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{{divbox|blue|Unstable version|This is the openly
editable version of the definition. Please try to find a consensus for
any significant changes you make on the
[[Talk:Definition/Unstable|discussion page]]. If you want to work on a
substantially different derivative, you can try [[creating a fork]]. See
[[authoring process]] for more information.}}


----
This document provides a definition of "Free Cultural Works" [the
Definition], which are roughly works or expressions that can be freely
studied, applied, copied and modified, by anyone and for any purpose. 
The Definition distinguishes between ''free works'' and
''[[licenses|free licenses]]'' which can be used to legally protect the
status of a free work.  The definition itself is ''not'' a license; it
is a tool to determine whether a work or license should be considered
"free."  This document also describes restrictions that respect or
protect the freedoms of Free Cultural Works.
== Summary ==
'''Free Cultural Works''' are works which anyone can
* '''Use'''
* '''Study'''
* '''Copy'''
* '''Change and Improve'''
* '''Sell'''
'''Free Culture Licenses''' are legal instruments by which copyright
owners grant users these freedoms and make their works into Free
Cultural Works.
In addition to the 5 freedoms listed above '''Free Cultural licenses'''
may also include certain restrictions. These can include:
* '''Attribution''' - acknowledge other authors
* '''Share-alike''' or '''Copyleft'''- derived works must be licensed
under the same or compatible license as the original
* '''Protection of Freedoms''' - the license may require additional
permissions or information is distributed with the works (such as source
code, design drawings, musical scores, access codes) where these are
needed to create new versions of the work.
* '''Due Credit''' Give credit where credit is due. If it's not your
work do not claim it as yours.
== Preamble ==
Since the earliest humans appeared on planet earth they have drawn,
painted, sang, carved, weaved, danced, recited, built, studied. These
cultural works have been passed down from parent to child, from master
to apprentice ever since, each taking the works of those that went
before and passing it on to those who came after; each adding and
improving and polishing and translating what they received so that human
culture could grow and develop.
Since Science has been based on an explicit philosophy of sharing
information, with all scientists expected to publish and any scientist
free to repeat any experiment, we have seen an unprecedented explosion
of scientific knowledge.
In recent years social and technological advances make it possible for a
growing part of humanity to share cultural works that can be
represented in digital form with other people they have never met in
person. These works include artworks, scientific and educational
materials, software, stories, audio and video recordings.  Many
communities have formed to exercise these new possibilities and create a
wealth of collectively reusable works. As these collaboratively
produced works grow in commercial value there is ever greater pressure
to monetise these works, to erect toll gates so that the community who
collaborated to create these works can be charged to access them.
At different time over the years Copyright and Patent legislation has
been introduced as a way of restricting and taxing that free flow of
information - as a way of rewarding particularly innovative new
contributions or favoured supporters of the government of the time.
These laws have been used to create the tollgates mentioned above.
'''Free Culture licenses''' have been created to provide a legal
framework which reflects these collaborative working practices,
providing a simple way for people to share with others the rights needed
for such collaborations to happen, so that users can collaborate and
work together  to create and improve '''Free Culture Works''' and ensure
that these works stay free.
==Free Cultural Works==
Free Cultural Works are works where
* '''anyone''', i.e. rich or poor, socialist or fascist, man, woman or
corporation;
* '''anywhere''', i.e. worldwide;
* '''anytime''', i.e. unlimited and irrevocable and forever.
has each of the following freedoms
====The freedom to use and perform the work====
to make any use, private or public, of the work. For kinds of works
where it is relevant, this freedom should include all derived uses
("related rights") such as performing or interpreting the work. There
must be no exception regarding, for example, political or religious or
commercial considerations.
====The freedom to study the work and apply the information====
to examine the work and to use the knowledge gained from the work in any
way. The license may not, for example, restrict "reverse engineering".
====The freedom to redistribute copies====
whether they are sold, swapped or given away for free, as part of a
larger work, a collection, or independently. There must be no limit on
the amount of information that can be copied. Neither may there be a
limit on who can copy the information or on where the information can be
copied. The license may not, for example, forbid "Commercial'
exploitation of the work.
====The freedom to distribute derivative works====
including modified versions (or, for physical works, a work somehow
derived from the original), regardless of the intent and purpose of such
modifications.
== Permissible restrictions==
There are certain requirements and restrictions on the use or
interchange of works that we feel do not impede the essential freedom in
our definition. These restrictions can therefore be included in Free
Culture licenses. They are described below.
=== Attribution of authors ===
Attribution protects the integrity of an original work, and provides
credit and recognition for authors. A license may therefore require
attribution of the author or authors, provided such attribution does not
impede normal use of the work. For example, it would not be acceptable
for the license to require a significantly more cumbersome method of
attribution when a modified version of the licensed text is distributed.
In addition to the requirement for attribution the license may include
restrictions to ensure the original author is not seen to be responsible
for changes to the work made by others. This may include restrictions
on the use of trademarks.
=== Transmission of freedoms ===
The license may include a clause, often called ''copyleft'' or
''share-alike'', which ensures that derivative works themselves remain
free works. To this effect, it can for example require that derivative
works are made available under the same free license as the original.
The license may restrict the redistribution of the work as part of a
compilation with other works unless the other other works are under the
same license or are under another free license.
