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| {{divbox|blue|Unstable version|This is the openly
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| editable version of the definition. Please try to find a consensus for
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| any significant changes you make on the
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| [[Talk:Definition/Unstable|discussion page]]. If you want to work on a
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| substantially different derivative, you can try [[creating a fork]]. See
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| [[authoring process]] for more information.}}
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|
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|
| ----
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| This document provides a definition of "Free Cultural Works" [the
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| Definition], which are roughly works or expressions that can be freely
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| studied, applied, copied and modified, by anyone and for any purpose.
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| The Definition distinguishes between ''free works'' and
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| ''[[licenses|free licenses]]'' which can be used to legally protect the
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| status of a free work. The definition itself is ''not'' a license; it
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| is a tool to determine whether a work or license should be considered
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| "free." This document also describes restrictions that respect or
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| protect the freedoms of Free Cultural Works.
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|
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| == Summary ==
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|
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| '''Free Cultural Works''' are works which anyone can
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| * '''Use'''
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| * '''Study'''
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| * '''Copy'''
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| * '''Change and Improve'''
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| * '''Sell'''
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|
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| '''Free Culture Licenses''' are legal instruments by which copyright
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| owners grant users these freedoms and make their works into Free
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| Cultural Works.
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|
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| In addition to the 5 freedoms listed above '''Free Cultural licenses'''
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| may also include certain restrictions. These can include:
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| * '''Attribution''' - acknowledge other authors
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| * '''Share-alike''' or '''Copyleft'''- derived works must be licensed
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| under the same or compatible license as the original
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| * '''Protection of Freedoms''' - the license may require additional
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| permissions or information is distributed with the works (such as source
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| code, design drawings, musical scores, access codes) where these are
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| needed to create new versions of the work.
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| * '''Due Credit''' Give credit where credit is due. If it's not your
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| work do not claim it as yours.
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|
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| == Preamble ==
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|
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| Since the earliest humans appeared on planet earth they have drawn,
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| painted, sang, carved, weaved, danced, recited, built, studied. These
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| cultural works have been passed down from parent to child, from master
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| to apprentice ever since, each taking the works of those that went
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| before and passing it on to those who came after; each adding and
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| improving and polishing and translating what they received so that human
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| culture could grow and develop.
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|
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| Since Science has been based on an explicit philosophy of sharing
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| information, with all scientists expected to publish and any scientist
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| free to repeat any experiment, we have seen an unprecedented explosion
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| of scientific knowledge.
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|
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| In recent years social and technological advances make it possible for a
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| growing part of humanity to share cultural works that can be
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| represented in digital form with other people they have never met in
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| person. These works include artworks, scientific and educational
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| materials, software, stories, audio and video recordings. Many
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| communities have formed to exercise these new possibilities and create a
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| wealth of collectively reusable works. As these collaboratively
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| produced works grow in commercial value there is ever greater pressure
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| to monetise these works, to erect toll gates so that the community who
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| collaborated to create these works can be charged to access them.
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|
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| At different time over the years Copyright and Patent legislation has
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| been introduced as a way of restricting and taxing that free flow of
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| information - as a way of rewarding particularly innovative new
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| contributions or favoured supporters of the government of the time.
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| These laws have been used to create the tollgates mentioned above.
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|
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| '''Free Culture licenses''' have been created to provide a legal
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| framework which reflects these collaborative working practices,
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| providing a simple way for people to share with others the rights needed
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| for such collaborations to happen, so that users can collaborate and
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| work together to create and improve '''Free Culture Works''' and ensure
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| that these works stay free.
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|
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| ==Free Cultural Works==
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| Free Cultural Works are works where
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| * '''anyone''', i.e. rich or poor, socialist or fascist, man, woman or
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| corporation;
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| * '''anywhere''', i.e. worldwide;
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| * '''anytime''', i.e. unlimited and irrevocable and forever.
