number with the officer outside?
| |
| | |
| Linda
| |
| | |
| Yes, I did
| |
| | |
| Can I go?
| |
| | |
| Albert
| |
| | |
| But, remember that you are under request at any time and you will be called again for the investigation.
| |
| | |
| - she is coming out
| |
| | |
|
| |
| | |
| The guard
| |
| | |
| She is a respectful woman
| |
| | |
| Albert
| |
| | |
| Have you any comment on her tales?
| |
| | |
| The other
| |
| | |
| No
| |
| | |
|
| |
| | |
| All what she has said is true.
| |
| | |
| It was a wonder love story between them .It ended painfully!
| |
| | |
| Commissioner
| |
| | |
| You can go
| |
| | |
| Albert
| |
| | |
| It should be made a comprehensive investigation concerning to determine the enemies.
| |
| | |
| EXT. – skyscraper - Day
| |
| | |
| - A car of Cadillac has stopped.
| |
| | |
| - A businessman is coming out of it.
| |
| | |
| - He is Dan who is 51 years old.
| |
| | |
| - Enters.
| |
| | |
| INT. – Hank's office – Skyscraper- Day
| |
| | |
| - The 51st floor.
| |
| | |
| - A wonderful decoration.
| |
| | |
| - An extremely majestic office.
| |
| | |
| - Expensive antiques
| |
| | |
| - Hank in his office.
| |
| | |
| - A charming view appears behind the glass.
| |
| | |
| - Knocking on the door.
| |
| | |
| Hank
| |
| | |
| Yes,
| |
| | |
| - The office manger enters
| |
| | |
| The office manger
| |
| | |
| Timetable that you ordered
| |
| | |
| Hank
| |
| | |
| Is there any meeting in the evening?
| |
| | |
| The office manger
| |
| | |
| At seven p.m. with NIOP chairman, Mr. Douglas. That's all
| |
| | |
| Hank
| |
| | |
| Delay such meeting with him.
| |
| | |
| -The office manger gets out.
| |
| | |
| - Dan enters.
| |
| | |
| - Shaking hands.
| |
| | |
| - Dan sits
| |
| | |
| Hank
| |
| | |
| Welcome Dan
| |
| | |
| DAN
| |
| | |
| Did you read the newspapers of the last five days?
| |
| | |
| Hank
| |
| | |
| Just dirty things and have been removed forever.
| |
| | |
| This is the normal punition of those people who trying to dare me. I could revenge for myself in the suitable time
| |
| | |
| Dan
| |
| | |
| Your reaction was danger and unexpected!
| |
| | |
| I surprised for what had happened!
| |
| | |
| Hank
| |
| | |
| They caused me much pain and troubles.
| |
| | |
| Did you forget? They tried to kill me!
| |
| | |
| Dan
| |
| | |
| It couldn't assure that
| |
| | |
| Hank
| |
| | |
| No, I assured
| |
| | |
| I haven't enemies except them
| |
| | |
| -Hank stands looks at the window
| |
| | |
| Dan
| |
| | |
| The comprehensive investigation is still running till now.
| |
| | |
| I hope that you will be above suspicion.
| |
| | |
|
| |
| | |
| -Hank turns to Dan
| |
| | |
| Hank
| |
| | |
| I'm out of any suspicion. I did it to conserve my life and reputation. It was my life's fault that I dealt with those people. But it will not happen again
| |
| | |
|
| |
| | |
| Dan
| |
| | |
| I don't support aggressive and killing as a way of solving the problems and disputes.
| |
| | |
| Hank
| |
| | |
| It is the only way that those know and understand it
| |
| | |
| Without God's blessing I would die now.
| |
| | |
| -Hank sits again
| |
| | |
| Because one of them I lost 19 million dollars in a month!.. The villain Arthur!
| |
| | |
| You think I shall be patient more than that?
| |
| | |
| Dan
| |
| | |
| Be calm.. Relax
| |
| | |
| If you had asked my advice, I would not have given you the permission to do it.
| |
| | |
| It's no use crying over spilt milk.
| |
| | |
| Hank
| |
| | |
| You utter this because they never hurt you.
| |
| | |
| As for me, the situation is completely different.
| |
| | |
| The criminal who is killed doesn't live here
| |
| | |
| Dan
| |
| | |
| I know this before....
| |
| | |
| Hank
| |
| | |
| I was in a badly need first , for a professional killer .Second , in a short time . Third , A killer from outside
| |
| | |
|
| |
| | |
| Dan
| |
| | |
| You attached yourself in a circle! Never can penetrate it easily
| |
| | |
| Hank
| |
| | |
| I was ready to pay any amount whatever
| |
| | |
| There is a mediator between me and the criminal
| |
| | |
| This mediator is a Ragamuffin!
| |
| | |
| He doesn't know anything about me
| |
| | |
| He had never seen me before ,and I 'm too
| |
| | |
| If we meet together anywhere, no one will know the other
| |
| | |
| I feel comfortable now!