The license may require that where the work is used to provide a service
over the internet then users of the service will have rights under the
license, such as the right to access, copy, amend and redistribute the
source code for software.
=== Protection of freedoms ===
The license may include clauses that strive to further ensure that the
ability to exercise the freedoms listed above is not restricted by
technical or other means. These can include:
* '''Availability of source data:''' Where a final work has been
obtained through the compilation or processing of design information or a
source file or multiple source files, the license may require that
underlying source data should be available alongside the work itself
under the same conditions. This can be the score of a musical
composition, the models used in a 3D scene, the data of a scientific
publication, the drawings and parts list of a machine, or any other such
information.
* '''Use of a free format:''' For digital files, the license may require
that the format in which the work is made available should not be one
that can only be read using a particular manufacturers program. Formats
should be documented and should not be restricted by patents, unless
these patents are licensed for use in free works. While non-free formats
may sometimes be used for practical reasons, a free format copy means
that the information will be accessible to everyone, for ever.
* '''No technical restrictions:''' The license may require that the work
must be available in a form where no technical measures are used to
limit the freedoms enumerated above.
* '''No other restrictions or limitations:''' The license may specify
that it may not be used to distribute works which are covered by legal
restrictions (patents, contracts, etc.) or limitations (such as privacy
rights or being for non-commercial use only) which would impede the
freedoms enumerated above. This can mean that if you agree to pay a
patent holder for the right to use a program then you can lose the right
to distribute that program (since you have acknowledged that you think
the patent applies to the programme). This is sometimes known as a
'''Liberty or Death''' clause and makes it more dificult for owners of
weak patents to divide the users by offering deals to some users under
the threat of a costly lawsuit.
===No other restrictions ===
Apart from these allowed restrictions, the license ''must not'' include
clauses that limit essential freedoms. See [[Permissible restrictions]]
== Free Culture Licenses ==
It is important that any work that claims to be free provides,
practically and without any risk, the aforementioned freedoms.
All new works are automatically covered by existing copyright laws which
default to All Rights Reserved. All Rights Reserved considerably limit
what others can and cannot do with the work. Authors can make their
works free by choosing among a number of legal documents known as
licenses which grant users the 4 freedoms listed above. 
Licenses are legal instruments through which the owner of certain legal
rights may transfer these rights to third parties.  Free Culture
Licenses do not take rights away — they specify freedoms that are not
included in a default copyright license such as All Rights Reserved.
When accepted, they never limit or reduce existing user rights and
exemptions under copyright law. Because the grant  rights which are
additional to the rights users have under copyright therefore users  are
not required to accept the license unless they want to exercise those
additional rights.
== Identifying Free Cultural Works ==
This is the ''Definition of Free Cultural Works'', and when describing
your work, we encourage you to make reference to this definition, as in,
"This is a freely licensed work, as explained in the
''[http://freedomdefined.org Definition of Free Cultural Works]''."  If
you do not like the term "Free Cultural Work," you can use the generic
term "Free Content," or refer instead to one of the [[Existing
Movements|existing movements]] that express similar freedoms in more
specific contexts. We also encourage you to use the [[logos and
buttons|Free Cultural Works logos and buttons]], which are in the public
domain.
Please be advised that such identification does ''not'' actually confer
the rights described in this definition; for your work to be actually
free, it must use one of the Free Culture [[Licenses]] or be in the
public domain, or equivalent of.
Please don't use other terms to identify Cultural Works; terms which do
not convey a clear definition of freedom; terms such as "Open Content"
and "Open Access." These terms are often used to refer to content which
is available under "less restrictive" terms than All Rights Reserved, or
for works that are just "available on the Web", but they don't
necessarily carry with them the freedoms referred to in this document.
== Availability of legal instruments ==
''Can'' in ''anyone can use, study, copy, change and improve''
([[Definition/Unstable#Summary|summary]]) means anyone can realistically
make his case in court that such freedom was granted. It implies that
where a work is made free by way of a free cultural license, the legal
instrument, by which the copyright or other right owner grants the
license, must also be available to anyone in the legal form that is
legally binding in the relevant legal context. The legal instrument
should not be jealously and secretly kept by the first licensee.
== Further reading ==
* See [[Licenses]] for discussion of individual licenses, and whether
they meet this definition or not.
* See [[History]] for acknowledgments and background on this definition.
* See the [[FAQ]] for some questions and answers.
* See [[Portal:Index]] for topic-specific pages about free cultural
works.
* See [http://communities.libre.org/ Libre Communities] and
[http://en.wikipedia.org/wiki/Libre_knowledge Wikipedia on Free/Libre
Knowledge]
* See [http://ictlogy.net/?p=12#fourkinds The Four Kinds of Freedom of
Free Knowledge]
== Versioning ==
New versions of this definition shall be released as soon as a consensus
(achieved directly or through a vote, as per the [[authoring process]])
has developed around suggested changes. Numbering shall be 0.x for
initial draft releases, 1.x, 2.x .. for major releases, x.1, x.2 .. for
minor releases. A minor release is made when the text is modified in
ways which do not have an impact on the scope of existing or
hypothetical licenses covered by this definition.
__NOTOC__

Revision as of 14:12, 17 May 2024