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Dokumen ini mendefinisikan "Karya Budaya Bebas" sebagai karya atau kenyataan yang boleh dibelajarkan, disalinkan atau diubahsuaikan oleh seseorang secara bebas, untuk tujuan. Ia juga also describes certain permissible restrictions that respect or protect these essential freedoms. The definition distinguishes between ''free works'', and ''[[licenses|free licenses]]'' which can be used to legally protect the status of a free work. The definition itself is ''not'' a license; it is a tool to determine whether a work or license should be considered "free."
 
Dokumen ini mendefinisikan "Karya Budaya Bebas" sebagai karya atau kenyataan yang boleh dibelajarkan, disalinkan atau diubahsuaikan oleh seseorang secara bebas, untuk tujuan. Ia juga also describes certain permissible restrictions that respect or protect these essential freedoms. The definition distinguishes between ''free works'', and ''[[licenses|free licenses]]'' which can be used to legally protect the status of a free work. The definition itself is ''not'' a license; it is a tool to determine whether a work or license should be considered "free."
  
== Mukadimah ==
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== Preamble ==
  
Kemajuan sosial dan teknologi membolehkan sekelompok manusia yang sedang berkembang untuk ''mencapai, mencipta, mengubah suai, menerbit dan mengedar'' pelbagai jenis karya - artworks, scientific and educational materials, software, articles - in short: ''anything that can be represented in digital form''. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.
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Social and technological advances make it possible for a growing part of humanity to ''access, create, modify, publish and distribute'' various kinds of works - artworks, scientific and educational materials, software, articles - in short: ''anything that can be represented in digital form''. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.
  
 
Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.  
 
Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.  

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