| |
| | |
| After killing this scoundrels
| |
| | |
| Dan
| |
| | |
| Who believes that Hank manilow can be involved in such crimes?
| |
| | |
| Hank
| |
| | |
| It's the first time and it will be the last.
| |
| | |
| Dan
| |
| | |
| Although Robin & Arthur are surrounded by a large group of guards , they are killed! I astonish how they could live normally among theses guards!
| |
| | |
| Didn't they feel restricted?
| |
| | |
| Hank
| |
| | |
| They are surrounded by guards of a dirty business in addition to their original work, drugs, money laundering. Etc I'm sure of that
| |
| | |
| Dan
| |
| | |
| You also have two guards!
| |
| | |
| Hank
| |
| | |
| They are guards. Not criminals !
| |
| | |
| -Moment of silence
| |
| | |
| Dan
| |
| | |
| What do you think about?!
| |
| | |
| INT. - taxi - Night
| |
| | |
| -Ray is making a mobile call.
| |
| | |
| -Intercut with Anne in her apartment (bathroom)- Night
| |
| | |
| -The mobile is ringing
| |
| | |
| Anne
| |
| | |
| Ray !!
| |
| | |
| I miss you
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Me too honey
| |
| | |
| I missed you so much
| |
| | |
| Anne
| |
| | |
| All matters are ok?
| |
| | |
| Ray
| |
| | |
| No problems
| |
| | |
| I performed the two missions successfully.....
| |
| | |
| Anne
| |
| | |
| What about your injury ?!
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| It was little injury
| |
| | |
| Anne
| |
| | |
| I can't absolutely bear that
| |
| | |
| Ray
| |
| | |
| Where are you now? What are you doing?
| |
| | |
| Anne
| |
| | |
| In the bathroom
| |
| | |
| While the mobile was ringing, I was taking shower
| |
| | |
| I was feeling that you are going to call me.
| |
| | |
| So I put the mobile on a stand
| |
| | |
| Ray
| |
| | |
| Then you are naked?!
| |
| | |
|
| |
| | |
| - They are laughing
| |
| | |
| Anne
| |
| | |
| We will meet soon!
| |
| | |
| Ray
| |
| | |
| I'm in my way to see Anthony
| |
| | |
| Anne
| |
| | |
|
| |
| | |
| Is he recover from his injury?
| |
| | |
| Ray
| |
| | |
| Yes he can walk normally now.
| |
| | |
| You will see his photo when I come back. I got a photo from him
| |
| | |
| Anne
| |
| | |
| You make me ardent to see his photo
| |
| | |
| Ray
| |
| | |
| I liked him so much
| |
| | |
| Anne
| |
| | |
| I'm going to surprise you
| |
| | |
| Ray
| |
| | |
| You are my charming princess and fair lady
| |
| | |
| What is the surprise?
| |
| | |
| Anne
| |
| | |
| No, I will not tell you
| |
| | |
|
| |
| | |
| Ray
| |
| | |
| Kiss you
| |
| | |
| Anne
| |
| | |
| Kiss you
| |
| | |
| -Turns mobile off
| |
| | |
| -Ray looks from the window seeing a store for toys and gifts
| |
| | |
| Ray (to the driver )
| |
| | |
| please stop front of this store, Wait me
| |
| | |
| -The taxi stops
| |
| | |
| -Ray gets out
| |
| | |
| -Enters to the store
| |
| | |
| INT. - The store - Day
| |
| | |
| Ray
| |
| | |
| I want to buy an airplane but warplane
| |
| | |
| The seller
| |
| | |
| Is this important?
| |
| | |
| Ray
| |
| | |
| Yes,. yes very important
| |
| | |
| The seller
| |
| | |
| Sorry
| |
| | |
| You can find your request after two days if you visited
| |
| | |
| us
| |
| | |
| Ray
| |
| | |
| Unfortunately!.. Thanks
| |
| | |
| -Ray gets out getting in the taxi. Its move
| |
| | |
| INT. - Anthony's apartment - Night
| |
| | |
| - Anthony is looking through the window.
| |
| | |
| - Seeing Ray
| |
| | |
| - Anthony is walking toward the door.
| |
| | |
| The grandmother
| |
| | |
| Anthony !
| |
| | |
| Anthony
| |
| | |
| My Friend …Ray!
| |
| | |
| - Ray enters
| |
| | |
| Ray
| |
| | |
| How are you my little friend, Anthony?
| |
| | |
| Anthony
| |
| | |
| Fine
| |
| | |
| Ray
| |
| | |
| Good evening
| |
| | |
| The grandmother
| |
| | |
| Good evening, you are welcome
| |
| | |
| Next Sunday Anthony's Parents shall come
| |
| | |
| Ray
| |
| | |
| Really?!
| |
| | |
| The grandmother
| |
| | |
| They called me yesterday morning
| |
| | |
| Ray
| |
| | |
| Pleasant news for you Anthony !