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| has each of the following freedoms
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| ====The freedom to use and perform the work====
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| to make any use, private or public, of the work. For kinds of works
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| where it is relevant, this freedom should include all derived uses
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| ("related rights") such as performing or interpreting the work. There
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| must be no exception regarding, for example, political or religious or
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| commercial considerations.
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|
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| ====The freedom to study the work and apply the information====
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| to examine the work and to use the knowledge gained from the work in any
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| way. The license may not, for example, restrict "reverse engineering".
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|
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| ====The freedom to redistribute copies====
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| whether they are sold, swapped or given away for free, as part of a
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| larger work, a collection, or independently. There must be no limit on
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| the amount of information that can be copied. Neither may there be a
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| limit on who can copy the information or on where the information can be
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| copied. The license may not, for example, forbid "Commercial'
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| exploitation of the work.
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|
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| ====The freedom to distribute derivative works====
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| including modified versions (or, for physical works, a work somehow
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| derived from the original), regardless of the intent and purpose of such
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| modifications.
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|
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| == Permissible restrictions==
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| There are certain requirements and restrictions on the use or
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| interchange of works that we feel do not impede the essential freedom in
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| our definition. These restrictions can therefore be included in Free
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| Culture licenses. They are described below.
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|
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| === Attribution of authors ===
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|
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| Attribution protects the integrity of an original work, and provides
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| credit and recognition for authors. A license may therefore require
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| attribution of the author or authors, provided such attribution does not
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| impede normal use of the work. For example, it would not be acceptable
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| for the license to require a significantly more cumbersome method of
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| attribution when a modified version of the licensed text is distributed.
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|
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| In addition to the requirement for attribution the license may include
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| restrictions to ensure the original author is not seen to be responsible
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| for changes to the work made by others. This may include restrictions
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| on the use of trademarks.
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|
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| === Transmission of freedoms ===
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|
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|
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| The license may include a clause, often called ''copyleft'' or
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| ''share-alike'', which ensures that derivative works themselves remain
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| free works. To this effect, it can for example require that derivative
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| works are made available under the same free license as the original.
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|
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| The license may restrict the redistribution of the work as part of a
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| compilation with other works unless the other other works are under the
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| same license or are under another free license.
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|
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| The license may require that where the work is used to provide a service
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| over the internet then users of the service will have rights under the
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| license, such as the right to access, copy, amend and redistribute the
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| source code for software.
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|
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| === Protection of freedoms ===
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|
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| The license may include clauses that strive to further ensure that the
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| ability to exercise the freedoms listed above is not restricted by
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| technical or other means. These can include:
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| * '''Availability of source data:''' Where a final work has been
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| obtained through the compilation or processing of design information or a
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| source file or multiple source files, the license may require that
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| underlying source data should be available alongside the work itself
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| under the same conditions. This can be the score of a musical
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| composition, the models used in a 3D scene, the data of a scientific
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| publication, the drawings and parts list of a machine, or any other such
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| information.
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| * '''Use of a free format:''' For digital files, the license may require
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| that the format in which the work is made available should not be one
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| that can only be read using a particular manufacturers program. Formats
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| should be documented and should not be restricted by patents, unless
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| these patents are licensed for use in free works. While non-free formats
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| may sometimes be used for practical reasons, a free format copy means
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| that the information will be accessible to everyone, for ever.
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| * '''No technical restrictions:''' The license may require that the work
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| must be available in a form where no technical measures are used to
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| limit the freedoms enumerated above.
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| * '''No other restrictions or limitations:''' The license may specify
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| that it may not be used to distribute works which are covered by legal
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| restrictions (patents, contracts, etc.) or limitations (such as privacy
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| rights or being for non-commercial use only) which would impede the
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| freedoms enumerated above. This can mean that if you agree to pay a
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| patent holder for the right to use a program then you can lose the right
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| to distribute that program (since you have acknowledged that you think
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| the patent applies to the programme). This is sometimes known as a
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| '''Liberty or Death''' clause and makes it more dificult for owners of
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| weak patents to divide the users by offering deals to some users under
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| the threat of a costly lawsuit.