| |
| | |
| Anthony
| |
| | |
| I missed them so much
| |
| | |
| Ray
| |
| | |
| I notice that you walk naturally now
| |
| | |
| Anthony
| |
| | |
| Pain has decreased completely
| |
| | |
| Ray
| |
| | |
| I came today to say goodbye
| |
| | |
|
| |
| | |
| Anthony
| |
| | |
| Why?
| |
| | |
| Ray
| |
| | |
| There is no reason to stay here any more Anthony
| |
| | |
| Anthony
| |
| | |
| Why don't you stay here with me?
| |
| | |
| Ray
| |
| | |
| It doesn't mean we shall not meet again
| |
| | |
| Surely I'll back to visit you.
| |
| | |
| Believe me, I wish if time was longer. But sorry
| |
| | |
| Anthony
| |
| | |
| I am so sad to hear this
| |
| | |
| Ray
| |
| | |
| I don't want to see you unhappy
| |
| | |
| The grandmother
| |
| | |
| You will come to visit us?
| |
| | |
| Ray
| |
| | |
| Of course.
| |
| | |
| INT. -Night club -Night
| |
| | |
| - A nightclub in downtown.
| |
| | |
| - Tony with Martina
| |
| | |
| - Drinking
| |
| | |
| Martina
| |
| | |
| This is the last cup please Tony
| |
| | |
| Tony
| |
| | |
| No. we will go on drinking, then spend a hot night
| |
| | |
| We shall spend one of an enjoyable night in our life
| |
| | |
| Martina
| |
| | |
| I'm agree
| |
| | |
| - He kissing her.
| |
| | |
| - Touches her cheek.
| |
| | |
| Martina
| |
| | |
| You excite me
| |
| | |
| Tony
| |
| | |
| This is exactly what I meant
| |
| | |
| Martina
| |
| | |
| Stop it
| |
| | |
| - One of Hank's guards.
| |
| | |
| The guard
| |
| | |
| Mr. Hank wants you at once
| |
| | |
| Tony
| |
| | |
| Now?!
| |
| | |
| The guard
| |
| | |
| He sent me to bring you to him
| |
| | |
| Tony
| |
| | |
| Why did not he contact me through the mobile?
| |
| | |
| The guard
| |
| | |
| I do not know I have no information
| |
| | |
| Tony
| |
| | |
| I shall drink the last cup …,then go with you
| |
| | |
| Shall I bring you a cup
| |
| | |
| The guard
| |
| | |
| No
| |
| | |
| You drink too much
| |
| | |
| Tony
| |
| | |
| Where is he now?
| |
| | |
| The guard
| |
| | |
| In the garden of the villa
| |
| | |
| Tony
| |
| | |
| So it is not far
| |
| | |
| Tony (to Martina)
| |
| | |
| If I am late, go to the apartment
| |
| | |
| I will return back to you
| |
| | |
| They go towards the exit door
| |
| | |
| Tony
| |
| | |
| This is the first time he sends you to arrest me in this way!
| |
| | |
|
| |
| | |
|
| |
| | |
| Ext. Nightclub-Night
| |
| | |
| Tony
| |
| | |
| My car is not here
| |
| | |
| The guard
| |
| | |
| I came in a car
| |
| | |
| -They getting in
| |
| | |
| INT. Bentley Car
| |
| | |
| Tony
| |
| | |
| Wonderful Bentley!
| |
| | |
| The guard
| |
| | |
| He owns a collection of the most excellent recent cars.
| |
| | |
| Tony
| |
| | |
| Do you remember the black MAYBACH car that he bought last month?
| |
| | |
| The guard
| |
| | |
| It is fantastic masterpiece!
| |
| | |
| It made especially for him!
| |
| | |
| EXT. - Garden –Hank 's villa -Night
| |
| | |
| - A villa like a castle
| |
| | |
| - Lights glimmering around the swimming pool that is located in a middle of a garden
| |
| | |
| - Hank is sitting on a chair
| |
| | |
| - A guard is a few meters away
| |
| | |
| - Hank is reading some documents
| |
| | |
| - Tony with the guard entering
| |
| | |
| Tony
| |
| | |
| Is there anything that necessitates coming in this way?
| |
| | |
| - Hank puts the documents on the table.
| |
| | |
| Hank
| |
| | |
| Have a seat
| |
| | |
| Tony
| |
| | |
| Scarcely, I see you in such case
| |
| | |
| Hank
| |
| | |
| Which case you mean?
| |
| | |
| Tony
| |
| | |
| Relaxed. . Not nervous. . not stressed
| |
| | |
| Hank ( to the guard )
| |
| | |
| You can go
| |
| | |
| - The other guard is still here.
| |
| | |
| Tony
| |
| | |
| Why did you ask to see me?
| |
| | |
| Hank
| |
| | |
| Don't be hurry
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| This is the first time happened so
| |
| | |
| Hank
| |
| | |
| I wanted to talk with you
| |
| | |
| Tony
| |
| | |
| In which thing?
| |
| | |
| Hank
| |
| | |
| You were in the bar?
| |
| | |
| Tony
| |
| | |
| Yes
| |
| | |
| Hank
| |
| | |
| Undoubtedly, you won a lot of money since I helped you.
| |
| | |
| Profits from deals from everywhere
| |
| | |
| Commissions, rewards and so on
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| You opened for me many closed doors
| |
| | |
| Hank
| |
| | |
| I think you were and still very loyal
| |
| | |
| Isn't it?!
| |
| | |
| Tony
| |
| | |
| Of course
| |
| | |
| Hank
| |
| | |
| All right
| |
| | |
|
| |
| | |
| Tony
| |
| | |
| I don't understand what you mean?
| |
| | |
| Hank
| |
| | |
| I just wanted to remember you
| |
| | |
| Your friend is so professional
| |
| | |
| He could achieve the two missions successfully.
| |
| | |
| Tony
| |
| | |
| I was sure that. Did I tell you no one as my friend Ray
| |
| | |
|
| |
| | |
| The two missions were done as agreed!
| |
| | |
| Hank
| |
| | |
| Yes . . . Yes
| |
| | |
| Where is he?
| |
| | |
| Tony
| |
| | |
| Why? I think he will leave Florida tomorrow
| |
| | |
| Don't worry .As I told you many times he doesn't know anything about you!
| |
| | |
| He took the money then did the mission
| |
| | |
| Hank
| |
| | |
| Why did you leave New York ?
| |
| | |
| Tony
| |
| | |
| I came to Florida to establish import and export company
| |
| | |
| But unfortunately, project was broken down!
| |
| | |
| I couldn't make any achievement
| |
| | |
|
| |
| | |
|
| |
| | |
| Hank
| |
| | |
| Maybe this is the last meeting between us......
| |
| | |
| Tony
| |
| | |
| Are you traveling abroad?
| |
| | |
| Hank
| |
| | |
| Not me who shall travel
| |
| | |
| Tony
| |
| | |
| I don't understand
| |
| | |
| Hank
| |
| | |
| Never mind
| |
| | |
| - A moment of silence.
| |
| | |
| - Hank with a gestured from his head to the guard
| |
| | |
| - Comes from behind Tony cautiously carrying a gun
| |
| | |
| - The guard shoot Tony
| |
| | |
| - Tony falls on the ground bleeding
| |
| | |
| Hank
| |
| | |
| Sorry Tony
| |
| | |
| You are just an insect that has performed its role . . . a climber!
| |
| | |
| Now your mission is complete
| |
| | |
| (to the guard) As I promised you a big reward is waiting for you …You wouldn't have dreamed of it all your life
| |
| | |
| The guard
| |
| | |
| I am at your service Mr. Hank
| |
| | |
|
| |
| | |
| - The guard puts the corpse in a bursa, ties with iron chains - Carrying it to the car.
| |
| | |
| EXT. –Streets -Night -
| |
| | |
| - The car that carries Tony's corpse crossing down town streets.
| |
| | |
| - A sound of music.
| |
| | |
| EXT. Bridge -Night -
| |
| | |
| - He reaches
| |
| | |
| - Carrying the corpse
| |
| | |
| - The guard watches all directions.
| |
| | |
| - No one
| |
| | |
| - He throws the corpse from the bridge
| |
| | |
| - It sinks in the river
| |
| | |
| The guard
| |
| | |
| Good bye Tony!
| |
| | |
| Money important than anything else
| |
| | |
| I think you know that very well.
| |
| | |
| Dissolve
| |
| | |
| EXT –Tony 's house - Night
| |
| | |
| - Ray is looking at the window of the apartment
| |
| | |
| - No lights
| |
| | |
| - Making a mobile call
| |
| | |
| - But useless
| |
| | |
| INT. Florida police- Day
| |
| | |
| - Neil is reading some documents
| |
| | |
| - Albert enters
| |
| | |
| Neil
| |
| | |
| We couldn't reach anything important up till now!
| |
| | |
| Albert
| |
| | |
| We couldn't reach Ray or the instigator who paid him the money
| |
| | |
| Neil
| |
| | |
| We need more patience and time
| |
| | |
| Albert
| |
| | |
| Danger criminals don't easily arrest them
| |
| | |
| Most know nothing about the enemies
| |
| | |
| Neil
| |
| | |
| They are trying to hide some facts and data because they don't want to involve in any problems
| |
| | |
| Albert
| |
| | |
| This makes our mission more difficult
| |
| | |
| Neil
| |
| | |
| This is the daily reports for the intelligencers , private detectives and investigators
| |
| | |
| Nothing new !
| |
| | |
| Albert
| |
| | |
| The investigation reports are familiar
| |
| | |
| Neil
| |
| | |
| Did you order to continue watching?