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|
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| ===No other restrictions ===
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|
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| Apart from these allowed restrictions, the license ''must not'' include
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| clauses that limit essential freedoms. See [[Permissible restrictions]]
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|
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| == Free Culture Licenses ==
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| It is important that any work that claims to be free provides,
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| practically and without any risk, the aforementioned freedoms.
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|
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| All new works are automatically covered by existing copyright laws which
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| default to All Rights Reserved. All Rights Reserved considerably limit
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| what others can and cannot do with the work. Authors can make their
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| works free by choosing among a number of legal documents known as
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| licenses which grant users the 4 freedoms listed above.
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|
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| Licenses are legal instruments through which the owner of certain legal
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| rights may transfer these rights to third parties. Free Culture
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| Licenses do not take rights away — they specify freedoms that are not
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| included in a default copyright license such as All Rights Reserved.
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| When accepted, they never limit or reduce existing user rights and
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| exemptions under copyright law. Because the grant rights which are
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| additional to the rights users have under copyright therefore users are
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| not required to accept the license unless they want to exercise those
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| additional rights.
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|
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| == Identifying Free Cultural Works ==
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| This is the ''Definition of Free Cultural Works'', and when describing
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| your work, we encourage you to make reference to this definition, as in,
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| "This is a freely licensed work, as explained in the
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| ''[http://freedomdefined.org Definition of Free Cultural Works]''." If
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| you do not like the term "Free Cultural Work," you can use the generic
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| term "Free Content," or refer instead to one of the [[Existing
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| Movements|existing movements]] that express similar freedoms in more
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| specific contexts. We also encourage you to use the [[logos and
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| buttons|Free Cultural Works logos and buttons]], which are in the public
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| domain.
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|
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| Please be advised that such identification does ''not'' actually confer
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| the rights described in this definition; for your work to be actually
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| free, it must use one of the Free Culture [[Licenses]] or be in the
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| public domain, or equivalent of.
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| Please don't use other terms to identify Cultural Works; terms which do
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| not convey a clear definition of freedom; terms such as "Open Content"
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| and "Open Access." These terms are often used to refer to content which
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| is available under "less restrictive" terms than All Rights Reserved, or
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| for works that are just "available on the Web", but they don't
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| necessarily carry with them the freedoms referred to in this document.
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|
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| == Availability of legal instruments ==
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| ''Can'' in ''anyone can use, study, copy, change and improve''
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| ([[Definition/Unstable#Summary|summary]]) means anyone can realistically
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| make his case in court that such freedom was granted. It implies that
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| where a work is made free by way of a free cultural license, the legal
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| instrument, by which the copyright or other right owner grants the
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| license, must also be available to anyone in the legal form that is
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| legally binding in the relevant legal context. The legal instrument
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| should not be jealously and secretly kept by the first licensee.
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|
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| == Further reading ==
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|
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| * See [[Licenses]] for discussion of individual licenses, and whether
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| they meet this definition or not.
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| * See [[History]] for acknowledgments and background on this definition.
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| * See the [[FAQ]] for some questions and answers.
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| * See [[Portal:Index]] for topic-specific pages about free cultural
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| works.
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| * See [http://communities.libre.org/ Libre Communities] and
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| [http://en.wikipedia.org/wiki/Libre_knowledge Wikipedia on Free/Libre
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| Knowledge]
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| * See [http://ictlogy.net/?p=12#fourkinds The Four Kinds of Freedom of
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| Free Knowledge]
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|
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| == Versioning ==
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|
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| New versions of this definition shall be released as soon as a consensus
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| (achieved directly or through a vote, as per the [[authoring process]])
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| has developed around suggested changes. Numbering shall be 0.x for
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| initial draft releases, 1.x, 2.x .. for major releases, x.1, x.2 .. for
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| minor releases. A minor release is made when the text is modified in
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| ways which do not have an impact on the scope of existing or
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| hypothetical licenses covered by this definition.
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|
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| __NOTOC__
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