| |
| | |
|
| |
| | |
| Albert
| |
| | |
| Yes
| |
| | |
| Watching will not stop on all persons who probably have relation with the two crimes
| |
| | |
| In the first crime, there're 6 persons under control, and in the second crime there're about 11 persons
| |
| | |
| Neil
| |
| | |
|
| |
| | |
| Look! There's news !
| |
| | |
| -They're reading from the computer's monitor
| |
| | |
| Albert
| |
| | |
| Good Anne!
| |
| | |
| - The mobile is ringing.
| |
| | |
| Albert
| |
| | |
| Yes
| |
| | |
| When?
| |
| | |
| This is great news
| |
| | |
| Flight number 542
| |
| | |
| - He looks at his watch
| |
| | |
| Ok
| |
| | |
| We will be waiting
| |
| | |
| Neil
| |
| | |
| Anne!
| |
| | |
| Albert
| |
| | |
| The lover couldn't bear her lover's absence any more.
| |
| | |
| After two hours, she will be at the airport
| |
| | |
| To the airport immediately
| |
| | |
| Come on
| |
| | |
| Neil
| |
| | |
| Unasked, she will lead us to Ray
| |
| | |
| Albert
| |
| | |
| Watching continued for more than two months
| |
| | |
| - They getting out.
| |
| | |
| INT. - Corridor - Florida police - Day
| |
| | |
| Albert & Neil
| |
| | |
| Neil
| |
| | |
| You will fall in the trap today Ray
| |
| | |
| Albert
| |
| | |
| The car is ready?
| |
| | |
| Neil
| |
| | |
| Of course
| |
| | |
| EXT. – Florida police
| |
| | |
| - They getting in a car
| |
| | |
| - Not a police car
| |
| | |
| INT. –The car -Day
| |
| | |
| - Albert drives.
| |
| | |
| Neil
| |
| | |
| Finally Ray!
| |
| | |
| Albert
| |
| | |
| Ray shall be arrest by us within hours
| |
| | |
|
| |
| | |
| Ext.–Airport -Day
| |
| | |
| - An plane lands
| |
| | |
| - The passengers to the arrival hall
| |
| | |
| INT. AirPort –Arrival hall
| |
| | |
| - Albert and Neil are waiting
| |
| | |
| - They watch all the passengers.
| |
| | |
| - Anne appears
| |
| | |
| - Albert sees her
| |
| | |
| Albert
| |
| | |
| Welcome Anne
| |
| | |
| Neil
| |
| | |
|
| |
| | |
| She looks very happy
| |
| | |
| Albert
| |
| | |
| She will see her lover after long time.
| |
| | |
| Neil
| |
| | |
| We leave her till she passes from the arrival hall
| |
| | |
| We will go out from the other door
| |
| | |
| Come on
| |
| | |
| - Anne gets out
| |
| | |
| Ext. –AirPort -Day -
| |
| | |
| Anne (to a taxi driver)
| |
| | |
| Please to the downtown
| |
| | |
| - Albert and Neil are getting into the car.
| |
| | |
| INT. Taxi -Day -
| |
| | |
| - Air touches Anne's hair.
| |
| | |
| - She smiles
| |
| | |
| Anne
| |
| | |
| Weather is wonder!
| |
| | |
|
| |
| | |
| Florida doesn't get crowd like New York
| |
| | |
| The driver
| |
| | |
| I drives slowly, Is this annoying you?
| |
| | |
| Anne
| |
| | |
| Are you a new driver?
| |
| | |
| Int. -The car –Day
| |
| | |
| Albert
| |
| | |
| Come on Anne quickly
| |
| | |
| Neil
| |
| | |
| This taxi driver is very slow
| |
| | |
| Albert
| |
| | |
| I don't know why he drives slowly?!
| |
| | |
| Neil
| |
| | |
| She didn't find except this driver..!
| |
| | |
| Int. –The taxi - Day
| |
| | |
| - The driver looks at the mirror
| |
| | |
| The driver
| |
| | |
| This car is following us
| |
| | |
| Anne
| |
| | |
| What?!
| |
| | |
| The driver
| |
| | |
| Since we moved from the Airport ,this car is following us
| |
| | |
| I 'm sure
| |
| | |
| Anne
| |
| | |
| That Car?
| |
| | |
| The driver
| |
| | |
| Yes
| |
| | |
| -Anne is thinking for minutes
| |
| | |
| Anne
| |
| | |
| Stop please
| |
| | |
| - The taxi stops
| |
| | |
| INT. –The car -Day
| |
| | |
| -The car stops
| |
| | |
| Neil
| |
| | |
| What happened?
| |
| | |
| Albert
| |
| | |
| Oh! My God!
| |
| | |
| A stupid driver!
| |
| | |
| Neil
| |
| | |
| I fear if she observed our following up to her?
| |
| | |
|
| |
| | |
|
| |
| | |
| Int. Taxi - Day
| |
| | |
|
| |
| | |
| The driver
| |
| | |
| Is there any problem between you and the driver of this car?
| |
| | |
| - Anne is thinking
| |
| | |
| - An idea comes to her mind
| |
| | |
| - She looks at the car
| |
| | |
| Anne
| |
| | |
| Is there a hotel nearby?
| |
| | |
| The driver
| |
| | |
| There a small hotel
| |
| | |
| Anne
| |
| | |
| It doesn't important, to that hotel please
| |
| | |
| Where is this hotel?
| |
| | |
| The driver
| |
| | |
| Not far
| |
| | |
| Could you know him? And why following you?
| |
| | |
| Anne
| |
| | |
| No
| |
| | |
| The driver
| |
| | |
| What about if we stop and ask him why he follows us?
| |
| | |
| Anne
| |
| | |
| No …. No don't stop
| |
| | |
| To the hotel quickly
| |
| | |
|
| |
| | |
|
| |
| | |
| The driver
| |
| | |
| This is your first visit to Florida ?
| |
| | |
| Anne
| |
| | |
| The first time
| |
| | |
| INT. Ray's apartment -Day
| |
| | |
|
| |
| | |
| - Checks his gun
| |
| | |
| - The photos are still on the wall. A red sign x on Arthur's photo.
| |
| | |
| - Taking the photos off.
| |
| | |
| - He lights a fire in them
| |
| | |
| - Whops Anne's photo
| |
| | |
| - Kisses it
| |
| | |
| - Puts it inside the bag
| |
| | |
| - A mobile is ringing.
| |
| | |
| Ray
| |
| | |
| Yes
| |
| | |
| Anne!!
| |
| | |
| Intercut with Anne in the taxi – Day
| |
| | |
| Anne
| |
| | |
| Listen to me
| |
| | |
| I am here in Florida in a taxi
| |
| | |
| There is a car follows me now
| |
| | |
| Ray
| |
| | |
| Why did you do that? Why?
| |
| | |
| Do not come to the apartment
| |
| | |
| Take care Anne
| |
| | |
| Anne
| |
| | |
| Sorry my dear
| |
| | |
| Now, I am on my way to one of the hotels
| |
| | |
| Ray
| |
| | |
| Stay in this hotel
| |
| | |
| Anne
| |
| | |
| I never expected that I'd be under surveillance
| |
| | |
| Ray
| |
| | |
| I will leave the apartment
| |
| | |
| Anne
| |
| | |
| To where?
| |
| | |
| Ray
| |
| | |
| I'll leave Florida today despite everything
| |
| | |
| Thanks for your calling.. Anne
| |
| | |
| Sure, the airports are being watched, the high way , The railway
| |
| | |
| If they aren't from the policemen, who are they then?
| |
| | |
| You should stay in the hotel today .Act naturally till you go once again to New York
| |
| | |
| Anne
| |
| | |
| I don't know if there will be an air flight tomorrow or not.
| |
| | |
| Ray
| |
| | |
| You can stay here for some days.
| |
| | |
| Anne
| |
| | |
| I am sorry. I am stupid, foolish
| |
| | |
| Ray
| |
| | |
| No time now
| |
| | |
| Do exactly as I say
| |
| | |
| Anne
| |
| | |
| I will do
| |
| | |
| Ext. –Hotel - Day
| |
| | |
| - The taxi stops.
| |
| | |
| - Anne gets out
| |
| | |
| - Towards the hotel door
| |
| | |
| - She sees the car
| |
| | |
| INT. –The car -Day Neil
| |
| | |
| In that hotel you stay Ray!
| |
| | |
| - The taxi moves
| |
| | |
| - Albert (to the driver)
| |
| | |
| Go to hill
| |
| | |
| INT.– Hotel -Day
| |
| | |
|
| |
| | |
| Anne
| |
| | |
| Please, I want a room
| |
| | |
| The receptionist
| |
| | |
| Do you want certain requirements for the room?
| |
| | |
|
| |
| | |
| Anne
| |
| | |
| Please, quickly
| |
| | |
| The receptionist
| |
| | |
| How many days will you stay here?
| |
| | |
| I asked you before if you want certain requirements for the room.
| |
| | |
| Anne
| |
| | |
| No. No, any room.. Any room
| |
| | |
| The receptionist
| |
| | |
| Please, your I.D. or your passport
| |
| | |
| Anne
| |
| | |
| - Giving him her I.D.
| |
| | |
| The receptionist
| |
| | |
| Room No. 186
| |
| | |
| - Albert & Neil is entering
| |
| | |
| - Only 3 ladies in the reception.
| |
| | |
| - Anne looking to Neil & Albert.
| |
| | |
| The receptionist (to the bellman)
| |
| | |
| Carry the bag to room No.186
| |
| | |
| - The bellman is carrying it to the upper floor
| |
| | |
| - Anne is following him
| |
| | |
| - Albert & Neil to the receptionist
| |
| | |
| Albert
| |
| | |
| We are from FBI and Florida police
| |
| | |
| - Neil is getting out Ray's photo.
| |
| | |
| Neil
| |
| | |
| Is the man of this photo is resider in the hotel now?
| |
| | |
| And in which room?
| |
| | |
| - The receptionist is looking at the photo.
| |
| | |
| The receptionist
| |
| | |
| I had never seen him before
| |
| | |
| Albert
| |
| | |
| Are you sure?
| |
| | |
| The receptionist
| |
| | |
| Yes
| |
| | |
| Neil
| |
| | |
| Verifying from the photo again
| |
| | |
| The receptionist
| |
| | |
| I 'm sure , I didn't see the man of this photo before
| |
| | |
| Albert
| |
| | |
| Guest list please
| |
| | |
| The receptionist
| |
| | |
| Here you're
| |
| | |
| Neil
| |
| | |
| Is there another receptionist here who changes the shifts?
| |
| | |
| The receptionist
| |
| | |
| Amelia starts her shift at six pm.
| |
| | |
| Albert
| |
| | |
| It is possible that Ray has a false I.D or passport
| |
| | |
| Also, probably, he may be disguised.
| |
| | |
| How many guests now in the hotel?
| |
| | |
| The receptionist
| |
| | |
| Only this 3 ladies, with their children and two men, but in out now!
| |
| | |
| - Albert, Neil looking to the 3 ladies
| |
| | |
| - Close up on their faces one after one
| |
| | |
| Neil
| |
| | |
| Oh! My God! I think we need to policewoman for actualization those ladies!
| |
| | |
| Albert
| |
| | |
| We'll wait the two men
| |
| | |
| Neil
| |
| | |
| Don't tell anyone that we're police
| |
| | |
| The receptionist
| |
| | |
| Ok ,sir
| |
| | |
| Neil
| |
| | |
| When these two men come back?
| |
| | |
| The receptionist
| |
| | |
| I don't know
| |
| | |
| Int. Anne's room – Hotel- Day-
| |
| | |
| - Anne is weeping
| |
| | |
| - Making a call
| |
| | |
| Anne
| |
| | |
| Please, Is there is a flight to New York now?
| |
| | |
| At 3 pm.
| |
| | |
| Very Good
| |
| | |
| I want to a ticket please
| |
| | |
| Yes..first class
| |
| | |
| No..no thanks
| |
| | |
| My name is Anne Tieowhel
| |
| | |
| Thank you
| |
| | |
| - Drying her tears
| |
| | |
| EXT. - Cafeteria - Railway station- Day
| |
| | |
| - Ray disguised in a priest dress with beard
| |
| | |
| - Reading a newspaper.
| |
| | |
| - Having two bags.
| |
| | |
| Int. –Hotel – Day
| |
| | |
| - Anne appears going down the stairs
| |
| | |
| - Still Neil, Albert in the reception
| |
| | |
| Anne
| |
| | |
| I have to go now.
| |
| | |
| Sorry
| |
| | |
| The receptionist
| |
| | |
| What has happened?
| |
| | |
| The room unappealing ?
| |
| | |
| Anne
| |
| | |
| The room is fine.
| |
| | |
| This isn't the reason.
| |
| | |
| The receptionist
| |
| | |
| It's a bad luck
| |
| | |
|
| |
| | |
| Anne
| |
| | |
| Thank you
| |
| | |
| The receptionist
| |
| | |
| I wish to see you again in our hotel
| |
| | |
| Anne
| |
| | |
| Thanks again
| |
| | |
| - Anne is looking to Neil & Albert
| |
| | |
| - She is going to the exit door.
| |
| | |
| - Neil & Albert following her
| |
| | |
| Ext. – Hotel- Day
| |
| | |
| - Anne is waving to a taxi.
| |
| | |
| - Getting into.
| |
| | |
| - Alberto & Neil are getting in the car.
| |
| | |
| Int. The car - Day
| |
| | |
| Albert
| |
| | |
| To where Anne?
| |
| | |
| Neil
| |
| | |
| Sure to her lover
| |
| | |
| INT. The taxi
| |
| | |
| -Anne is drying her tears
| |
| | |
| The driver
| |
| | |
| What had happened?!
| |
| | |
| Anne
| |
| | |
| Nothing. Nothing
| |
| | |
|
| |
| | |
| The driver
| |
| | |
| I 'm sorry
| |
| | |
| INT. The car – Day
| |
| | |
| Neil
| |
| | |
| Oh! My God!
| |
| | |
| Albert
| |
| | |
| Impossible!
| |
| | |
| She is returning to the Airport!
| |
| | |
| Neil
| |
| | |
| Caused by the damned driver!
| |
| | |
|
| |
| | |
| What a bad luck!
| |
| | |
| Albert
| |
| | |
| She called Ray to warm him
| |
| | |
| Neil
| |
| | |
| If wasn't that foolish driver!
| |
| | |
| Albert
| |
| | |
| All threads that would lead to Ray have cut.
| |
| | |
| Neil
| |
| | |
| Maybe ,Ray is back with here on the same plane
| |
| | |
| Of course disguising
| |
| | |
| Albert
| |
| | |
| Anyone with her shall be arrested . if he is Ray or not
| |
| | |
| Neil
| |
| | |
| We must arrest her
| |
| | |
|
| |
| | |
| She is accused of helping a criminal to escape.
| |
| | |
| Neil
| |
| | |
| The stupid taxi driver!
| |
| | |
| He could see us in despite of the long distance between the two cars.
| |
| | |
| INT.- Cafeteria - Railway station -Day
| |
| | |
| - Ray is sitting.
| |
| | |
| - Watching the place.
| |
| | |
| - He stands
| |
| | |
| - The porter approaches him..
| |
| | |
| The porter
| |
| | |
| Can I help you?
| |
| | |
| Ray
| |
| | |
| Carry this bag, please.
| |
| | |
|
| |
| | |
| - Ray is carrying only the bag of money and his guns
| |
| | |
| - Going to the platform
| |
| | |
| INT. –The AirPort - Day
| |
| | |
| - Anne is waiting the plane..
| |
| | |
| - Watching the place surrounded.
| |
| | |
| Albert
| |
| | |
| We must verify from all of those.
| |
| | |
| - Passengers on the plane in different ages, old, young, women and men
| |
| | |
| Neil
| |
| | |
| Is he so professional in disguising to this way!
| |
| | |
| - Albert & Neil are approaching her.
| |
| | |
| Albert
| |
| | |
| Let me introduce myself to you
| |
| | |
| I'm Albert, from FBI.
| |
| | |
| - Anne is trying to be calm..
| |
| | |
| Neil
| |
| | |
| Neil from Florida police
| |
| | |
| - Each one of them is showing his I.D. card
| |
| | |
| Anne
| |
| | |
| What do you want?
| |
| | |
| Albert
| |
| | |
| You have come to Florida one hour ago.
| |
| | |
| You didn't stay in the hotel
| |
| | |
| Then you have decided to come back again.
| |
| | |
| Anne
| |
| | |
| Is it outlawed?!
| |
| | |
| Neil
| |
| | |
| But, Helping the criminals to escape are outlawed
| |
| | |
| Anne
| |
| | |
| I don't understand
| |
| | |
| What do you mean?
| |
| | |
| Albert
| |
| | |
| Where is Ray?
| |
| | |
| Anne
| |
| | |
| Who's Ray? I don't know this Ray!
| |
| | |
| What is my crime to arrest me?
| |
| | |
| Albert
| |
| | |
| Help a criminal to escape.
| |
| | |
| Anne
| |
| | |
| I don't know criminals
| |
| | |
| Neil
| |
| | |
| You're Ray's lover, we know that
| |
| | |
| Albert
| |
| | |
| You were watched from the police
| |
| | |
| - Taking her out, Get in the car with them.
| |
| | |
| Int. Florida police - Day
| |
| | |
| Neil
| |
| | |
| Please your handbag
| |
| | |
| Anne
| |
| | |
| It isn't allow to you that
| |
| | |
| Commissioner
| |
| | |
| No, it is allowing....
| |
| | |
| - Neil opens it.
| |
| | |
| - Gets a notebook
| |
| | |
| - Gets mobile out.
| |
| | |
| Albert
| |
| | |
| Where's Ray? Is he still in Florida ? Or back to New York ?
| |
| | |
| Anne
| |
| | |
| I told you I don't know that Ray.
| |
| | |
| - Singer sings this song
| |
| | |
| (the lyric of the song, written by Alaa Soliman)
| |
| | |
| Title:- Can You Sing With Me?!
| |
| | |
| Can you sing with me?!
| |
| | |
| Now.. Sing.. Sing..... Sing.. with me
| |
| | |
| Believe me.. we have a lot to live together and starting again
| |
| | |
| Believe me.. we shall coloring our next life with loud color
| |
| | |
| We are as two birds.. two birds
| |
| | |
| I can take off my heart.. take off my heart
| |
| | |
| Then offering it to you
| |
| | |
| There's no thing shall change our modes.
| |
| | |
| INT. Train - Sunset - Dissolve
| |
| | |
| - The train moves speedy.
| |
| | |
| - Ray is looking at the sights through the window.
| |
| | |
| - The song continues -
| |
| | |
| Sun rises on your face
| |
| | |
| I'll fly from the earth to the sky
| |
| | |
| I'll fly with two wings.
| |
| | |
| Colors dancing front of me
| |
| | |
| All barriers and forests shall be broken.
| |
| | |
| Can you sing with me
| |
| | |
| Sing . sing. sing with me ( END )
| |